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Showing posts with label Weird Fiction. Show all posts
Showing posts with label Weird Fiction. Show all posts

Thursday, July 18, 2024

Weird Tales, v24n04, [1934-10], (Complete Magazine) (PDF)




 Weird Tales, v24n04, [1934-10], Complete Magazine

 

 

Note: Pages 485 and 486 are damaged.

CONTENTS:

Weird Tales [v24 #4, October 1934] (25¢, 128pp+, pulp, cover by M. Brundage)
402 · The Black God’s Kiss [Jirel of Joiry] · C. L. Moore · nv
422 · The Seven Geases [Hyperborea] · Clark Ashton Smith · nv
436 · Old Sledge · Paul Ernst · ss
445 · The Sleeper · H. Bedford-Jones · ss
451 · The Pistol · S. Gordon Gurwit · ss
462 · The Hill Woman · Frances Elliott · pm
463 · The Trail Of The Cloven Hoof [Part 4 of 7] · Arlton Eadie · n.
482 · Children Of The Moon · A. Leslie · pm
483 · Supper For Thirteen · Julius Long · ss
487 · Old House · Marvin Luter Hill · pm
488 · The People Of The Black Circle [Part 2 of 3; Conan] · Robert E. Howard · na
505 · At the Bend Of The Trail · Manly Wade Wellman · ss
508 · The White Prince · Ronal Kayser · ss
512 · Fioraccio · Giovanni Magherini-Graziani; translated by Mary A. Craig · ss 

Modern Ghosts, ed. Anon., Harper’s 1890; translated from the Italian.
[letter] · Eugene Benefiel · lt
[letter] · Alicia & Ellington Curtis · lt
[letter] · Julius Hopkins · lt
[letter] · Edith Hurley · lt
[letter] · Robert W. Lowndes · lt
[letter] · A. Merritt · lt
[letter] · Charles Minarcik · lt
[letter] · Alvin Earl Perry · lt
[letter] · Edison Avery Price · lt
[letter] · Walter L. Reeve · lt
[letter] · B. M. Reynolds · lt
[letter] · E. Z. Stowell · lt
[letter] · Harry S. Weatherby · lt
[letter] · Wilfred D. Wright · lt

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Weird Tales, July 1926, v08n01, Complete Magazine (PDF)

 



Weird Tales, v08n01, published in July 1926, includes a variety of strange and supernatural stories. Here is a list of the titles of the stories featured in this issue:

  1. "The House on the Borderland" by William Hope Hodgson
  2. "The Seven Ageless" by Raymond W. Shumway
  3. "The Call of Cthulhu" by H.P. Lovecraft
  4. "The Black Kiss" by Robert E. Howard
  5. "The Tree" by Walter de la Mare
  6. "The Door of Doom" by Arthur J. Burks
  7. "The Witches’ Sabbath" by Lady Eleanor Smith
  8. "The Outsider" by H.P. Lovecraft
  9. "The Thing in the Fog" by Seabury Quinn
  10. "The Vengeance of Ixmal" by Otis Adelbert Kline
  11. "The Black Stone Statue" by Mary Elizabeth Counselman
  12. "The Bloodstained Parasol" by James B. M. Clarke
  13. "The People of the Pit" by A. Merritt

This selection showcases the diverse range of horror and fantasy tales that "Weird Tales" was known for, featuring works from some of the most prominent writers in the genre.

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Sunday, August 20, 2023

Weird Tales, July 1933: Complete Magazine (PDF)

Weird Tales vol. 22, no. 1 (July 1933): 86–111. 
Weird Tales vol. 22, no. 1 (July 1933): 86–111.

 

Weird Tales, July 1933: Complete Magazine


By H. P. Lovecraft


Contents

  • 3 • The Hand of Glory • [Jules de Grandin] • novelette by Seabury Quinn
  • 3 •  The Hand of Glory • interior artwork by Jayem Wilcox
  • 25 • Voodoo Song • poem by Mary Elizabeth Counselman
  • 26 • The Fire Creatures • novelette by Edmond Hamilton
  • 26 •  The Fire Creatures • interior artwork by Jayem Wilcox
  • 43 • The Thing from the Grave • short story by Harold Ward
  • 43 •  The Thing From the Grave • interior artwork by Jayem Wilcox
  • 49 • The Horror in the Museum • novelette by Hazel Heald and H. P. Lovecraft [as by Hazel Heald]
  • 49 •  The Horror in the Museum • interior artwork by Jayem Wilcox
  • 68 • Golden Blood (Part 4 of 6) • serial by Jack Williamson
  • 69 •  Golden Blood (Part 4 of 6) • interior artwork by J. Allen St. John
  • 85 • Pirates' Cave • poem by Alfred I. Tooke
  • 86 • The Dreams in the Witch-House • [Cthulhu Mythos (Lovecraft originals)] • novelette by H. P. Lovecraft
  • 86 •  The Dreams in the Witch-House • interior artwork by Jayem Wilcox
  • 111 • The Dance of the Dead • poem by Robert B. Gray
  • 112 • Ubbo-Sathla • [Hyperborea] • short story by Clark Ashton Smith
  • 117 • The Man on the Ground • short story by Robert E. Howard
  • 120 •  Weird Tales, July 1933 • [Weird Tales Decorations] • interior artwork by uncredited (variant of Weird Tales, January 1925 [3] 1925)
  • 121 •  Weird Story Reprint • (1928) • interior artwork by Hugh Rankin
  • 121 • Green Tea • [Martin Hesselius] • (1872) • novelette by Joseph Sheridan Le Fanu [as by J. Sheridan Le Fanu]
  • 132 •  The Eyrie • (1924) • interior artwork by Andrew Brosnatch
  • 132 • The Eyrie (Weird Tales, July 1933) • [The Eyrie] • essay by The Editor
  • 132 •  Letter (Weird Tales, July 1933) • essay by Carl J. Smith
  • 132 •  Letter (Weird Tales, July 1933) • essay by J. W. Hammond
  • 132 •  Letter (Weird Tales, July 1933) • essay by Katharine Buoy
  • 132 •  Letter (Weird Tales, July 1933) • essay by Ian C. Knox
  • 132 •  Letter (Weird Tales, July 1933) • essay by Paul MacMeekim
  • 133 •  Letter (Weird Tales, July 1933) • essay by Mrs. J. T. McCrorey
  • 133 •  Letter (Weird Tales, July 1933) • essay by Donald Allgeier
  • 133 •  Letter (Weird Tales, July 1933) • essay by Richard Dodson
  • 133 •  Letter (Weird Tales, July 1933) • essay by J. D. Arden
  • 133 •  Letter (Weird Tales, July 1933) • essay by James B. Lyncy, Jr.
  • 134 •  Letter (Weird Tales, July 1933) • essay by Mrs. C. G. McDowell
  • 134 •  Letter (Weird Tales, July 1933) • essay by J. C. Koekler
  • 134 •  Letter (Weird Tales, July 1933) • essay by Jack L. Grillo [as by J. L. Grillo]
  • 134 •  Letter (Weird Tales, July 1933) • essay by Gustave W. Buley
  • 139 • Coming Next Month (Weird Tales, July 1933) • essay by uncredited

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Wednesday, April 12, 2023

The Green Flame (1930) by Donald Wandrei

 

The Green Flame  (1930) by Donald Wandrei
Appeared in Weird Tales, Volume 16, Issue 1

The Green Flame

 

by Donald Wandrei

Moulton’s grandson watched with covetous eyes the strange actions of the old man. Behind locked doors, the old man thought himself safe, and performed the ritual that had become the soul of his existence. But his precautions were useless, as they had been for weeks, and his grandson looked on.

Within, for all his eagerness, the old man raised the lid of the box as if he thought it was empty. And even when he saw the heap within, he tilted the lid slowly until it hung back. Not till then did he raise the lamp. The emeralds that had lain dark within the chest began to glow softly as the first rays of light fell upon them, and when the lamp was directly over the heap, those on the surface shone with a wondrous green fire, a fire that mingled the dark tones of the sea with the sinister duskiness that moves within the depths of absinthe, a radiance as of stars and phosphorus and polished jade all wrought into one color, glowing with a mystic and ineffable glow. He lowered the lamp closer to the heap, and the slumbering fire burst into a blaze of dark glory that flashed from center to center, from stone to stone, from facet to facet, kindling every jewel, melting and blending the shades into living splendor. He swayed the lamp back and forth above the horde, and all the emeralds began an innumerable winking and twinkling in little green tongues of fire that played across the gems, that flickered from every jewel, that leaped and danced as they poured forth all together their deep beauty. And he set the lamp down at his side and plunged his hands into the pile, and drew forth great handfuls of emeralds. And he let them fall in a stream past the lamp so that every stone sparkled and scintillated mysteriously while it imprisoned within its depths that priceless, living glow. And the stream of stones flashed upon the walls dark shadows that shifted with the shifting of the lambent tints of the jewels. In an ecstasy, he threw a shower of emeralds into the air so that flaming jewels filled the room with a tinted darkness shot with sparkles of green.

Again he lifted the lamp above the chest, and the emeralds shone with a multitudinous fire that swayed, oddly rhythmically, as if the gems were chanting an unknown music, could he but translate the colors into sound, into a symphony in green.

His eyes were lighted and his face shone with rapture; as he turned away from the horde to leave the chamber, green fires burned before his haunted eyes.

Moulton’s grandson wanted those jewels. There was only one way to obtain them. Even the thought of murder did not appall him in their presence. His kinship had long passed from his mind. Since he could not open the safe himself, he would be forced to kill Moulton while the old man played with his sorcerous gems. One thing still delayed the grandson.

A week later, even that one thing no longer made him wait. He was watching Moulton the night his collection became complete, the night he unwrapped the hugest emerald in all the world, and the myriad other stones paled beside a blaze of fire that flared out from his last jewel. They called it “The Green Flame.” It had come from the heart of India, and now, in this chamber, it seemed to foam and overflow and spill out a wicked torrent of light. But the fiery stream that enchanted the old man raised in the younger only greedy thoughts.

It was after 1 o’clock when Moulton’s grandson left his room a couple of nights later. He carefully turned his flashlight around him. The house was of great age, and strange. All the paneling, the decorations and tapestries dated back to older years. There were many rooms, and the passageway rambled in all directions. Some of the doors looked as if they had never been opened. It was a good thing he had lived in the house, else he could only have found his way with difficulty.

He followed his course and halted at length before the heavy door. Before entering, he stood in dusk for a minute. The silence was unbroken, as before. Somehow, he wished it weren’t quite so silent, or the house so gloomy. Still, everything must be all right. Moulton had entered more than an hour before, and a light still burned inside.

He cautiously inserted his duplicate key and turned the door-knob, taking pains to make no sound. Then he slowly pushed the door open.

On the threshold he halted aghast. In the center of the room lay the body of the old man, curiously shriveled and shrunken. Beside it, on a table, lay an emerald, an emerald such as the eyes of man had never beheld, a great jewel of monstrous size. But he knew that no gem of such size existed in all the world, that “The Green Flame” was not one-third so large. The entire room shone with light and more than light, and in that fire, the bright ray of his flashlight glimmered pale and feeble. For out of the center of the emerald shone a flame, and that elfin flame rose and fell and rose, and with its rising and falling, an awful fire streamed out upon the table, across to the walls and along the walls to all the comers of the room and back; and with the ebb and flow of that terrible flame, the fire in the jewel blazed anew, while the air burned with a strange, unearthly radiance. For the emerald was aflame, and its heart was aflame, and its surface was aflame, and inside it was all fire, and from it poured that dreadful wave of glory. And in the core of the jewel, a great, burning stream arose, and with its rise and fall, the hellish fire shone forth and the sinister blaze burst out as if long pent up, to swell the ebb and flow of flame across the table. And the fire blazed from one emerald!

A shiver shook Moulton’s grandson. Then a blind terror overwhelmed him, and, scarce knowing what he did, he swung up his revolver and fired. There came an angry spat, an answering crack as the gem shattered. He screamed; at the same time, the house rocked to its foundation — the air burst with thunder — a strange lightning flickered about — the entire heavens seemed to be falling — he groped vainly as a rushing wall of blackness swept upon him. 

About the Author 

Donald Wandrei
 Donald Albert Wandrei (20 April 1908 – 15 October 1987) was an American science fiction, fantasy and weird fiction writer, poet and editor. He was the older brother of science fiction writer and artist Howard Wandrei. He had fourteen stories in Weird Tales, another sixteen in Astounding Stories, plus a few in other magazines including Esquire. Wandrei was the co-founder (with August Derleth) of the prestigious fantasy/horror publishing house Arkham House. Wikipedia

Donald Wandrei at Amazon

 

Tuesday, April 11, 2023

The Murderer (1912) by Perceval Gibbon

 

Volume 15, Issue 1  Cover art by C.C. Senf
Volume 15, Issue 1

Cover art by C.C. Senf

 

The Murderer

BY PERCEVAL GIBBON


FROM the open door of the galley, where the cross, sleepy cook was coaxing his stove to burn, a path of light lay across the deck, showing a slice of steel bulwark with ropes coiled on the pins, and above it the arched foot of the mainsail. In the darkness forward, where the port watch of the Villingen was beginning the sea day by washing down decks, the brooms swished briskly and the head-pump clacked like a great, clumsy clock.

The men worked in silence, though the mate was aft on the poop, and nothing prevented them from talking as they passed the buckets to and from the tub under the pump and drove their brooms along the planks. They labored with the haste of men accustomed to be driven hard, with the shuffling, involuntary speed that has nothing in it of free strength or good-will. The big German four-master had gathered from the boarding-houses of Philadelphia a crew representing all the nationalities which breed sailors, and carried officers skilled in the crude arts of getting the utmost out it. And since the lingua franca of the sea, the tongue which has meaning for Swedish carpenters, Finn sail-makers, and Greek fo'c's'le hands alike, is not German, orders aboard the Villingen were given and understood in English.

"A hand come aft here!"

It was the mate's voice from the poop, robust and peremptory. Conroy, one of the two Englishmen in the port watch, laid down the bucket he was carrying and moved aft in obedience to the summons. As he trod into the slip of light by the galley door he was visible as a fair youth, long-limbed and slender, clad in a serge shirt, with dungaree trousers rolled up to the knees and girt with a belt which carried the usual sheath-knife. His pleasant face had a hint of uncertainty; it was conciliatory and amiable; he was an able seaman of the kind which is manufactured by a boarding-master short of men out of a runaway apprentice. The others, glancing after him while they continued their work, saw him suddenly clear by the galley door, then dim again as he stepped beyond it. He passed out of sight toward the lee poop ladder.

The silent, hurried sailors pressed on with their work, while the big bark purred through the water to the drone of wind thrusting in the canvas. The brooms were abaft of the galley when the outcry began which caused them to look apprehensively toward the poop without ceasing their business of washing down. First it was an oath in explosive German, the tongue which puts a cutting-edge on profanity; then the mate's roar:

"Is dat vat I tell you, you verfluchter fool? Vat? Vat? You don't understand ven I speak? I show you vat—"

The men who looked up were on the wrong side of the deck to make out what was happening, for the chart-house screened the drama from them. But they knew too well the meaning of that instantaneous silence which cut the words off. It was the mate biting in his breath as he struck. They heard the smack of the fist's impact and Conroy's faint, angry cry as he failed to guard it; then the mate again, bull-mouthed, lustful for cruelty: "Vat—you lift up your arm to me? You dog!" More blows, a rain of them, and then a noise as though Conroy had fallen or been knocked down. And after that a thud and a scream.

The men looked at one another, and nods passed among them. "He kicked him when he was down on the deck," the whisper went. The other Englishman in the watch swore in a low grunt and dropped his broom, meeting the wondering eyes of the "Dutchmen" and "Dagoes" with a scowl. He was white-haired and red-faced, a veteran among the nomads of the sea, the oldest man aboard, and the only one in port watch who had not felt the weight of the mate's fist. Scowling still, as though in deep thought, he moved toward the ladder. The forlorn hope was going on a desperate enterprise of rescue.

It might have been an ugly business; there was a sense in the minds of his fellows of something sickening about to happen; but the mate had finished with Conroy. The youth came staggering and crying down the ladder, with tears and blood befouling his face, and stumbled as his foot touched the deck. The older man, Slade, saved him from falling, and held him by the upper arm with one gnarled, toil-roughened hand, peering at him through the early morning gloom.

"Kicked you when you was down, didn't he?" he demanded, abruptly.

"Yes," blubbered Conroy, shivering and dabbing at his face. "With his sea- boots, too, the—the—"

Slade shook him. "Don't make that noise or he might kick you some more," he advised, grimly. "You better go now an' swab that blood off your face."

"Yes," agreed Conroy, tremulously, and Slade let him go.

The elder man watched him move forward on shambling and uncertain feet, with one hand pressed to his flank, where the mate's kick was still an agony. Slade was frowning heavily, with a tincture of thought in his manner, as though he halted on the brink of some purpose.

"Conroy," he breathed, and started after the other.

The younger man turned. Slade again put his hand on Conroy's arm.

"Say," he said, breathing short, "is that a knife in your belt?"

Conroy felt behind him, uncomprehending, for the sheath-knife which he wore, sailor fashion, in the middle of his back.

"What d'you mean?" he asked, vacantly. "Here's my knife."

He drew it and showed it to Slade, the flat blade displayed in his palm.

The white-haired seaman thrust his keen old face toward Conroy's, so that the other could see the flash of the white of his eyes.

"And he kicked you, didn't he?" said, Slade, tensely. "You fool!"

He struck the knife to the deck, where it rattled and slid toward the scupper.

"Eh?" Conroy gaped, not understanding. "I don't see what—"

"Pick it up!" said Slade, with a gesture toward the knife. He spoke as though he strangled an impulse to brandish his fists and scream in a nasal whisper. "It's safe to kick you," he said. "A woman could do it."

"But—" Conroy flustered, vaguely.

Slade drove him off with a wave of his arm and turned away with the abruptness of a man disgusted beyond hearing. Conroy stared after him and saw him pick up his broom where he had dropped it and join the others. His intelligence limped; his thrashing had stunned him, and he could not think—he could only feel, like fire in his mind, the passion of the feeble soul resenting injustice and pain which it cannot resist or avenge. He stooped to pick up his knife and went forward to the tub under the head-pump, to wash his cuts in cold sea-water, the cheap balm for so many wrongs of cheap humanity.

It was an accident such as might serve to dedicate the day to the service of the owners of the Villingen. It was early and sudden; but, save in these respects, it had no character of the unusual. The men who plied the brooms and carried the buckets were not shocked or startled by it so much as stimulated; it thrust under their noses the always imminent danger of failing to satisfy the mate's ideal of seaman-like efficiency. They woke to a fresher energy, a more desperate haste, under its suggestion.

It was after the coffee interval, which mitigates the sourness of the morning watch, when daylight had brought its chill, gray light to the wide, wet decks, that the mate came forward to superintend the "pull all round" which is the ritual sequel to washing down.

"Lee fore-brace, dere!" his flat, voluminous voice ordered, heavy with the man's potent and dreaded personality. They flocked to obey, scurrying like scared rats, glancing at him in timid hate. He came striding along the weather side of the deck from the remote, august poop; he was like a dreadful god making a dreadful visitation upon his faithful. Short-legged, tending to bigness in the belly, bearded, vibrant with animal force and personal power, his mere presence cowed them. His gross face, the happy face of an egoist with a sound digestion, sent its lofty and sure regard over them; it had a kind of unconsciousness of their sense of humility, of their wrong and resentment—the innocence of an aloof and distant tyrant, who has not dreamed how hurt flesh quivers and seared minds rankle. He was bland and terrible; and they hated him after their several manners, some with dull fear, one or two—and Slade among them—with a ferocity that moved them like physical nausea.

He had left his coat on the wheel-box to go to his work, and was manifestly unarmed. The belief which had currency in the forecastle, that he came on watch with a revolver in his coat-pocket, did not apply to him now; they could have seized him, smitten him on his blaspheming mouth, and hove him over the side without peril. It is a thing that has happened to a hated officer more than once or ten times, and a lie, solemnly sworn to by every man of the watch on deck, has been entered in the log, and closed the matter for all hands. He was barer of defense than they, for they had their sheath-knives; and he stood by the weather-braces, arrogant, tyrannical, overbearing, and commanded them. He seemed invulnerable, a thing too great to strike or defy, like the white squalls that swooped from the horizon and made of the vast Villingen a victim and a play-thing. His full, boastful eye traveled over them absently, and they cringed like slaves.

"Belay, dere!" came his orders, over-loud and galling to men surging with cowardly and insufferable hate. "Lower tobsail—haul! Belay! Ubber tobsail—haul, you sons of dogs! Haul, dere, blast you! You vant me to come over and show you?"

Abjectly, desperately, they obeyed him, spending their utmost strength to placate him, while the naked spirit of murder moved in every heart among them. At the tail of the brace, Conroy, with his cuts stanched, pulled with them. His abject eyes, showing the white in sidelong glances, watched the great, squat figure of the mate with a fearful fascination.

Eight bells came at last, signaling the release of the poor watch from the deck and the tension of the officer's presence. The forecastle received them, the stronghold of their brief and limited leisure. The unkempt, weather-stained men, to whom the shifting seas were the sole arena of their lives, sat about on chests and on the edges of the lower bunks, at their breakfast, while the pale sunlight traveled to and fro on the deck as the Villingen lurched in her gait. Conroy, haggard and drawn, let the coffee slop over the brim of his hook-pot as he found himself a seat.

"Well, an' what did he punch ye for this time?"

It was old Slade who put the question, seated on a chest with his back against the bulkhead. His pot was balanced on his knee, and his venerable, sardonic face, with the scanty white hair clinging about the temples, addressed Conroy with slow mockery.

Conroy hesitated. "It was all over coilin' away some gear," he said. Slade waited, and he had to go on. He had misunderstood the mate's order to coil the ropes on the pins, where they would be out of the way of the deck-washing, and he had flemished them down on the poop instead. It was the mistake of a fool, and he knew it.

Slade nodded. "Ye-es," he drawled. "You earned a punch an' you got it. But he kicked you, too, didn't he?"

"Kicked me!" cried Conroy. "Why, I thought he was goin' to kill me! Look here—look at this, will you?"

With fumbling hands he cast loose his belt and flung it on the floor, and plucked his shirt up so as to leave his side bare. He stood up, with one arm raised above his head, showing his naked flank to the slow eyes of his shipmates. His body had still a boyish delicacy and slenderness; the labor of his trade had not yet built it and thickened it to a full masculinity of proportion. Measured by any of the other men in the watch, it was frail, immature, and tender. The moving sunlight that flowed around the door touched the fair skin and showed the great, puffed bruises that stood on it, swollen and horrid, like some vampire fungus growing on the clean flesh.

A great Greek, all black hair and eyeball, clicked softly between his teeth.

"It looks like a hell!" he said, softly, in his purring voice.

"Dem is kicks, all right—ja!" said some one else, and yet another added the comment of a heavy oath.

Old Slade made no comment, but sat, balancing his hook-pot of coffee and watching the scene under his heavy white brows. Conroy lowered his arm and let the shirt fall to cover the bruises.

"You see?" he said, to Slade.

"I see," answered the other, with a bitter twist of his old, malicious lips. Setting down the pot which he held, he stooped and lifted the belt which Conroy had thrown down. It seemed to interest him, for he looked at it for some moments.

"And here's yer knife," he said, reaching it to the youth, still with his manner of mockery. "There's some men it wouldn't be safe to kick, with a knife in their belts."

He and Conroy were the only Englishmen there; the rest were of the races which do not fight bare-handed. The big Greek flashed a smile through the black, shining curls of his beard, and continued to smile without speaking. Through the tangle of incomprehensible conventions, he had arrived at last at a familiar principle.

Conroy flushed hotly, the blood rising hectic on his bruised and broken face.

"If he thinks it's safe with me," he cried, "he'll learn different. I didn't have a chance aft there; he came on me too quick, before I was expecting him, and it was dark, besides. Or else—"

"It 'll be dark again," said Slade, with intent, significant eyes fixed on him, "and he needn't be expecting you. But—it don't do to talk too much. Talk's easy—talk is."

"I'll do more than talk," responded Conroy. "You'll see!"

Slade nodded. "Right, then; we'll see," he said, and returned to his breakfast.

His bunk was an upper one, lighted and aired by a brass-framed port-hole. Here, when his meal was at an end, he lay, his pipe in his mouth, his hands behind his head, smoking with slow relish, with his wry old face upturned, and the leathery, muscular forearms showing below the rolled shirt-sleeves. His years had ground him to an edge; he had an effect, as he lay, of fineness, of subtlety, of keen and fastidious temper. Forty years of subjection to arbitrary masters had left him shrewd and secret, a Machiavelli of the forecastle.

Once Conroy, after seeming to sleep for an hour, rose on his elbow and stared across at him, craning his neck from his bunk to see the still mask of his face.

"Slade?" he said, uncertainly.

"What?" demanded the other, unmoving.

Conroy hesitated. The forecastle was hushed; the seamen about them slumbered; the only noises were the soothing of the water overside, the stress of the sails and gear, and the irregular tap of a hammer aft. It was safe to speak, but he did not speak.

"Oh, nothing," he said, and lay down again. Slade smiled slowly, almost paternally.

It took less than eight hours for Conroy's rancor to wear dull, and he could easily have forgotten his threat against the mate in twelve, if only he had been allowed to. He was genuinely shocked when he found that his vaporings were taken as the utterance of a serious determination. Just before eight bells in the afternoon watch he went forward beneath the forecastle head in search of some rope-yarns, and was cutting an end off a bit of waste-line when the Greek, he of the curly beard and extravagant eyeballs, rose like a demon of pantomime from the forepeak. Conroy had his knife in his hand to cut the rope, and the Greek's sudden smile seemed to rest on that and nothing else.

"Sharp, eh?" asked the Greek, in a whisper that filled the place with dark drama.

Conroy paused, apprehending his meaning with a start.

"Oh, it's all right," he growled, and began to saw at the rope in his hand, while the Greek watched him with his fixed, bony smile.

"No," said the latter, suddenly. "Data-a not sharp—no! Look-a 'ere; you see dis?"

He drew his own knife, and showed it pointing toward Conroy in a damp, swarthy hand, whose knuckles bulged above the haft. His rough, spatulate thumb rasped along it, drawing from it the crepitation that proves an acute edge.

"Carve him like-a da pork," he said, in his stage-conspirator's whisper. "And da point—now, see!"

He glanced over his shoulder to be sure that none overlooked them; then, with no more than a jerk of his hand beside his hip, threw the keen blade toward the wooden door of the bo'sun's locker. It traveled through the air swiftly and stuck, quivering on its thin point, in the stout teak. The Greek turned his smile again for a moment on Conroy before he strode across and recovered it.

"You take? im," he whispered. "Better dan your little knife—yais."

By the mere urgency of his proffering it, the exchange was made, and Conroy found himself with a knife in his hand that fell through the strands of the manila line as though they had been butter, an instrument made and perfected for a murder.

"Yes, but look here," he began, in alarm.

The broad, mirthless smile was turned on him.

"Just like-a da pork," purred the Greek, and nodded assuringly before he turned to go aft.

The bull-roar of the mate, who was awaiting his return with the rope-yarns, roused Conroy from a scared reverie over the knife. He started; the mate was hustling furiously forward in search of him, full of uproar and anger.

"Dam' lazy Svhwein, you goin' to schleep dere? You vant me to come an' fetch you? You vant anodder schmack on de Maul to keep you avake—yes?"

He stamped into view round the forward house, while Conroy stood, convicted of idleness by the rope in his hand only half cut through. At the same moment a population of faces came into being behind him. A man who had been aloft shuffled down to the rail; a couple of others came into view on the deck; on top of the house, old Slade kneeled to see under the break of the forecastle head. It seemed as though a skeptical audience had suddenly been created out of his boast of the morning, every face threatening him with that shame which vanity will die rather than endure. In a panic of his faculties he took one step toward the mate.

"Hey?" The mate halted in his stride, with sheer amazement written on his face. "You vant yer head knocked off—yes?"

"No, I don't," said Conroy, out of a dry mouth.

According to the usage of ships, even that was defiance and a challenge.

He had forgotten the revolver with which the mate was credited; he had forgotten everything but the fact that eyes were on him. Even the knife in his hand passed from his mind; he was a mere tingling pretense at fortitude, expending every force to maintain his pose.

"Put dat knife avay!" ordered the mate, suddenly.

He arrested an automatic movement to obey, fighting down a growing fear of his opponent.

"I've not finished with it yet," he answered.

The mate measured him with a practised eye. Though he had the crazy courage of a bulldog, he was too much an expert in warlike emergencies to overlook the risk of trying to rush a desperate man armed with a knife; the chances of the grapple were too ugly. There was something lunatic and strange in the youth's glare also; and it will sometimes happen that an oppressed and cowed man in his extremity will shrug his meekness from him and become, in a breath, a desperado. This had its place in the mate's considerations.

"Finish, den!" he rasped, with no weakening of his tone or manner. "You don't t'ink I'm goin' to vait all night for dem rope-yarns—hey?"

He turned his back at once lest Conroy should venture another retort and make an immediate fight unavoidable. Before his eye the silent audience melted as swiftly as it had appeared, and Conroy was alone with his sick sense of having ventured too far, which stood him in place of the thrill of victory.

The thrill came later, in the forecastle, where he swelled to the adulation of his mates. They, at any rate, had been deceived by his attitude; they praised him by word and look; the big Greek infused a certain geniality into his smile. Only Slade said the wrong thing.

"I was ready for him as soon as he moved," Conroy was asserting. "And he knew it. You should ha' seen how he gaped when I wouldn't put the knife away."

The men were listening, crediting him. Old Slade, in the background, took his pipe from his lips.

"An' now I suppose you're satisfied," he inquired, harshly.

"How d'you mean, satisfied?" demanded Conroy, coloring. "You saw what happened, didn't you?"

"You made him gape," said Slade. "That was because he made you howl, eh? Well, ain't you calling it quits, then—till the next time he kicks you?"

Some one laughed; Conroy raised his voice.

"He'll never kick me again," he cried. "His kicking days are over. He's kicked me once too often, he has. Quits—I guess not!"

Slade let a mouthful of smoke trickle between his lips; it swam in front of his face in a tenuous film of pale vapor.

"Well, talkin' won't do it, anyhow," he said.

"No," retorted Conroy, and collected all eyes to his gesture. "But this will!"

He showed them the thin-bladed knife which the Greek had given him, holding it before them by the hilt. He let a dramatic moment elapse.

"Like that!" he said, and stabbed at the air. "Like that—see? Like that!"

They came upon bad weather gradually, drawing into a belt of half-gales, with squalls that roared up from the horizon and made them for the time into whole gales. The Villingen, designed and built primarily for cargo capacity, was a wet ship, and upon any point of sailing had a way of scooping in water by the many tons. In nearly every watch came the roar, "Stand by yer to'gallant halliards!" Then the wait for ten seconds or ten minutes while the wind grew and the big four-masted bark lay over and bumped her bluff bows through racing seas, till the next order, shriller and more urgent, "Lower avay!" and the stiff canvas fought and slatted as the yards came down. Sea-boots and oilskins were the wear for every watch; wet decks and the crash of water coming inboard over the rail, dull cold and the rasp of heavy, sodden canvas on numb fingers, became again familiar to the men, and at last there arrived the evening, graved with tempest, on which all hands reefed topsails.

The mate had the middle watch, from midnight till four o'clock in the morning, and for the first two hours it was Conroy's turn on the lookout. The rest, in oilskins and sea-boots, were standing by under the break of the poop; save for the sleeping men in the shut forecastle, he had the fore part of the ship to himself. He leaned against the after rail of the forecastle head, where a ventilator somewhat screened him from the bitter wind that blew out of the dark, and gazed ahead at the murk. Now and again the big bark slid forward with a curtseying motion, and dipped up a sea that flowed aft over the anchors and cascaded down the ladders to the main-deck; spray that spouted aloft and drove across on the wind, sparkled red and green in the glare of the sidelights like brief fireworks.

The splash and drum of waters, the heavy drone of the wind in the sails, the clatter of gear aloft, were in his ears; he did not hear one bell strike from the poop, which he should have answered with a stroke on the big bell behind him and a shouted report on the lights.

"Hoy! You schleepin' up dere—hey?"

It was the mate, who had come forward in person to see why he had not answered. He was by the fore fire-rail, a mere black shape in the dark.

"Sleepin'—no, sir!"

"Don't you hear von bell shtrike?" cried the mate, slithering on the wet deck toward the foot of the ladder.

"No, sir," said Conroy, and stooped to strike the bell.

The mate came up the ladder, hauling himself by the hand-rails, for he was swollen beyond the ordinary with extra clothes under his long oilskin coat. A plume of spray whipped him in the face as he got to the top, and he swore shortly, wiping his eyes with his hands. At the same moment Conroy, still stooping to the bell-lanyard, felt the Villingen lower her nose and slide down in one of her disconcerting curtseys; he caught at the rail to steady himself. The dark water, marbled with white foam, rode in over the deck, slid across the anchors and about the capstan, and came aft toward the ladder and the mate. The ship rolled at the same moment.

Conroy saw what happened as a grotesque trick of circumstance. The mate, as the deck slanted, slipped and reached for the hand-rail with an ejaculation. The water flowed about his knees; he fell back against the hand-rail, which was just high enough for him to sit on. It was what, for one ridiculous moment, he seemed to be doing. The next, his booted feet swayed up and he fell over backward, amid the confusion of splashing water that leaped down the main-deck. Conroy heard him strike something below with a queer, smacking noise.

"Pity he didn't go overboard while he was about it," he said to himself, acting out his rôle. Really, he was rather startled and dismayed.

He found the mate coiled in the scupper, very wet and still. He took hold of him to draw him under the fore-castle head, where he would have shelter, and was alarmed at the inertness of the body under his hands.

"Sir!" he cried, "sir!—sir!"

He shook the great shoulders, but quickly desisted; there was something horrible, something that touched his nerves, in its irresponsiveness. He remembered that he might probably find matches in the lamp-locker, and staggered there to search. He had to grope in gross darkness about the place, touching brass and the uncanny smoothness of glass, before his hand fell on what he sought. At last he was on one knee by the mate's side, and a match shed its little illumination. The mate's face was odd in its quietude, and the sou'wester of oilskin was still on his head, held there by the strings under the chin. From under its edge blood flowed steadily, thickly, appallingly.

"But—" cried Conroy. The match-flame stung his fingers and he dropped it. "O Lord!" he said. It occurred to him then, for the first time, that the mate was dead.

The men aft, bunched up under the break of the poop, were aware of him as a figure that came sliding and tottering toward them and fell sprawling at the foot of the poop ladder. He floundered up and clutched the nearest of them, the Greek.

"The mate's dead," he broke out, in a kind of breathless squeal. "Somebody call the captain; the mate's dead."

There was a moment of silence; then a cackle of words from several of them together. The Greek's hands on his shoulders tightened. He heard the man's purring voice in his ear.

"How did you do it?"

Conroy thrust himself loose; the skies of his mind were split by a frightful lightning flash of understanding. He had been alone with the mate; he had seen him die; he was sworn to kill him. He could see the livid smile of the Greek bent upon him.

"I didn't do it," he choked, passionately, and struck with a wild, feeble hand at the smile. "You liar—I didn't do it."

"Hush!" The Greek caught him again and held him.

Some of the men had started forward; others had slipped into the alleyway to rouse the second mate and captain. The Greek had him clutched to his bosom in a strong embrace and was hushing him as one might hush a scared child. Slade was at his side.

"He slipped, I tell you; he slipped at the top of the ladder! She'd shipped a dollop of water and then rolled, and over he went. I heard his head go smack and went down to him. I never touched him. I swear it—I never touched him."

"Hush!" It was Slade this time. "And yer sure he's dead?"

"Yes, he's dead."

"Well—" the old man exchanged nods with the Greek. "All right. Only—don't tell the captain that tale; it ain't good enough."

"But—" began Conroy. A hug that crushed his face against the Greek's oilskin breast silenced him.

"Vat is all dis?"

It was the captain, tall, august, come full-dressed from his cabin. At his back the second mate, with his oilskin coat over his pajamas, thrust forward his red, cheerful face.

Slade told the matter briefly. "And it's scared young Conroy all to bits, sir," he concluded.

"Come for'ard," bade the captain. "Get a lamp, some vun!"

They followed him along the wet, slippery deck, slowly, letting him pass ahead out of ear-shot.

"It was a belayin'-pin, ye-es?" queried the Greek, softly, of Conroy.

"He might have hit his head against a pin," replied Conroy.

"Eh?" The Greek stopped. "Might 'ave—might 'ave 'it 'is 'ead! Ah, dat is fine! 'E might 'ave 'it 'is 'ead, Slade! You 'ear dat?"

"Yes, it ain't bad!" replied Slade, and Conroy, staring in a wild attempt to see their faces clearly, realized that they were laughing, laughing silently and heartily. With a gesture of despair he left them.

A globe-lamp under the forecastle head lighted the captain's investigations, gleaming on wet oilskins, shadow-pitted faces, and the curious, remote thing that had been the mate of the Villingen. Its ampler light revealed much that the match-flame had missed from its field—the manner in which the sou'wester and the head it covered were caved in at one side, the cut in the sou'wester through which clotted hair protruded, the whole ghastliness of death that comes by violence. With all that under his eyes, Conroy had to give his account of the affair, while the ring of silent, hard-breathing men watched him and marveled at the clumsiness of his story.

"It is strange," said the captain. "Fell ofer backvards, you said. It is very strange! And vere did you find de body?"

The scupper and deck had been washed clean by successive seas; there was no trace there of blood, and none on the rail. Even while they searched, water spouted down on them. But what Conroy noted was that no pin stood in the rail where the mate had fallen, and the hole that might have held one was empty.

"Ah, vell!" said the captain at last. "De poor fellow is dead. I do not understand, quite, how he should, fall like dat, but he is dead. Four of you get de body aft."

"Please, sir," accosted Conroy, and the tall captain turned.

"Vell, vat is it?"

"Can I go below, sir? It was me that found him, sir. I feel rather—rather bad."

"So!" The tall captain considered him inscrutably, he, the final arbiter of fates. "You feel bad—yes? Vell, you can go below!"

The little group that bore the mate's body shuffled aft, with the others following like a funeral procession. A man looked shivering out of the door of the starboard forecastle, and inquired in loud whispers: "Was ist los? Sag' mal—was ist denn los?" He put his inquiry to Conroy, who waved him off and passed to the port forecastle on the other side of the deck-house.

The place was somehow strange, with its double row of empty bunks like vacant coffin-shelves in a vault, but solitude was what he desired. The slush-lamp swung and stank and made the shadows wander. From the other side of the bulkhead he could hear stirrings and a murmur of voices as the starboard watch grew aware that something had happened on deck. Conroy, with his oilskin coat half off, paused to listen for comprehensible words. The opening of the door behind him startled him, and he spun round to see Slade making a cautious entry. He recoiled.

"Leave me alone," he said, in a strangled voice, before the other could speak. "What are you following me for? You want to make me out a murderer. I tell you I never touched him."

The other stood just within the door, the upper half of his face shadowed by his sou'wester, his thin lips curved in a faint smile. "No?" he said, mockingly. "You didn't touch him? An' I make no doubts you'd take yer oath of it. But you shouldn't have put the pin back in the rail when you was through with it, all the same."

"There wasn't any pin there," said Conroy, quickly. He had backed as far from Slade as he could, and was staring at him with horrified eyes.

"But there would ha' been if I hadn't took a look round while you were spinnin' your yarn to the old man," said Slade. "I knew you was a fool."

With a manner as of mild glee he passed his hand into the bosom of his coat, still keeping his sardonic gaze fixed on Conroy.

"Good thing you've got me to look after you," he went on. "Thinks I, 'He might easy make a mistake that 'ud cost him dear'; so I took a look round. An' I found this." From within his coat he brought forth an iron belaying-pin, and held it out to Conroy.

"See?" His finger pointed to it. "That's blood, that is—and that's hair. Look for yourself! Now I suppose you'll tell me you never touched him!"

"He hit his head against it when he fell," protested the younger man. "He did! Oh, God, I can't stand this!"

He sank to a seat on one of the chests and leaned his face against the steel plate of the wall.

"Hit his head!" snorted old Slade. "Couldn't you ha' fixed up a better yarn than that? What are you snivelin' at? D'ye think yer the only man as ever stove in a mate's head—an' him a murderin' man-driver? Keep them tales for the Old Man; he believes 'em, seemingly; but don't you come them on me."

Conroy was moaning. "I never touched him; I never touched him!"

"Never touched him! Here, take the pin; it's yours!"

He shrank from it. "No, no!"

Slade pitched it to his bunk, where it lay on the blanket. "It's yours," he repeated. "If yer don't want it, heave it overboard yerself or stick it back in the rail. Never touched him—you make me sick with yer 'never touched him'!"

The door slammed on his scornful retreat; Conroy shuddered and sat up. The iron belaying-pin lay where it had fallen, on his bed, and even in that meager light it carried the traces of its part in the mate's death. It had the look of a weapon rather than of a humble ship-fitting. It rolled a couple of inches where it lay as the ship leaned to a gust, and he saw that it left a mark where it had been, a stain.

He seized it in a panic and started for the door to be rid of it at once.

As if a malicious fate made him its toy, he ran full into the Greek outside.

"Ah!" The man's smile flashed forth, wise and livid. "An' so you 'ad it in your pocket all de time, den!"

Conroy answered nothing. It was beyond striving against. He walked to the rail and flung the thing forth with hysterical violence to the sea.

The watch going below at four o'clock found him apparently asleep, with his face turned to the wall. They spoke in undertones, as though they feared to disturb him, but none of them mentioned the only matter which all had in mind. They climbed heavily to their bunks, there to smoke the brief pipe, and then to slumber. Only Slade, who slept little, would from time to time lean up on one elbow to look down and across to the still figure which hid its face throughout the night.

Conroy woke when the watch was called for breakfast by a man who thrust his head in and shouted. He had slept at last, and now as he sat up it needed an effort of mind to recall his trouble. He looked out at his mates, who stood about the place pulling on their clothes, with sleep still heavy on them. They seemed as usual. It was his turn to fetch the coffee from the galley, he remembered, and he slipped out of his bunk to dress and attend to it.

"I won't be a minute," he said to the others, as he dragged on his trousers.

A shaggy young Swede near the door was already dressed.

"I vill go," he said. "You don't bother," and forthwith slipped out.

The others were looking at him now, glancing with a queer, sharp interest and turning away when they met his eyes. It was as though he were a stranger.

"That was a queer thing last night," he said to the nearest.

"Yes," the other agreed, with a kind of haste.

They sat about at their meal, when the coffee had been brought by the volunteer, under the same constraint. He could not keep silent; he had to speak and make them answer.

"Where is he?" he asked, abruptly.

"On de gratings," he was told. And the Swede who fetched the coffee added, "Sails is sowin' him up now already."

"We'll see the last of him to-day," said Slade. "He won't kick nobody again!"

There was a mutter of agreement, and eyes turned on Conroy again. Slade smiled slowly.

"Yes, he keeck once too many times," said the Greek.

The shaggy young Swede wagged his head. "He t'ink it was safe to kick Conroy, but it aindt," he observed, profoundly. "No, it aindt safe."

"He got vat he ask for. ... Didn't know vat he go up againdst. . . . No, it aindt—it aindt safe. ... Maybe vish he aindt so handy mit his feet now."

They were all talking; their mixed words came to Conroy in broken sentences. He stared at them a little wildly, realizing the fact that they were admiring him, praising him, and afraid of him. The blood rose in his face hotly.

"You fellers talk," he began, and was disconcerted at the manner in which they all fell silent to hear him—"you talk as if I'd killed him."

"Well! ... Ach was!"

He faced their smiles, their conciliatory gestures, with a frown.

"You better stop it," he said. "He fell—see? He fell an' caved his head in. An' any feller that says he didn't—"

His regard traveled from face to face, giving force to his challenge.

"Ve aindt goin' to say nodings!" they assured him, mildly. "You don't need to be scared of us, Conroy."

"I'm not scared," he said, with meaning. "But—look out, that's all."

When breakfast was over, it was his turn to sweep up. But there was almost a struggle for the broom and the privilege of saving him that trouble. It comforted him and restored him; it would have been even better but for the presence of Slade, sitting aloft in his bunk, smiling over his pipe with malicious understanding.

The Villingen was still under reefed upper topsails, walking into the seas on a taut bowline, with water a-coming aboard freely. There was little for the watch to do save those trivial jobs which never fail on a ship. Conroy and some of the others were set to scrubbing teak on the poop, and he had a view of the sail-maker at his work on the gratings under the break of the poop, stitching on his knees to make the mate presentable for his last passage. The sail-maker was a bearded Finn, with a heavy, darkling face and the secret eyes of a faun. He bent over his task, and in his attitude and the slow rhythm of his moving hand there was a suggestion of ceremonial, of an act mysterious and ritual.

Half-way through the morning Conroy was sent for to the cabin, there to tell his tale anew, to see it taken down, and to sign it. The captain even asked him if he felt better.

"Thank you, sir," replied Conroy. "It was a shock, findin' him dead like that."

"Yes, yes," agreed the captain. "I can understand—a great shock. Yes!"

He was bending over his papers at the table; Conroy smiled over his bowed head. Returning on deck, he winked to the man at the wheel, who smiled uncomfortably in return. Later he borrowed a knife to scrape some spots of paint off the deck; he did not want to spoil the edge of his own.

They buried the mate at eight bells; the weather was thickening, and it might be well to have the thing done. The hands stood around, bareheaded, with the grating in the middle of them, one edge resting on the rail, the other supported by two men. There was a dark smudge on the sky up to windward, and several times the captain glanced up from his book toward it. He read in German, slowly, with a dwelling upon the sonorous passages, and toward the end he closed the book and finished without its aid.

Conroy was at the foot of the ladder; the captain was above him, reading mournfully, solemnly, without looking at the men. They were rigid, only their eyes moving. Conroy collected their glances irresistibly. When the captain had finished his reading he sighed and made a sign, lifting his hand like a man who resigns himself. The men holding the grating tilted it; the mate of the Villingen, with a little jerk, went over the side.

"Shtand by der tobs'l halliards!" roared the second mate.

Conroy, in the flurry, found himself next to a man of his watch. He jerked a thumb in the direction of the second, mate, who was still vociferating orders.

"Hark at him!" he said. "Before we're through I'll teach him manners, too."

And he patted his knife. 

 

About the  Author 

Perceval Gibbon
Perceval Gibbon (4 November 1879 – 30 May 1926) was an author and journalist, serving for the Rand Daily Mail in South Africa, as well as for other publications. Gibbon had travelled to South Africa in 1898, moved to the war front and became the representative of a syndicate of colonial newspapers at the outbreak of the Anglo-Boer War. He is best remembered for his short stories, which often contained an ironic twist at the end. Gibbon's influence on the work of later South African authors has been acknowledged. For instance, the fictional narrator of Vrouw Grobelaar's Leading Cases (1905) is said to be a forerunner of Herman Charles Bosman's character Oom Schalk Lourens. Wikipedia

Perceval Gibbon at Amazon

 

Sunday, April 9, 2023

The Silver Key by H. P. Lovecraft

Weird Tales, January 1929, 'The Silver Key by H. P. Lovecraft '

The Silver Key by H. P. Lovecraft

There the bearded and finny Gnorri build their labyrinths.


 

The Silver Key

by

H. P. Lovecraft

When Randolph Carter was thirty he lost the key of the gate of dreams. Prior to that time he had made up for the prosiness of life by nightly excursions to strange and ancient cities beyond space, and lovely, unbelievable garden lands across ethereal seas; but as middle age hardened upon him he felt those liberties slipping away little by little, until at last he was cut off altogether. No more could his galleys sail up the river Oukranos past the gilded spires of Thran, or his elephant caravans tramp through perfumed jungles in Kled, where forgotten palaces with veined ivory columns sleep lovely and unbroken under the moon.

He had read much of things as they are, and talked with too many people. Well-meaning philosophers had taught him to look into the logical relations of things, and analyse the processes which shaped his thoughts and fancies. Wonder had gone away, and he had forgotten that all life is only a set of pictures in the brain, among which there is no difference betwixt those born of real things and those born of inward dreamings, and no cause to value the one above the other. Custom had dinned into his ears a superstitious reverence for that which tangibly and physically exists, and had made him secretly ashamed to dwell in visions. Wise men told him his simple fancies were inane and childish, and even more absurd because their actors persist in fancying them full of meaning and purpose as the blind cosmos grinds aimlessly on from nothing to something and from something back to nothing again, neither heeding nor knowing the wishes or existence of the minds that flicker for a second now and then in the darkness.

They had chained him down to things that are, and had then explained the workings of those things till mystery had gone out of the world. When he complained, and longed to escape into twilight realms where magic moulded all the little vivid fragments and prized associations of his mind into vistas of breathless expectancy and unquenchable delight, they turned him instead toward the new-found prodigies of science, bidding him find wonder in the atom's vortex and mystery in the sky's dimensions. And when he had failed to find these boons in things whose laws are known and measurable, they told him he lacked imagination, and was immature because he preferred dream-illusions to the illusions of our physical creation.

So Carter had tried to do as others did, and pretended that the common events and emotions of earthy minds were more important than the fantasies of rare and delicate souls. He did not dissent when they told him that the animal pain of a stuck pig or dyspeptic ploughman in real life is a greater thing than the peerless beauty of Narath with its hundred carven gates and domes of chalcedony, which he dimly remembered from his dreams; and under their guidance he cultivated a painstaking sense of pity and tragedy.

Once in a while, though, he could not help seeing how shallow, fickle, and meaningless all human aspirations are, and how emptily our real impulses contrast with those pompous ideals we profess to hold. Then he would have recourse to the polite laughter they had taught him to use against the extravagance and artificiality of dreams; for he saw that the daily life of our world is every inch as extravagant and artificial, and far less worthy of respect because of its poverty in beauty and its silly reluctance to admit its own lack of reason and purpose. In this way he became a kind of humorist, for he did not see that even humour is empty in a mindless universe devoid of any true standard of consistency or inconsistency.

In the first days of his bondage he had turned to the gentle churchly faith endeared to him by the naive trust of his fathers, for thence stretched mystic avenues which seemed to promise escape from life. Only on closer view did he mark the starved fancy and beauty, the stale and prosy triteness, and the owlish gravity and grotesque claims of solid truth which reigned boresomely and overwhelmingly among most of its professors; or feel to the full the awkwardness with which it sought to keep alive as literal fact the outgrown fears and guesses of a primal race confronting the unknown. It wearied Carter to see how solemnly people tried to make earthly reality out of old myths which every step of their boasted science confuted, and this misplaced seriousness killed the attachment he might have kept for the ancient creeds had they been content to offer the sonorous rites and emotional outlets in their true guise of ethereal fantasy.

But when he came to study those who had thrown off the old myths, he found them even more ugly than those who had not. They did not know that beauty lies in harmony, and that loveliness of life has no standard amidst an aimless cosmos save only its harmony with the dreams and the feelings which have gone before and blindly moulded our little spheres out of the rest of chaos. They did not see that good and evil and beauty and ugliness are only ornamental fruits of perspective, whose sole value lies in their linkage to what chance made our fathers think and feel, and whose finer details are different for every race and culture. Instead, they either denied these things altogether or transferred them to the crude, vague instincts which they shared with the beasts and peasants; so that their lives were dragged malodorously out in pain, ugliness, and disproportion, yet filled with a ludicrous pride at having escaped from something no more unsound than that which still held them. They had traded the false gods of fear and blind piety for those of license and anarchy.

Carter did not taste deeply of these modern freedoms; for their cheapness and squalor sickened a spirit loving beauty alone while his reason rebelled at the flimsy logic with which their champions tried to gild brute impulse with a sacredness stripped from the idols they had discarded. He saw that most of them, in common with their cast-off priestcraft, could not escape from the delusion that life has a meaning apart from that which men dream into it; and could not lay aside the crude notion of ethics and obligations beyond those of beauty, even when all Nature shrieked of its unconsciousness and impersonal unmorality in the light of their scientific discoveries. Warped and bigoted with preconceived illusions of justice, freedom, and consistency, they cast off the old lore and the old way with the old beliefs; nor ever stopped to think that that lore and those ways were the sole makers of their present thoughts and judgments, and the sole guides and standards in a meaningless universe without fixed aims or stable points of reference. Having lost these artificial settings, their lives grew void of direction and dramatic interest; till at length they strove to drown their ennui in bustle and pretended usefulness, noise and excitement, barbaric display and animal sensation. When these things palled, disappointed, or grew nauseous through revulsion, they cultivated irony and bitterness, and found fault with the social order. Never could they realize that their brute foundations were as shifting and contradictory as the gods of their elders, and that the satisfaction of one moment is the bane of the next. Calm, lasting beauty comes only in a dream, and this solace the world had thrown away when in its worship of the real it threw away the secrets of childhood and innocence.

Amidst this chaos of hollowness and unrest Carter tried to live as befitted a man of keen thought and good heritage. With his dreams fading under the ridicule of the age he could not believe in anything, but the love of harmony kept him close to the ways of his race and station. He walked impassive through the cities of men, and sighed because no vista seemed fully real; because every flash of yellow sunlight on tall roofs and every glimpse of balustraded plazas in the first lamps of evening served only to remind him of dreams he had once known, and to make him homesick for ethereal lands he no longer knew how to find. Travel was only a mockery; and even the Great War stirred him but little, though he served from the first in the Foreign Legion of France. For a while he sought friends, but soon grew weary of the crudeness of their emotions, and the sameness and earthiness of their visions. He felt vaguely glad that all his relatives were distant and out of touch with him, for they would not have understood his mental life. That is, none but his grandfather and great-uncle Christopher could, and they were long dead.

Then he began once more the writing of books, which he had left off when dreams first failed him. But here, too, was there no satisfaction or fulfillment; for the touch of earth was upon his mind, and he could not think of lovely things as he had done of yore. Ironic humor dragged down all the twilight minarets he reared, and the earthy fear of improbability blasted all the delicate and amazing flowers in his faery gardens. The convention of assumed pity spilt mawkishness on his characters, while the myth of an important reality and significant human events and emotions debased all his high fantasy into thin-veiled allegory and cheap social satire. His new novels were successful as his old ones had never been; and because he knew how empty they must be to please an empty herd, he burned them and ceased his writing. They were very graceful novels, in which he urbanely laughed at the dreams he lightly sketched; but he saw that their sophistication had sapped all their life away.

It was after this that he cultivated deliberate illusion, and dabbled in the notions of the bizarre and the eccentric as an antidote for the commonplace. Most of these, however, soon showed their poverty and barrenness; and he saw that the popular doctrines of occultism are as dry and inflexible as those of science, yet without even the slender palliative of truth to redeem them. Gross stupidity, falsehood, and muddled thinking are not dream; and form no escape from life to a mind trained above their own level. So Carter bought stranger books and sought out deeper and more terrible men of fantastic erudition; delving into arcana of consciousness that few have trod, and learning things about the secret pits of life, legend, and immemorial antiquity which disturbed him ever afterward. He decided to live on a rarer plane, and furnished his Boston home to suit his changing moods; one room for each, hung in appropriate colours, furnished with befitting books and objects, and provided with sources of the proper sensations of light, heat, sound, taste, and odour.

Once he heard of a man in the south, who was shunned and feared for the blasphemous things he read in prehistoric books and clay tablets smuggled from India and Arabia. Him he visited, living with him and sharing his studies for seven years, till horror overtook them one midnight in an unknown and archaic graveyard, and only one emerged where two had entered. Then he went back to Arkham, the terrible witch-haunted old town of his forefathers in New England, and had experiences in the dark, amidst the hoary willows and tottering gambrel roofs, which made him seal forever certain pages in the diary of a wild-minded ancestor. But these horrors took him only to the edge of reality, and were not of the true dream country he had known in youth; so that at fifty he despaired of any rest or contentment in a world grown too busy for beauty and too shrewd for dreams.

Having perceived at last the hollowness and futility of real things, Carter spent his days in retirement, and in wistful disjointed memories of his dream-filled youth. He thought it rather silly that he bothered to keep on living at all, and got from a South American acquaintance a very curious liquid to take him to oblivion without suffering. Inertia and force of habit, however, caused him to defer action; and he lingered indecisively among thoughts of old times, taking down the strange hangings from his walls and refitting the house as it was in his early boyhood—purple panes, Victorian furniture, and all.

With the passage of time he became almost glad he had lingered, for his relics of youth and his cleavage from the world made life and sophistication seem very distant and unreal; so much so that a touch of magic and expectancy stole back into his nightly slumbers. For years those slumbers had known only such twisted reflections of every-day things as the commonest slumbers know, but now there returned a flicker of something stranger and wilder; something of vaguely awesome imminence which took the form of tensely clear pictures from his childhood days, and made him think of little inconsequential things he had long forgotten. He would often awake calling for his mother and grandfather, both in their graves a quarter of a century.

Then one night his grandfather reminded him of the key. The grey old scholar, as vivid as in life, spoke long and earnestly of their ancient line, and of the strange visions of the delicate and sensitive men who composed it. He spoke of the flame-eyed Crusader who learnt wild secrets of the Saracens that held him captive; and of the first Sir Randolph Carter who studied magic when Elizabeth was queen. He spoke, too, of that Edmund Carter who had just escaped hanging in the Salem witchcraft, and who had placed in an antique box a great silver key handed down from his ancestors. Before Carter awaked, the gentle visitant had told him where to find that box; that carved oak box of archaic wonder whose grotesque lid no hand had raised for two centuries.

In the dust and shadows of the great attic he found it, remote and forgotten at the back of a drawer in a tall chest. It was about a foot square, and its Gothic carvings were so fearful that he did not marvel no person since Edmund Carter had dared to open it. It gave forth no noise when shaken, but was mystic with the scent of unremembered spices. That it held a key was indeed only a dim legend, and Randolph Carter's father had never known such a box existed. It was bound in rusty iron, and no means was provided for working the formidable lock. Carter vaguely understood that he would find within it some key to the lost gate of dreams, but of where and how to use it his grandfather had told him nothing.

An old servant forced the carven lid, shaking as he did so at the hideous faces leering from the blackened wood, and at some unplaced familiarity. Inside, wrapped in a discoloured parchment, was a huge key of tarnished silver covered with cryptical arabesques; but of any legible explanation there was none. The parchment was voluminous, and held only the strange hieroglyphs of an unknown tongue written with an antique reed. Carter recognized the characters as those he had seen on a certain papyrus scroll belonging to that terrible scholar of the South who had vanished one midnight in a nameless cemetery. The man had always shivered when he read this scroll, and Carter shivered now.

But he cleaned the key, and kept it by him nightly in its aromatic box of ancient oak. His dreams were meanwhile increasing in vividness, and though showing him none of the strange cities and incredible gardens of the old days, were assuming a definite cast whose purpose could not be mistaken. They were calling him back along the years, and with the mingled wills of all his fathers were pulling him toward some hidden and ancestral source. Then he knew he must go into the past and merge himself with old things, and day after day he thought of the hills to the north where haunted Arkham and the rushing Miskatonic and the lonely rustic homestead of his people lay.

In the brooding fire of autumn Carter took the old remembered way past graceful lines of rolling hill and stone-walled meadow, distant vale and hanging woodland, curving road and nestling farmstead, and the crystal windings of the Miskatonic, crossed here and there by rustic bridges of wood or stone. At one bend he saw the group of giant elms among which an ancestor had oddly vanished a century and a half before, and shuddered as the wind blew meaningly through them. Then there was the crumbling farmhouse of old Goody Fowler the witch, with its little evil windows and great roof sloping nearly to the ground on the north side. He speeded up his car as he passed it, and did not slacken till he had mounted the hill where his mother and her fathers before her were born, and where the old white house still looked proudly across the road at the breathlessly lovely panorama of rocky slope and verdant valley, with the distant spires of Kingsport on the horizon, and hints of the archaic, dream-laden sea in the farthest background.

Then came the steeper slope that held the old Carter place he had not seen in over forty years. Afternoon was far gone when he reached the foot, and at the bend half way up he paused to scan the outspread countryside golden and glorified in the slanting floods of magic poured out by a western sun. All the strangeness and expectancy of his recent dreams seemed present in this hushed and unearthly landscape, and he thought of the unknown solitudes of other planets as his eyes traced out the velvet and deserted lawns shining undulant between their tumbled walls, and clumps of faery forest setting off far lines of purple hills beyond hills, and the spectral wooded valley dipping down in shadow to dank hollows where trickling waters crooned and gurgled among swollen and distorted roots.

Something made him feel that motors did not belong in the realm he was seeking, so he left his car at the edge of the forest, and putting the great key in his coat pocket walked on up the hill. Woods now engulfed him utterly, though he knew the house was on a high knoll that cleared the trees except to the north. He wondered how it would look, for it had been left vacant and untended through his neglect since the death of his strange great-uncle Christopher thirty years before. In his boyhood he had revelled through long visits there, and had found weird marvels in the woods beyond the orchard.

Shadows thickened around him, for the night was near. Once a gap in the trees opened up to the right, so that he saw off across leagues of twilight meadow and spied the old Congregational steeple on Central Hill in Kingsport; pink with the last flush of day, the panes of the little round windows blazing with reflected fire. Then, when he was in deep shadow again, he recalled with a start that the glimpse must have come from childish memory alone, since the old white church had long been torn down to make room for the Congregational Hospital. He had read of it with interest, for the paper had told about some strange burrows or passages found in the rocky hill beneath.

Through his puzzlement a voice piped, and he started again at its familiarity after long years. Old Benijah Corey had been his Uncle Christopher's hired man, and was aged even in those far-off times of his boyhood visits. Now he must be well over a hundred, but that piping voice could come from no one else. He could distinguish no words, yet the tone was haunting and unmistakable. To think that "Old Benijy" should still be alive!

"Mister Randy! Mister Randy! Wharbe ye? D'ye want to skeer yer Aunt Marthy plumb to death? Hain't she tuld ye to keep nigh the place in the arternoon an' git back afur dark? Randy! Ran . . . dee! . . . He's the beatin'est boy fer runnin' off in the woods I ever see; haff the time a-settin' moonin' raound that snake-den in the upper timberlot! . . . Hey yew, Ran . . . dee!"

Randolph Carter stopped in the pitch darkness and rubbed his hand across his eyes. Something was queer. He had been somewhere he ought not to be; had strayed very far away to places where he had not belonged, and was now inexcusably late. He had not noticed the time on the Kingsport steeple, though he could easily have made it out with his pocket telescope; but he knew his lateness was something very strange and unprecedented. He was not sure he had his little telescope with him, and put his hand in his blouse pocket to see. No, it was not there, but there was the big silver key he had found in a box somewhere. Uncle Chris had told him something odd once about an old unopened box with a key in it, but Aunt Martha had stopped the story abruptly, saying it was no kind of thing to tell a child whose head was already too full of queer fancies. He tried to recall just where he had found the key, but something seemed very confused. He guessed it was in the attic at home in Boston, and dimly remembered bribing Parks with half his week's allowance to help him open the box and keep quiet about it; but when he remembered this, the face of Parks came up very strangely, as if the wrinkles of long years had fallen upon the brisk little Cockney.

"Ran . . . dee! Ran . . . dee! Hi! Hi! Randy!"

A swaying lantern came around the black bend, and old Benijah pounced on the silent and bewildered form of the pilgrim.

"Durn ye, boy, so thar ye be! Ain't ye got a tongue in yer head, that ye can't answer a body! I ben callin' this haff hour, an' ye must a heerd me long ago! Dun't ye know yer Aunt Marthy's all a-fidget over yer bein' off arter dark? Wait till I tell yer Uncle Chris when he gits hum! Ye'd orta know these here woods ain't no fitten place to be traipsin' this hour! They's things abroad what dun't do nobody no good, as my gran'-sir knowed afur me. Come, Mister Randy, or Hannah wunt keep supper no longer!"

So Randolph Carter was marched up the road where wondering stars glimmered through high autumn boughs. And dogs barked as the yellow light of small-paned windows shone out at the farther turn, and the Pleiades twinkled across the open knoll where a great gambrel roof stood black against the dim west. Aunt Martha was in the doorway, and did not scold too hard when Benijah shoved the truant in. She knew Uncle Chris well enough to expect such things of the Carter blood. Randolph did not show his key, but ate his supper in silence and protested only when bedtime came. He sometimes dreamed better when awake, and he wanted to use that key.

In the morning Randolph was up early, and would have run off to the upper timberlot if Uncle Chris had not caught him and forced him into his chair by the breakfast table. He looked impatiently around the low-pitched room with the rag carpet and exposed beams and corner-posts, and smiled only when the orchard boughs scratched at the leaded panes of the rear window. The trees and the hills were close to him, and formed the gates of that timeless realm which was his true country.

Then, when he was free, he felt in his blouse pocket for the key; and being reassured, skipped off across the orchard to the rise beyond, where the wooded hill climbed again to heights above even the treeless knoll. The floor of the forest was mossy and mysterious, and great lichened rocks rose vaguely here and there in the dim light like Druid monoliths among the swollen and twisted trunks of a sacred grove. Once in his ascent Randolph crossed a rushing stream whose falls a little way off sang runic incantations to the lurking fauns and aegipans and dryads.

Then he came to the strange cave in the forest slope, the dreaded "snake-den" which country folk shunned, and away from which Benijah had warned him again and again. It was deep; far deeper than anyone but Randolph suspected, for the boy had found a fissure in the farthermost black corner that led to a loftier grotto beyond—haunting sepulchral place whose granite walls held a curious illusion of conscious artifice. On this occasion he crawled in as usual, lighting his way with matches filched from the sitting-room matchsafe, and edging through the final crevice with an eagerness hard to explain even to himself. He could not tell why he approached the farther wall so confidently, or why he instinctively drew forth the great silver key as he did so. But on he went, and when he danced back to the house that night he offered no excuses for his lateness, nor heeded in the least the reproofs he gained for ignoring the noon-tide dinner-horn altogether.

Now it is agreed by all the distant relatives of Randolph Carter that something occurred to heighten his imagination in his tenth year. His cousin, Ernest B. Aspinwall, Esq., of Chicago, is fully ten years his senior; and distinctly recalls a change in the boy after the autumn of 1883. Randolph had looked on scenes of fantasy that few others can ever have beheld, and stranger still were some of the qualities which he showed in relation to very mundane things. He seemed, in fine, to have picked up an odd gift of prophecy; and reacted unusually to things which, though at the time without meaning, were later found to justify the singular impressions. In subsequent decades as new inventions, new names, and new events appeared one by one in the book of history, people would now and then recall wonderingly how Carter had years before let fall some careless word of undoubted connection with what was then far in the future. He did not himself understand these words, or know why certain things made him feel certain emotions; but fancied that some unremembered dream must be responsible. It was as early as 1897 that he turned pale when some traveller mentioned the French town of Belloy-en-Santerre, and friends remembered it when he was almost mortally wounded there in 1916, while serving with the Foreign Legion in the Great War.

Carter's relatives talk much of these things because he has lately disappeared. His little old servant Parks, who for years bore patiently with his vagaries, last saw him on the morning he drove off alone in his car with a key he had recently found. Parks had helped him get the key from the old box containing it, and had felt strangely affected by the grotesque carvings on the box, and by some other odd quality he could not name. When Carter left, he had said he was going to visit his old ancestral country around Arkham.

Half way up Elm Mountain, on the way to the ruins of the old Carter place, they found his motor set carefully by the roadside; and in it was a box of fragrant wood with carvings that frightened the countrymen who stumbled on it. The box held only a queer parchment whose characters no linguist or palaeographer has been able to decipher or identify. Rain had long effaced any possible footprints, though Boston investigators had something to say about evidences of disturbances among the fallen timbers of the Carter place. It was, they averred, as though someone had groped about the ruins at no distant period. A common white handkerchief found among forest rocks on the hillside beyond cannot be identified as belonging to the missing man.

There is talk of apportioning Randolph Carter's estate among his heirs, but I shall stand firmly against this course because I do not believe he is dead. There are twists of time and space, of vision and reality, which only a dreamer can divine; and from what I know of Carter I think he has merely found a way to traverse these mazes. Whether or not he will ever come back, I cannot say. He wanted the lands of dream he had lost, and yearned for the days of his childhood. Then he found a key, and I somehow believe he was able to use it to strange advantage.

I shall ask him when I see him, for I expect to meet him shortly in a certain dream-city we both used to haunt. It is rumoured in Ulthar, beyond the River Skai, that a new king reigns on the opal throne of Ilek-Vad, that fabulous town of turrets atop the hollow cliffs of glass overlooking the twilight sea wherein the bearded and finny Gnorri build their singular labyrinths, and I believe I know how to interpret this rumour. Certainly, I look forward impatiently to the sight of that great silver key, for in its cryptical arabesques there may stand symbolised all the aims and mysteries of a blindly impersonal cosmos. 

 

Also see:

 

About the Author 

Howard Phillips Lovecraft
Howard Phillips Lovecraft was an American writer of weird, science, fantasy, and horror fiction. He is best known for his creation of the Cthulhu Mythos.
 

Born in Providence, Rhode Island, Lovecraft spent most of his life in New England. Wikipedia
 

Born: August 20, 1890, Providence, RI
Died: March 15, 1937, Providence, RI
Full Name: Howard Phillips Lovecraft
Spouse: Sonia Greene (m. 1924–1937)

Buy H. P. Lovecraft Books at Amazon

Saturday, April 8, 2023

The Silent Trees by Frank Owen

Weird Tales/Volume 7/Issue 5/The Silent Trees

Weird Tales/Volume 7/Issue 5/The Silent Trees


The Silent Trees

 

by Frank Owen

 

 

The Silent Trees by Frank Owen
 "Softly he bent over the form of the lovely girl and the beauty of the great room was dwarfed by comparison to the loveliness of Lun Pei Lo."

With the first breath of night Canton becomes a city of mystery, a place of lurking shadows, of soft-cadenced, subdued voices, of lanterns flickering wistfully "out from the folds of darkness, of a thousand varied odors, some revolting, others that seem to possess all the allure and incense of the East.

That evening as I wandered through the narrow alleys that wind through the city like snakes, I noticed a Chinaman standing in the doorway of a tea-house. He was very tall, like a great reed, and he swayed somewhat, which emphasized the simile. He was dressed in a soft black, shapeless suit, unrelieved by any touch of color, a suit which seemed to have been cut from the velvet blackness of the Oriental night. His face was yellow but so pale that it seemed almost white, and his eyes lay in great pits. They glowed with a strange brilliancy like the eyes of a forest animal or of a man who has crossed the threshold of reason. His nose was a monstrosity crushed flat against his face and his lips were so thin they hardly existed. They made no effort to hide his huge yellow teeth.

As I gazed into his face I paused, for he was smiling hideously and beckoning to me.

"If you will buy me some tea," he said in a soft voice which was beautifully modulated, "I will tell you a tale of adventure and romance that will cause your ennui to slip from you like a cloak."

"How did you know I was in search of adventure?" I demanded.

"That was very simple," said he. "When it grows cloudy, one knows that it will rain. One judges the weather by gazing on the face of nature. One judges a man's mood likewise by gazing into his face."

He led the way into the tea-house as he spoke, and in a few seconds we were seated at a small table in a far corner. The tea-house was dimly lighted and the scattered forms that slunk about the room seemed like wraiths. Overhead several lanterns burned dimly, yellow-blue lanterns that caressed the room with a peaceful shimmering light. A sleek Chinaman brought us tea and then silently withdrew. My companion closed his eyes and breathed deeply of the sweet aroma that rose softly to his nostrils.

"Tea," he said softly, "tea is a beverage of enchantment. It brings happiness and dreams. It brings forgetfulness. It is a medicine to cure all physical and moral ills." He paused for a moment, then he said, "My name is Tuan Tung and I dwell not far from here on an island in the Great River. What the island is called matters little. Where it is matters less. Sufficient it is that there is such an island, for it is an island like unto none that you have ever chanced upon."

Again he paused for a moment and breathed deeply of the tea aroma. I marveled that he made no effort to lift the dainty green-jade cup to his lips.

"On my island," he continued, "no sound is ever heard. Not a bird sings, not a flower laughs in the wind, even the great tree-tops are subdued. It is an island of sorrow. All nature is mourning, mourning for little Lun Pei Lo who used to make our island a floral garden of loveliness by her singing. You who have heard the greatest singers of the Occident, have yet to hear anything comparable to the singing of Lun Pei Lo, for when she sang even the flowers joined in the chorus. They blossomed more beautifully and fragrantly than ever, and the trees like great violins softly joined in the music. They swayed in perfect rhythm, and made music which even the spheres might envy. He only is a great singer who can harmonize with nature, and Lun Pei Lo was even greater, for nature harmonized with her. Life is a peculiar thing. Men wander through the valley toward the shadowy death caves beyond and always they think of attaining wealth, and riches and power. None of these is of the slightest importance. The wealth of the world is contained in sweet incense, the aroma of tea, in beautiful pictures, in music and in the glory of the skies. When we arrive at that station in life where we can estimate values, there will no longer be any necessity for dying. Life will be complete. On our island little Lun Pei Lo sang and all things joined in her songs. But now little Lun Pei Lo has gone and the trees are silent, the flowers are hushed and the birds no longer sing. Nothing but sadness remains. Even the great serpent who sleeps beneath the mountains mourns for her."

"If I would not be presuming," I hazarded, "I should like very much to visit your island."

He looked up quickly and his eyes narrowed until they were little more than slits. "I will take you there this very night," he said emphatically.


After that we sat in silence. I finished my tea and waited for him to do likewise, but he made no effort to raise the cup to his lips. He just inhaled the aroma until the tea had cooled, after which he reluctantly rose to his feet. Together we ambled through the winding crisscross alleys of Canton. He held my arm with fingers of steel, as though he feared I might flee. They bit into my flesh like teeth. At last we arrived at the water's edge. It was pitch-black. Tuan Yung clambered into a small boat from the bow of which hung a lantern, and I followed after him. When we were both seated he extinguished the light. The water was blacker than a river of jet and I could not make out the form of my companion. The sky was overcast and there was no moon. The night air was cold and cheerless and a sharp wind blew fitfully over the waters.

Soon the boat began to move. I assumed that Yuan Yung was rowing although I heard no sound of oars. The boat cut through the water as though it had no more texture than a phantom. The night was lifeless and still. On and on we drifted. As the moments passed I grew drowzy. It was very peaceful. Not a sound, not a sigh. At last I must have fallen into a deep sleep, for the next thing I knew it was morning.

I gazed slowly about me. To my surprize I lay beside a marvelous blue lake, a lake bluer than an April sky. Yuan Yung was nowhere in sight. Gone also was the boat in which we had come to the island. For awhile I waited for him to return, drinking in the beauty of the panorama that unfolded all about me. Hills covered with verdant trees etched sharply against a coral-blue sky. The grass was greener than any grass I had ever seen. And there were wild flowers in profusion growing on every side, flowers of every color and hue, a perfect riot of beauty! The air was so clear that I could see for miles about, and because of the immensity of the canvas on which I gazed everything seemed dwarfed by comparison. I was in a miniature world of loveliness. It was also a soundless world. Not the faintest murmuring rent the solitude. The trees were so still they might have been painted on a white sheet. Even the flowers did not move. No bird sang, nor could I detect the faintest suggestion of a breeze. It was so calm and lifeless that it made me shiver. I called aloud for Yuan Yung but my voice died out almost instantly without echo. I called again but it was useless. The air refused to take up my voice. I began to perspire as though some awful menace were at my heels. I was afraid to look back. It was ridiculous to succumb to nerves on such a perfect day. The sky was clear and on every hand I was enveloped in beauty. It was so beautiful that it was nauseating. I felt as though the very perfectness of the picture were stifling me, stealing my breath, binding me with chains. For awhile I waited by the roadside, then I commenced to walk. Even my footfalls made no sound. It was an island of dreadful silence.

On and on I wandered. The road wound over a slight hill and then dipped into a forest and I passed along it as though I were lost in a dream. All nature was soundless as though it had paused for some great event, perhaps to listen to the singing of Lun Pei Lo. My mind at that moment was as clear as crystal. All the worthless dross of life had been washed out. Had life stopped on the island when Lun Pei Lo vanished? Would the current of existence cease to flow onward until her return? These were mad thoughts but at the moment they seemed logical enough. Sanity at best is but a relative condition. A man slightly mad seems normal as compared to a maniac. Pew persons of earth are mentally in absolute balance. Superstitions are slight forms of insanity and often one is declared insane simply because he has views which one can not understand.

There was something awesome about that soundless road. I was terrified. Many things there were as mysterious as the blue lake. I noticed that the few coral clouds in the sky did not move. Stationary also was the sun. It did not even seem to cast off heat as it blazed down. Neither was the air cold. The climate was neutral. I marveled at this but not nearly as much as at the fact that I cast no shadow. I had read that only the dead east no shadows. It was an old belief. Ancient also was the saying that a man's shadow is really his soul. When one casts no shadow one has lost one's soul. I had never given credence to such fantasies, yet now that I cast no shadow I shuddered. Was I dead? Was I a ghost? I laughed mirthlessly at the bare thought, but no sound came from my lips. I, too, was voiceless, as soundless as the silent trees. Now I quickened my pace. I sped down the road as though pursued by the wrath of the gods. My blood froze in my veins. My heart almost Stopped beating. My lips grew cold. The whole island seemed to be a seething menace, yet it was more beautiful than a landscape by Corot.

Soon I came to a gray city, a deserted city, the weirdest place in which I had ever walked. It was as though some horrible plague had driven the inhabitants from their homes. I roamed through street after street of gray houses, all deserted and dead. They stood somberly malignant like bleached bones from which all flesh had been torn by vultures. All were of peculiar design, built like shelves, each floor with a stone balcony, opening into rooms of yawning blackness. I, who had always hated noise and clamor, who had yearned for solitude, was now crushed by the weight of that velvet silence. It enmeshed me as it lay about me in folds. My tongue was parched and dry, my lips blistered and cracked. I drew my blackened tongue across my lips, but it was without moisture. The rasping feel of it made me shudder.


How long I wandered helplessly about I do not know, but the next thing I remember I was standing in front of a house. It was a gray house, a forbidding house, not one bit different from the others. Yet it arrested my attention. Something with-in me, I know not what, urged me to enter that house. It was a command more subtle than the perfume of poppies, but I acceded to it without question. It was an onward urge that could not be disputed. I paused for a moment to get my courage somewhat into shape, then I entered the house. At first the halls seemed as gloomy as a night fog, an effect heightened by my sudden transition from the glaring sunlight to the subdued shadows, but as my vision gradually cleared I gasped at the vast splendor that lay before me. It was as though the city had been drained of all its grandeur until it was a drab thing in order that all the color and beauty might be concentrated into this one house. I knew instinctively that all the other houses would be as gray and colorless within as their drab exteriors.

All about were rich rugs and tapestries, rugs and draperies of every material and color. There were lamps and lanterns of all shapes and sizes, magnificent vases and small idols of solid gold, set with diamonds and pearls and precious stones. On the floor was a jade-green carpet more luxurious than grass.

In awe I passed through the rooms. Even though everything was as silent as death I walked slowly. It was hard to realize that I could not make a sound. All the furnishings of the rooms were in excellent condition so it was strange that I should associate the grim building with great age. Still the suggestion of age persisted.

At last I came to a room larger and higher-vaulted than any of the others. The wealth of the house now dimmed, by comparison to the wealth I found here. Only Gautier could do justice in description. It was so gorgeous that it stunned. There is more intoxication in a truly beautiful picture than in rare wine. Here the colors were more of one tone, blues of exquisite harmony, soft velvets and silks more fragile than cobwebs. Through a great window the sun splashed into the room in wondrous glory, drenching everything with a soft yellow light. Nothing, I thought, could be more beautiful than this. And yet almost immediately I changed my mind, for in a far corner I beheld the form of a lovely girl. Softly I bent over her, and just as the loveliness of the other rooms had been dwarfed by comparison to the wealth of this one, so was the beauty of the great room dwarfed by comparison to the loveliness of Lun Pei Lo, for I knew that it was she. The same voice that urged me to enter the house now acquainted me with the name of the sleeping girl. Her eyes were closed but the lids were blue, canopied by lashes of wondrous length which caressed her cheeks. Like ivory was her skin, ivory which though pale seemed to glow with an inward pink coral light. Her lips were very red, softer and more fragrant than any flower. Lying there she seemed very young, little more than a child. Her body, though perfectly formed, was small and fragile, and I longed to crush her in my arms as though she were indeed a flower.

At that moment time ceased to be for me, even as it had ceased to be for the other things upon the island. I just stood and gazed down on the sleeping girl in open adoration. Never had I been as intense in my religious worship as I was in my worship of that girl.

I tried to picture how gorgeous she must be when those soft eyes were open. My forehead throbbed. I was as much a slave as any of the heroes told about in Greek legend. I longed to rouse Lun Pei Lo from her sleep, to hear her sing, to behold her smile. For the moment I forgot that the island was more silent than the heart of the Great Desert. That moment was the turning point in my life. I knew that having once seen the loveliness of Lun Pei Lo, everything would be changed thereafter.


My reveries were interrupted by a sudden dull murmur. It came like a shock. The house trembled as though it were about to awake from a long sleep. It sounded more frightful to me than if it had been at drum-pitch. At last the menace which I had felt was about to confront me. I wished to flee, but I could not leave little Lun Pei Lo to the mercies of unknown, invisible terrors. I hesitated for a moment only, then I seized her in my arms. At once the most awful thing happened that man could dream of. Her form was as light as air, as light as though it were but a shell, and as I drew her to me, she crumpled into dust even as mummies ofttimes crumble that have been hidden for centuries in Egyptian tombs. One moment she had lain before me as lovely as any flower, the next she was but dust at my feet. Dully I stood and gazed down upon the spot where she had vanished. The lovely face was gone, never to return. Mechanically I stooped and picked up a large blue-purple amethyst which had hung from a golden chain about her neck.

And now the murmurings increased to a mighty roar, a roar that shattered the crystal silence into a thousand tinkling fragments. It was the last thing that cut the thread of my rationality. Stark, raving mad I rushed from the house. The spell of the canopy of silence was broken. Echo ran rampant throughout the island. The trees began to sway. They seemed to be moaning. Pell-mell I rushed up a white winding road, until I emerged on a shelf of rock overhanging the deep blue lake. Not for a moment did I hesitate, but leaped into space. Death itself was preferable to the unseen horrors of that island. As I plunged into the lake it was like plunging into the sky.

Mercifully at that moment unconciousness closed in about me. It was the end, I thought, and I was glad. Perhaps in death I could join the lovely little Lun Pei Lo.


When I again opened my eyes all was blackness about me. I could not see a foot in any direction. My head throbbed' dully and a nauseating sweet fragrance floated to my nostrils. For one wild moment I reflected that I must be at the bottom of the blue lake. But I dismissed that thought almost instantly. My brain was somewhat in balance and I was beginning to think sanely again. I felt about me until my hand encountered that which was evidently a curtain. I pushed it slowly aside and beheld an old Chinaman seated beside a table on which a feeble lamp burned. He was rolling some black gummy pellets. I watched him intently for awhile, then I arose and walked over to his side. My knees were stiff, my legs were as wobbly as though I were a hundred.

"Can you tell me," I asked, "how I happen to be here?"

He shook his head. "How can I?" said he slowly. "Though undoubtedly you are here for the same thing that all others come for—opium."

I was in a quandary. "How long have I been here?" I asked.

"Who knows?" he droned, shrugging his shoulders. "Perhaps two days, perhaps three. What does it matter, anyway? Since that which has gone belongs to the past, why ponder over it?"

I drew two gold pieces from my pocket. He eyed them greedily as I jingled them in my palm. "Who brought me here?" I persisted.

He twisted his shrunken lips with his fingers. His eyes narrowed with the great effort of thinking, then he said, "A man who was tall and thin, so thin that he might have been the shadow of a pestilence."

I slid one of the gold pieces across the table to him and without preliminaries I told him of my adventures on the island of the blue lake.

When I had finished, he eyed me queerly. "Of course you have been steeped in opium for days," he said, "and your story can not be given credence; but at least it is odd, for we of China have an old legend about Lun Pei Lo, who lived over two thousand years ago. She was a great singer. It was she who introduced melody into China. According to the legend a wizard fell in love with her and carried her away. He was captivated by her. He brought her flowers and jewels and wrought gold in profusion but failed to make her happy. He worshiped her as the earth worships the sun, but to no avail. She pined for the lover of her childhood. Daily she grew thinner and thinner until her life was almost extinct. In despair the wizard changed her lover into a reed which ever after grew beside the Blue Lake. Such is the legend. Ton must have been thinking of it when you came to this house and it became entwined in your dreams."

"Perhaps you are right," I said slowly, but I did not tell him that at that very moment I held in my hand a gorgeous blue-purple amethyst which little Lun Pei Lo had once worn upon her breast.