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Showing posts with label Short Story. Show all posts
Showing posts with label Short Story. Show all posts

Monday, October 7, 2024

The Stolen Body by H.G. Wells | Short Story

 

Weird Tales


The Stolen Body


by H.G. Wells


(originally published in The Strand Magazine in 1898; reprinted in Weird Tales in November 1925)


Mr. Bessel was the senior partner in the firm of Bessel, Hart, and Brown, of St. Paul's Churchyard, and for many years he was well known among those interested in psychical research as a liberal-minded and conscientious investigator. He was an unmarried man, and instead of living in the suburbs, after the fashion of his class, he occupied rooms in the Albany, near Piccadilly. He was particularly interested in the questions of thought transference and of apparitions of the living, and in November, 1896, he commenced a series of experiments in conjunction with Mr. Vincey, of Staple Inn, in order to test the alleged possibility of projecting an apparition of one's self by force of will through space.

Their experiments were conducted in the following manner: At a pre- arranged hour Mr. Bessel shut himself in one of his rooms in the Albany and Mr. Vincey in his sitting-room in Staple Inn, and each then fixed his mind as resolutely as possible on the other. Mr. Bessel had acquired the art of self-hypnotism, and, so far as he could, he attempted first to hypnotise himself and then to project himself as a "phantom of the living" across the intervening space of nearly two miles into Mr. Vincey's apartment. On several evenings this was tried without any satisfactory result, but on the fifth or sixth occasion Mr. Vincey did actually see or imagine he saw an apparition of Mr. Bessel standing in his room. He states that the appearance, although brief, was very vivid and real. He noticed that Mr. Bessel's face was white and his expression anxious, and, moreover, that his hair was disordered. For a moment Mr. Vincey, in spite of his state of expectation, was too surprised to speak or move, and in that moment it seemed to him as though the figure glanced over its shoulder and incontinently vanished.

It had been arranged that an attempt should be made to photograph any phantasm seen, but Mr. Vincey had not the instant presence of mind to snap the camera that lay ready on the table beside him, and when he did so he was too late. Greatly elated, however, even by this partial success, he made a note of the exact time, and at once took a cab to the Albany to inform Mr. Bessel of this result.

He was surprised to find Mr. Bessel's outer door standing open to the night, and the inner apartments lit and in an extraordinary disorder. An empty champagne magnum lay smashed upon the floor; its neck had been broken off against the inkpot on the bureau and lay beside it. An octagonal occasional table, which carried a bronze statuette and a number of choice books, had been rudely overturned, and down the primrose paper of the wall inky fingers had been drawn, as it seemed for the mere pleasure of defilement. One of the delicate chintz curtains had been violently torn from its rings and thrust upon the fire, so that the smell of its smouldering filled the room. Indeed the whole place was disarranged in the strangest fashion. For a few minutes Mr. Vincey, who had entered sure of finding Mr. Bessel in his easy chair awaiting him, could scarcely believe his eyes, and stood staring helplessly at these unanticipated things.

Then, full of a vague sense of calamity, he sought the porter at the entrance lodge. "Where is Mr. Bessel?" he asked. "Do you know that all the furniture is broken in Mr. Bessel's room?" The porter said nothing, but, obeying his gestures, came at once to Mr. Bessel's apartment to see the state of affairs. "This settles it," he said, surveying the lunatic confusion. "I didn't know of this. Mr. Bessel's gone off. He's mad!"

He then proceeded to tell Mr. Vincey that about half an hour previously, that is to say, at about the time of Mr. Bessel's apparition in Mr. Vincey's rooms, the missing gentleman had rushed out of the gates of the Albany into Vigo Street, hatless and with disordered hair, and had vanished into the direction of Bond Street. "And as he went past me," said the porter, "he laughed--a sort of gasping laugh, with his mouth open and his eyes glaring--I tell you, sir, he fair scared me!--like this."

According to his imitation it was anything but a pleasant laugh. "He waved his hand, with all his fingers crooked and clawing--like that. And he said, in a sort of fierce whisper, 'life!' Just that one word, 'life!'"

"Dear me," said Mr. Vincey. "Tut, tut," and "Dear me!" He could think of nothing else to say. He was naturally very much surprised. He turned from the room to the porter and from the porter to the room in the gravest perplexity. Beyond his suggestion that probably Mr. Bessel would come back presently and explain what had happened, their conversation was unable to proceed. "It might be a sudden toothache," said the porter, "a very sudden and violent toothache, jumping on him suddenly-like and driving him wild. I've broken things myself before now in such a case . . ." He thought. "If it was, why should he say 'life' to me as he went past?"

Mr. Vincey did not know. Mr. Bessel did not return, and at last Mr. Vincey, having done some more helpless staring, and having addressed a note of brief inquiry and left it in a conspicuous position on the bureau, returned in a very perplexed frame of mind to his own premises in Staple Inn. This affair had given him a shock. He was at a loss to account for Mr. Bessel's conduct on any sane hypothesis. He tried to read, but he could not do so; he went for a short walk, and was so preoccupied that he narrowly escaped a cab at the top of Chancery Lane; and at last--a full hour before his usual time--he went to bed. For a considerable time he could not sleep because of his memory of the silent confusion of Mr. Bessel's apartment, and when at length he did attain an uneasy slumber it was at once disturbed by a very vivid and distressing dream of Mr. Bessel.

He saw Mr. Bessel gesticulating wildly, and with his face white and contorted. And, inexplicably mingled with his appearance, suggested perhaps by his gestures, was an intense fear, an urgency to act. He even believes that he heard the voice of his fellow experimenter calling distressfully to him, though at the time he considered this to be an illusion. The vivid impression remained though Mr. Vincey awoke. For a space he lay awake and trembling in the darkness, possessed with that vague, unaccountable terror of unknown possibilities that comes out of dreams upon even the bravest men. But at last he roused himself, and turned over and went to sleep again, only for the dream to return with enhanced vividness.

He awoke with such a strong conviction that Mr. Bessel was in overwhelming distress and need of help that sleep was no longer possible. He was persuaded that his friend had rushed out to some dire calamity. For a time he lay reasoning vainly against this belief, but at last he gave way to it. He arose, against all reason, lit his gas, and dressed, and set out through the deserted streets--deserted, save for a noiseless policeman or so and the early news carts--towards Vigo Street to inquire if Mr. Bessel had returned.

But he never got there. As he was going down Long Acre some unaccountable impulse turned him aside out of that street towards Covent Garden, which was just waking to its nocturnal activities. He saw the market in front of him--a queer effect of glowing yellow lights and busy black figures. He became aware of a shouting, and perceived a figure turn the corner by the hotel and run swiftly towards him. He knew at once that it was Mr. Bessel. But it was Mr. Bessel transfigured. He was hatless and dishevelled, his collar was torn open, he grasped a bone-handled walking-cane near the ferrule end, and his mouth was pulled awry. And he ran, with agile strides, very rapidly. Their encounter was the affair of an instant. "Bessel!" cried Vincey.

The running man gave no sign of recognition either of Mr. Vincey or of his own name. Instead, he cut at his friend savagely with the stick, hitting him in the face within an inch of the eye. Mr. Vincey, stunned and astonished, staggered back, lost his footing, and fell heavily on the pavement. It seemed to him that Mr. Bessel leapt over him as he fell. When he looked again Mr. Bessel had vanished, and a policeman and a number of garden porters and salesmen were rushing past towards Long Acre in hot pursuit.

With the assistance of several passers-by--for the whole street was speedily alive with running people--Mr. Vincey struggled to his feet. He at once became the centre of a crowd greedy to see his injury. A multitude of voices competed to reassure him of his safety, and then to tell him of the behaviour of the madman, as they regarded Mr. Bessel. He had suddenly appeared in the middle of the market screaming "Life! Life!" striking left and right with a blood-stained walking-stick, and dancing and shouting with laughter at each successful blow. A lad and two women had broken heads, and he had smashed a man's wrist; a little child had been knocked insensible, and for a time he had driven every one before him, so furious and resolute had his behaviour been. Then he made a raid upon a coffee stall, hurled its paraffin flare through the window of the post office, and fled laughing, after stunning the foremost of the two policemen who had the pluck to charge him.

Mr. Vincey's first impulse was naturally to join in the pursuit of his friend, in order if possible to save him from the violence of the indignant people. But his action was slow, the blow had half stunned him, and while this was still no more than a resolution came the news, shouted through the crowd, that Mr. Bessel had eluded his pursuers. At first Mr. Vincey could scarcely credit this, but the universality of the report, and presently the dignified return of two futile policemen, convinced him. After some aimless inquiries he returned towards Staple Inn, padding a handkerchief to a now very painful nose.

He was angry and astonished and perplexed. It appeared to him indisputable that Mr. Bessel must have gone violently mad in the midst of his experiment in thought transference, but why that should make him appear with a sad white face in Mr. Vincey's dreams seemed a problem beyond solution. He racked his brains in vain to explain this. It seemed to him at last that not simply Mr. Bessel, but the order of things must be insane. But he could think of nothing to do. He shut himself carefully into his room, lit his fire--it was a gas fire with asbestos bricks--and, fearing fresh dreams if he went to bed, remained bathing his injured face, or holding up books in a vain attempt to read, until dawn. Throughout that vigil he had a curious persuasion that Mr. Bessel was endeavouring to speak to him, but he would not let himself attend to any such belief.

About dawn, his physical fatigue asserted itself, and he went to bed and slept at last in spite of dreaming. He rose late, unrested and anxious, and in considerable facial pain. The morning papers had no news of Mr. Bessel's aberration--it had come too late for them. Mr. Vincey's perplexities, to which the fever of his bruise added fresh irritation, became at last intolerable, and, after a fruitless visit to the Albany, he went down to St. Paul's Churchyard to Mr. Hart, Mr. Bessel's partner, and, so far as Mr. Vincey knew, his nearest friend.

He was surprised to learn that Mr. Hart, although he knew nothing of the outbreak, had also been disturbed by a vision, the very vision that Mr. Vincey had seen--Mr. Bessel, white and dishevelled, pleading earnestly by his gestures for help. That was his impression of the import of his signs. "I was just going to look him up in the Albany when you arrived," said Mr. Hart. "I was so sure of something being wrong with him."

As the outcome of their consultation the two gentlemen decided to inquire at Scotland Yard for news of their missing friend. "He is bound to be laid by the heels," said Mr. Hart. "He can't go on at that pace for long." But the police authorities had not laid Mr. Bessel by the heels. They confirmed Mr. Vincey's overnight experiences and added fresh circumstances, some of an even graver character than those he knew--a list of smashed glass along the upper half of Tottenham Court Road, an attack upon a policeman in Hampstead Road, and an atrocious assault upon a woman. All these outrages were committed between half-past twelve and a quarter to two in the morning, and between those hours--and, indeed, from the very moment of Mr. Bessel's first rush from his rooms at half-past nine in the evening-- they could trace the deepening violence of his fantastic career. For the last hour, at least from before one, that is, until a quarter to two, he had run amuck through London, eluding with amazing agility every effort to stop or capture him.

But after a quarter to two he had vanished. Up to that hour witnesses were multitudinous. Dozens of people had seen him, fled from him or pursued him, and then things suddenly came to an end. At a quarter to two he had been seen running down the Euston Road towards Baker Street, flourishing a can of burning colza oil and jerking splashes of flame therefrom at the windows of the houses he passed. But none of the policemen on Euston Road beyond the Waxwork Exhibition, nor any of those in the side streets down which he must have passed had he left the Euston Road, had seen anything of him. Abruptly he disappeared. Nothing of his subsequent doings came to light in spite of the keenest inquiry.

Here was a fresh astonishment for Mr. Vincey. He had found considerable comfort in Mr. Hart's conviction: "He is bound to be laid by the heels before long," and in that assurance he had been able to suspend his mental perplexities. But any fresh development seemed destined to add new impossibilities to a pile already heaped beyond the powers of his acceptance. He found himself doubting whether his memory might not have played him some grotesque trick, debating whether any of these things could possibly have happened; and in the afternoon he hunted up Mr. Hart again to share the intolerable weight on his mind. He found Mr. Hart engaged with a well-known private detective, but as that gentleman accomplished nothing in this case, we need not enlarge upon his proceedings.

All that day Mr. Bessel's whereabouts eluded an unceasingly active inquiry, and all that night. And all that day there was a persuasion in the back of Vincey's mind that Mr. Bessel sought his attention, and all through the night Mr. Bessel with a tear-stained face of anguish pursued him through his dreams. And whenever he saw Mr. Bessel in his dreams he also saw a number of other faces, vague but malignant, that seemed to be pursuing Mr. Bessel.

It was on the following day, Sunday, that Mr. Vincey recalled certain remarkable stories of Mrs. Bullock, the medium, who was then attracting attention for the first time in London. He determined to consult her. She was staying at the house of that well-known inquirer, Dr. Wilson Paget, and Mr. Vincey, although he had never met that gentleman before, repaired to him forthwith with the intention of invoking her help. But scarcely had he mentioned the name of Bessel when Doctor Paget interrupted him. "Last night--just at the end," he said, "we had a communication."

He left the room, and returned with a slate on which were certain words written in a handwriting, shaky indeed, but indisputably the handwriting of Mr. Bessel!

"How did you get this?" said Mr. Vincey. "Do you mean--?"

"We got it last night," said Doctor Paget. With numerous interruptions from Mr. Vincey, he proceeded to explain how the writing had been obtained. It appears that in her seances, Mrs. Bullock passes into a condition of trance, her eyes rolling up in a strange way under her eyelids, and her body becoming rigid. She then begins to talk very rapidly, usually in voices other than her own. At the same time one or both of her hands may become active, and if slates and pencils are provided they will then write messages simultaneously with and quite independently of the flow of words from her mouth. By many she is considered an even more remarkable medium than the celebrated Mrs. Piper. It was one of these messages, the one written by her left hand, that Mr. Vincey now had before him. It consisted of eight words written disconnectedly: "George Bessel . . . trial excavn. . . . Baker Street . . . help . . . starvation." Curiously enough, neither Doctor Paget nor the two other inquirers who were present had heard of the disappearance of Mr. Bessel--the news of it appeared only in the evening papers of Saturday--and they had put the message aside with many others of a vague and enigmatical sort that Mrs. Bullock has from time to time delivered.

When Doctor Paget heard Mr. Vincey's story, he gave himself at once with great energy to the pursuit of this clue to the discovery of Mr. Bessel. It would serve no useful purpose here to describe the inquiries of Mr. Vincey and himself; suffice it that the clue was a genuine one, and that Mr. Bessel was actually discovered by its aid.

He was found at the bottom of a detached shaft which had been sunk and abandoned at the commencement of the work for the new electric railway near Baker Street Station. His arm and leg and two ribs were broken. The shaft is protected by a hoarding nearly 20 feet high, and over this, incredible as it seems, Mr. Bessel, a stout, middle-aged gentleman, must have scrambled in order to fall down the shaft. He was saturated in colza oil, and the smashed tin lay beside him, but luckily the flame had been extinguished by his fall. And his madness had passed from him altogether. But he was, of course, terribly enfeebled, and at the sight of his rescuers he gave way to hysterical weeping.

In view of the deplorable state of his flat, he was taken to the house of Dr. Hatton in Upper Baker Street. Here he was subjected to a sedative treatment, and anything that might recall the violent crisis through which he had passed was carefully avoided. But on the second day he volunteered a statement.

Since that occasion Mr. Bessel has several times repeated this statement--to myself among other people--varying the details as the narrator of real experiences always does, but never by any chance contradicting himself in any particular. And the statement he makes is in substance as follows.

In order to understand it clearly it is necessary to go back to his experiments with Mr. Vincey before his remarkable attack. Mr. Bessel's first attempts at self-projection, in his experiments with Mr. Vincey, were, as the reader will remember, unsuccessful. But through all of them he was concentrating all his power and will upon getting out of the body--"willing it with all my might," he says. At last, almost against expectation, came success. And Mr. Bessel asserts that he, being alive, did actually, by an effort of will, leave his body and pass into some place or state outside this world.

The release was, he asserts, instantaneous. "At one moment I was seated in my chair, with my eyes tightly shut, my hands gripping the arms of the chair, doing all I could to concentrate my mind on Vincey, and then I perceived myself outside my body--saw my body near me, but certainly not containing me, with the hands relaxing and the head drooping forward on the breast."

Nothing shakes him in his assurance of that release. He describes in a quiet, matter-of-fact way the new sensation he experienced. He felt he had become impalpable--so much he had expected, but he had not expected to find himself enormously large. So, however, it would seem he became. "I was a great cloud--if I may express it that way--anchored to my body. It appeared to me, at first, as if I had discovered a greater self of which the conscious being in my brain was only a little part. I saw the Albany and Piccadilly and Regent Street and all the rooms and places in the houses, very minute and very bright and distinct, spread out below me like a little city seen from a balloon. Every now and then vague shapes like drifting wreaths of smoke made the vision a little indistinct, but at first I paid little heed to them. The thing that astonished me most, and which astonishes me still, is that I saw quite distinctly the insides of the houses as well as the streets, saw little people dining and talking in the private houses, men and women dining, playing billiards, and drinking in restaurants and hotels, and several places of entertainment crammed with people. It was like watching the affairs of a glass hive."

Such were Mr. Bessel's exact words as I took them down when he told me the story. Quite forgetful of Mr. Vincey, he remained for a space observing these things. Impelled by curiosity, he says, he stooped down, and, with the shadowy arm he found himself possessed of, attempted to touch a man walking along Vigo Street. But he could not do so, though his finger seemed to pass through the man. Something prevented his doing this, but what it was he finds it hard to describe. He compares the obstacle to a sheet of glass.

"I felt as a kitten may feel," he said, "when it goes for the first time to pat its reflection in a mirror." Again and again, on the occasion when I heard him tell this story, Mr. Bessel returned to that comparison of the sheet of glass. Yet it was not altogether a precise comparison, because, as the reader will speedily see, there were interruptions of this generally impermeable resistance, means of getting through the barrier to the material world again. But, naturally, there is a very great difficulty in expressing these unprecedented impressions in the language of everyday experience.

A thing that impressed him instantly, and which weighed upon him throughout all this experience, was the stillness of this place--he was in a world without sound.

At first Mr. Bessel's mental state was an unemotional wonder. His thought chiefly concerned itself with where he might be. He was out of the body--out of his material body, at any rate--but that was not all. He believes, and I for one believe also, that he was somewhere out of space, as we understand it, altogether. By a strenuous effort of will he had passed out of his body into a world beyond this world, a world undreamt of, yet lying so close to it and so strangely situated with regard to it that all things on this earth are clearly visible both from without and from within in this other world about us. For a long time, as it seemed to him, this realisation occupied his mind to the exclusion of all other matters, and then he recalled the engagement with Mr. Vincey, to which this astonishing experience was, after all, but a prelude.

He turned his mind to locomotion in this new body in which he found himself. For a time he was unable to shift himself from his attachment to his earthly carcass. For a time this new strange cloud body of his simply swayed, contracted, expanded, coiled, and writhed with his efforts to free himself, and then quite suddenly the link that bound him snapped. For a moment everything was hidden by what appeared to be whirling spheres of dark vapour, and then through a momentary gap he saw his drooping body collapse limply, saw his lifeless head drop sideways, and found he was driving along like a huge cloud in a strange place of shadowy clouds that had the luminous intricacy of London spread like a model below.

But now he was aware that the fluctuating vapour about him was something more than vapour, and the temerarious excitement of his first essay was shot with fear. For he perceived, at first indistinctly, and then suddenly very clearly, that he was surrounded by faces! that each roll and coil of the seeming cloud-stuff was a face. And such faces! Faces of thin shadow, faces of gaseous tenuity. Faces like those faces that glare with intolerable strangeness upon the sleeper in the evil hours of his dreams. Evil, greedy eyes that were full of a covetous curiosity, faces with knit brows and snarling, smiling lips; their vague hands clutched at Mr. Bessel as he passed, and the rest of their bodies was but an elusive streak of trailing darkness. Never a word they said, never a sound from the mouths that seemed to gibber. All about him they pressed in that dreamy silence, passing freely through the dim mistiness that was his body, gathering ever more numerously about him. And the shadowy Mr. Bessel, now suddenly fear-stricken, drove through the silent, active multitude of eyes and clutching hands.

So inhuman were these faces, so malignant their staring eyes, and shadowy, clawing gestures, that it did not occur to Mr. Bessel to attempt intercourse with these drifting creatures. Idiot phantoms, they seemed, children of vain desire, beings unborn and forbidden the boon of being, whose only expressions and gestures told of the envy and craving for life that was their one link with existence.

It says much for his resolution that, amidst the swarming cloud of these noiseless spirits of evil, he could still think of Mr. Vincey. He made a violent effort of will and found himself, he knew not how, stooping towards Staple Inn, saw Vincey sitting attentive and alert in his arm-chair by the fire.

And clustering also about him, as they clustered ever about all that lives and breathes, was another multitude of these vain voiceless shadows, longing, desiring, seeking some loophole into life.

For a space Mr. Bessel sought ineffectually to attract his friend's attention. He tried to get in front of his eyes, to move the objects in his room, to touch him. But Mr. Vincey remained unaffected, ignorant of the being that was so close to his own. The strange something that Mr. Bessel has compared to a sheet of glass separated them impermeably.

And at last Mr. Bessel did a desperate thing. I have told how that in some strange way he could see not only the outside of a man as we see him, but within. He extended his shadowy hand and thrust his vague black fingers, as it seemed, through the heedless brain.

Then, suddenly, Mr. Vincey started like a man who recalls his attention from wandering thoughts, and it seemed to Mr. Bessel that a little dark-red body situated in the middle of Mr. Vincey's brain swelled and glowed as he did so. Since that experience he has been shown anatomical figures of the brain, and he knows now that this is that useless structure, as doctors call it, the pineal eye. For, strange as it will seem to many, we have, deep in our brains--where it cannot possibly see any earthly light--an eye! At the time this, with the rest of the internal anatomy of the brain, was quite new to him. At the sight of its changed appearance, however, he thrust forth his finger, and, rather fearful still of the consequences, touched this little spot. And instantly Mr. Vincey started, and Mr. Bessel knew that he was seen.

And at that instant it came to Mr. Bessel that evil had happened to his body, and behold! a great wind blew through all that world of shadows and tore him away. So strong was this persuasion that he thought no more of Mr. Vincey, but turned about forthwith, and all the countless faces drove back with him like leaves before a gale. But he returned too late. In an instant he saw the body that he had left inert and collapsed--lying, indeed, like the body of a man just dead--had arisen, had arisen by virtue of some strength and will beyond his own. It stood with staring eyes, stretching its limbs in dubious fashion.

For a moment he watched it in wild dismay, and then he stooped towards it. But the pane of glass had closed against him again, and he was foiled. He beat himself passionately against this, and all about him the spirits of evil grinned and pointed and mocked. He gave way to furious anger. He compares himself to a bird that has fluttered heedlessly into a room and is beating at the window- pane that holds it back from freedom.

And behold! the little body that had once been his was now dancing with delight. He saw it shouting, though he could not hear its shouts; he saw the violence of its movements grow. He watched it fling his cherished furniture about in the mad delight of existence, rend his books apart, smash bottles, drink heedlessly from the jagged fragments, leap and smite in a passionate acceptance of living. He watched these actions in paralysed astonishment. Then once more he hurled himself against the impassable barrier, and then with all that crew of mocking ghosts about him, hurried back in dire confusion to Vincey to tell him of the outrage that had come upon him.

But the brain of Vincey was now closed against apparitions, and the disembodied Mr. Bessel pursued him in vain as he hurried out into Holborn to call a cab. Foiled and terror-stricken, Mr. Bessel swept back again, to find his desecrated body whooping in a glorious frenzy down the Burlington Arcade. . . .

And now the attentive reader begins to understand Mr. Bessel's interpretation of the first part of this strange story. The being whose frantic rush through London had inflicted so much injury and disaster had indeed Mr. Bessel's body, but it was not Mr. Bessel. It was an evil spirit out of that strange world beyond existence, into which Mr. Bessel had so rashly ventured. For twenty hours it held possession of him, and for all those twenty hours the dispossessed spirit-body of Mr. Bessel was going to and fro in that unheard-of middle world of shadows seeking help in vain. He spent many hours beating at the minds of Mr. Vincey and of his friend Mr. Hart. Each, as we know, he roused by his efforts. But the language that might convey his situation to these helpers across the gulf he did not know; his feeble fingers groped vainly and powerlessly in their brains. Once, indeed, as we have already told, he was able to turn Mr. Vincey aside from his path so that he encountered the stolen body in its career, but he could not make him understand the thing that had happened: he was unable to draw any help from that encounter. . . .

All through those hours the persuasion was overwhelming in Mr. Bessel's mind that presently his body would be killed by its furious tenant, and he would have to remain in this shadow-land for evermore. So that those long hours were a growing agony of fear. And ever as he hurried to and fro in his ineffectual excitement, innumerable spirits of that world about him mobbed him and confused his mind. And ever an envious applauding multitude poured after their successful fellow as he went upon his glorious career.

For that, it would seem, must be the life of these bodiless things of this world that is the shadow of our world. Ever they watch, coveting a way into a mortal body, in order that they may descend, as furies and frenzies, as violent lusts and mad, strange impulses, rejoicing in the body they have won. For Mr. Bessel was not the only human soul in that place. Witness the fact that he met first one, and afterwards several shadows of men, men like himself, it seemed, who had lost their bodies even it may be as he had lost his, and wandered, despairingly, in that lost world that is neither life nor death. They could not speak because that world is silent, yet he knew them for men because of their dim human bodies, and because of the sadness of their faces.

But how they had come into that world he could not tell, nor where the bodies they had lost might be, whether they still raved about the earth, or whether they were closed forever in death against return. That they were the spirits of the dead neither he nor I believe. But Doctor Wilson Paget thinks they are the rational souls of men who are lost in madness on the earth.

At last Mr. Bessel chanced upon a place where a little crowd of such disembodied silent creatures was gathered, and thrusting through them he saw below a brightly-lit room, and four or five quiet gentlemen and a woman, a stoutish woman dressed in black bombazine and sitting awkwardly in a chair with her head thrown back. He knew her from her portraits to be Mrs. Bullock, the medium. And he perceived that tracts and structures in her brain glowed and stirred as he had seen the pineal eye in the brain of Mr. Vincey glow. The light was very fitful; sometimes it was a broad illumination, and sometimes merely a faint twilight spot, and it shifted slowly about her brain. She kept on talking and writing with one hand. And Mr. Bessel saw that the crowding shadows of men about him, and a great multitude of the shadow spirits of that shadowland, were all striving and thrusting to touch the lighted regions of her brain. As one gained her brain or another was thrust away, her voice and the writing of her hand changed. So that what she said was disorderly and confused for the most part; now a fragment of one soul's message, and now a fragment of another's, and now she babbled the insane fancies of the spirits of vain desire. Then Mr. Bessel understood that she spoke for the spirit that had touch of her, and he began to struggle very furiously towards her. But he was on the outside of the crowd and at that time he could not reach her, and at last, growing anxious, he went away to find what had happened meanwhile to his body. For a long time he went to and fro seeking it in vain and fearing that it must have been killed, and then he found it at the bottom of the shaft in Baker Street, writhing furiously and cursing with pain. Its leg and an arm and two ribs had been broken by its fall. Moreover, the evil spirit was angry because his time had been so short and because of the painmaking violent movements and casting his body about.

And at that Mr. Bessel returned with redoubled earnestness to the room where the seance was going on, and so soon as he had thrust himself within sight of the place he saw one of the men who stood about the medium looking at his watch as if he meant that the seance should presently end. At that a great number of the shadows who had been striving turned away with gestures of despair. But the thought that the seance was almost over only made Mr. Bessel the more earnest, and he struggled so stoutly with his will against the others that presently he gained the woman's brain. It chanced that just at that moment it glowed very brightly, and in that instant she wrote the message that Doctor Wilson Paget preserved. And then the other shadows and the cloud of evil spirits about him had thrust Mr. Bessel away from her, and for all the rest of the seance he could regain her no more.

So he went back and watched through the long hours at the bottom of the shaft where the evil spirit lay in the stolen body it had maimed, writhing and cursing, and weeping and groaning, and learning the lesson of pain. And towards dawn the thing he had waited for happened, the brain glowed brightly and the evil spirit came out, and Mr. Bessel entered the body he had feared he should never enter again. As he did so, the silence--the brooding silence--ended; he heard the tumult of traffic and the voices of people overhead, and that strange world that is the shadow of our world--the dark and silent shadows of ineffectual desire and the shadows of lost men--vanished clean away.

He lay there for the space of about three hours before he was found. And in spite of the pain and suffering of his wounds, and of the dim damp place in which he lay; in spite of the tears--wrung from him by his physical distress--his heart was full of gladness to know that he was nevertheless back once more in the kindly world of men.

Tuesday, May 14, 2024

The Murderer by Murray Leinster


The Murderer

By Murray Leinster

[Transcriber's Note: This etext was produced from
Weird Tales January 1930.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


The murderer's hair lifted at the back of his neck. A crawling sensation spread down his spine. There was something moving in the room! It was pitch-dark, with vague rectangles of faint grayishness where windows opened upon the rainy night outside. The murderer had left this room half an hour before, maybe only twenty minutes before. He'd gone plunging away through the darkness, knowing that before dawn the rain would have washed away the tire-tracks of his car. And then he'd remembered something. He'd come back to pick up a thing he'd left, the only thing that could possibly throw suspicion upon him. And there was something moving in the room!

His scalp crawled horribly. He had to clench his teeth to keep them from chattering audibly.... He heard the sound again! Something alive in the room. Something furtive and horrible and—and terribly playful! It was amused, that live thing in the room. It was diverted by the one gasp of pure terror he had given at the first sound it made.

The murderer stood teetering upon his toes, with his hand outstretched and touching the wall, fighting against an unnameable fear. He was in the right house, certainly. And in the right room. He could catch the faint acrid reek of burnt smokeless powder. His senses were uncannily acute. He could even distinguish the staling scent of the cigarette he had lighted when he was here before.... This was the room in which he had killed a man. Yonder, by the wide blotch of formless gray, there was a chair, and in that chair there was an old man, huddled up, with a bullet-wound in his throat and a spurt of deepening crimson overlaying his shirt-front. The murderer who stood by the wall, sick with fear, had killed him no more than half an hour before.

And there could not be anyone else in the house. The murderer listened, stifling his breathing to deepen the silence. Nothing but the shrill and senseless singing of a canary-bird that was one of the dead man's two pets. The bird stopped, began again drowsily, and was silent. In the utter stillness that followed, the vastly muffled purring of his own motor-car reached the murderer, and the slow, drizzling sound of rain, even the curious humming of the telephone wires that led away from the house.

But then he heard the noise again, such a sound as might have been made by a man drumming softly and meditatively upon a table with his finger-tips. A tiny sound, an infinitely tiny sound, but the sound of something alive. The murderer stifled a gasp. It came from the chair where the dead man was sitting!

There was cold sweat upon the forehead of the man by the wall. It seemed, insanely, as if the dead figure, sitting upright in its chair, had opened its eyes to stare at him through the blackness, while the stiff fingers tapped upon the table-cloth as they had done in life.

A surge of despairing hatred came to the murderer, while icy-cold crawlings went down his spine. Those finger-tappings ... those furtive, stingy fingers that were always so restless, always touching something, always fumbling desirously at something.... Why, he'd shot the old man when he was fumbling with his cigarette-case, avidly plucking out a cigarette to smoke in secret, being too miserly to buy even the cheapest of tobacco for himself.

The murderer felt some of his fear vanish. He'd shot the old man. Killed him. He was dead. He'd made only one mistake. He'd made sure the bullet went just where he intended, and then he'd fled, out to the car and plunged away. No need to stop and rob. The dead man was the murderer's uncle, and the state and the courts would deliver his wealth in time. Everything was all right, except for one mistake, and he'd come back to rectify that.

He deliberately fanned the hatred that had helped so much in the commission of his crime, and now was crowding out his terror. He had only to think of the old man to grow furious. Rich—and a miser. Old—and a skinflint. He wouldn't keep a servant, because servants cost money. He wouldn't keep a watch-dog, because watch-dogs had to be fed. It was typical of him that he kept two pets as an economical jest—a canary because it would eat bread-crumbs, and a cat because it would feed itself. The murderer by the wall had seen the old man chuckling at sight of the huge cat stalking a robin upon the lawn....


The murderer moved forward confidently, now. He'd shot his uncle as the old man was fumbling cigarettes out of the nephew's case. He'd made sure that death had come, and he'd fled—but without the cigarette-case. Now he'd come back for it. It had been foolish of him to feel afraid....

He heard the drumming of reflective finger-tips upon the table-top. Stark terror swept over him again, and he pressed on the button of his flashlight.... The old, unprepossessing figure was outlined in full. Grayed, unkempt hair, bushy eye-brows, head bent down, hand extended toward the cigarette-case on the table.... All was as it should have been. But the coat, the long, dingy coat that hung down from the extended arm—that was moving! Muscles in the sleeve had been flexing and unflexing. The coat was flapping back and forth. The man in the chair was alive!

With a snarl, the murderer sprang forward, his hands outstretched. An instant later he fell back with a rattle in his throat. The flesh he had touched was cold and already rigid.

He stood still, fighting down an impulse to scream. The man in the chair was dead. And then he heard that insane, deliberate tapping again. He could feel the dead eyes upon him, gazing up from a bent-forward head and looking through the bushy brows. A strange, malevolent joy was possessing the dead thing. It was gazing at him, tapping meditatively, while it debated a suitable revenge for its own death.

The murderer cursed hoarsely and groped for the table. He was livid with terror and a queer, helpless rage. He hated his victim, dead, as he had never hated him living. His fingers touched the cigarette-case—and it was jerked from beneath his touch.

The murderer choked. He had to have the cigarette-case. It was proof of his presence—proof against which his carefully prepared alibi would be of no use. He'd been seen to use it no more than an hour since, when he left the house in which he was a weekend guest to come hurtling across country for his murder. He had to have it!

And the tapping came again, insanely gleeful, diabolically reflective. The man in the chair was beyond reach. No more harm could come to him. And he could toy with the living man as a cat toys with a mouse.

Numb with unreasoning terror of the thing that was dead, and yet moved, that was not two yards away and yet was removed by all the gulf between the living and the dead, the murderer pressed the flashlight button again. He clenched his teeth as he seemed to sense the stoppage of a stealthy movement by the thing in the chair. His cigarette-case was gone, missing from the table.

The flashlight beam swept about the room in a last flare of common sense. It was empty. No one, nothing.... Nothing in the house except the dead man, to seize that one small article which would damn the murderer.

He remembered suddenly and switched off the light. There were neighbors. Not near neighbors, but people who would notice the glow of a flashlight if it met their eyes. They knew the old man for what he was, and probably whispered among themselves of buried treasure or hidden money. They would suspect a robber of like mind if they saw the flashlight going.

They might have noticed it then! He had to get the cigarette-case and go away quickly....

Forcing his brain to function while he was stiff with a terror that he could not down, he masked the bulb with his fingers and let a little ray trickle over the table. The old, claw-like hand. It seemed to be nearer the telephone than it had been. The cloth table-top. No monogrammed case. It had been there. He had seen it not two minutes since. But it had vanished utterly.

The living man could have screamed with rage. He seemed to feel the thing in the chair shaking with silent laughter. The chair was shaking! God! It was shaking!

The murderer fled to the doorway upon caving knees, his whole soul writhing in panic. And then he heard the reassuring purring of his motor-car, waiting to carry him away. Outside was sanity. Only within was nightmarish horror. He could not go away and leave that case to hang him....

He was grinding his teeth as he came back. He was doggedly desperate in his resolution. He got down on his hands and knees and let a little trickle of light slip between his fingers. Instinctively he kept out of reach of the dead fingers. Not yet had he come to think of danger there. The thing in the chair enraged him while it terrified him, because it mocked him. But he would get this one thing and go....


The floor was bare. The case had not fallen from the table to the floor.

He let his light go out again, while his scalp crawled. But he could not go without the case. Leaving it, he left safety—perhaps life—behind. There was no single thing to connect him with this murder save that. His alibi was prepared, was perfect. But he had been seen to use that case an hour ago. Found here, it would damn him. If it were carried away, he would be unsuspected.

He had planned it perfectly. That was the only flaw in the whole plan, and he had only to pick up the monogrammed case of silver to be both safe and rich. Why, he'd even planned out the funeral! He would be dutifully grieved. Some of the neighbors would be there—some because it was the proper thing, but more from curiosity. The only person who would really regret the old man's death would be the telephone-girl. The old man paid her a small extra sum to give his line special attention. It was, he said, his burglar-protection. And every month, grudgingly, he paid her a small sum, with a deduction for each time he could claim to have been kept waiting for a number.

There was a scratching sound from the chair. The murderer sprang to his feet, his terror making his throat dry. The scratching came again, like a fingernail on rough-polished sheet metal. The telephone! The thing in the chair was reaching for the telephone!

The murderer acted without thought, in pure sweating fear. He sprang like a wildcat. The table toppled heavily to the floor and the telephone went spinning against the wall. He flung the extended wrist aside....

It resisted his hand. And he jerked away and stood moaning softly, in an ecstasy of fear and desperation.

Once more the feeling as if the thing in the chair were laughing, shaking in silent, ghastly laughter. The one thing that held the murderer in the room was the cigarette-case that could hang him. And the thing was tormenting him and shaking in horrible mirth....

Long past the power to reason, the murderer brought forth all his willpower. It was really a conflict between two fears, a panic-stricken horror of the dead thing before him, and terror of a noose that awaited him. He flashed his light despairingly—and saw the cigarette-case.

It was projecting invitingly from the pocket of the thing in the chair. It had been on the table. It had been filched from beneath his descending hand. It was in the dead man's pocket, as if tucked there by stiff and clumsy fingers—or as if left projecting to lure him to a snatch. And the extended hand, with its clawing fingers outstretched, quivered a little as if with eagerness for him to make an attempt to get it.

He whimpered. It was trying to get him to reach for the case, invitingly in sight. But if he reached, he would be within the length of its arms. And they would move stiffly but very swiftly to seize him....

He whimpered. He dared not go without that case. He dared not reach in his hand to seize it. He sobbed a little with pure terror. Then, glassy-eyed with horror, he swung his foot in a sudden, nervous kick. If he could kick the case from its insecure position, he could retrieve it from the floor....

He was quivering. The kick failed. The thing remained motionless, but it seemed to him that it was tensing itself for a sudden effort.... The murderer wrung his hands. He kicked again, and sheer icy fear flowed through his veins as he felt the soft resistance of the cloth against his foot. But he missed.

He heard a curious little chuckling sound that could not possibly have come from anything but a human throat. It was a human voice. It was syllables, divided to form words, but words in a strangled, distant, ghastly tone....

Drenched in the sweat of undiluted horror, the murderer swung his foot a third time, desperately, with his eyes glassy and the breath whistling in his throat.

Then he screamed....

The flashlight dropped to the floor. There was utter darkness. There was no noise for seconds save those chuckling sounds. They were louder, now. The murderer stood rigid, balanced upon one foot, his eyes terrible. He screamed again. Something had hold of his foot. Something grasped at his trouser-leg and tugged at it gently. Not strongly. Gently. But it was tugging....

The murderer screamed and screamed, with his eyes the eyes of a man in the depths of hell. Not because his foot was caught, but because something was pulling him, weakly but inexorably, in furtive little tugs, toward the man in the chair—who was dead.

Then sharp nails sank in his flesh and the murderer broke away. He fell, and in falling his slipping foot crashed against the leg of the chair, and that turned over upon him....


The telephone operator had been listening since the receiver was flung off its hook by the fall of the telephone. She had spoken several times, asking what was wanted, and the sound had issued from the receiver on the floor like—well—like the chuckle of a man amused in a horrible fashion. When she heard screaming, she sent men to investigate. And they found a dead man tumbled out of the chair in which he had died, and another man crawling about the room. The living man was crawling about on his hands and knees, his eyes wide and staring and terrified, while a huge pet cat made playful pounces at his trouser-leg, tugging at it, worrying it, pulling backward upon it. And whenever the cat pulled at the bit of cloth, the living man screamed in a sickly, terrified fashion.


 

"A huge pet cat made playful pounces at his trousers."

They never did get at the rights of the matter, but the coroner was somewhat annoyed by the cat, during the inquest. He was sitting in the chair the dead man had sat in, beside the table on which the telephone stood. And the cat buffeted his coat-tails; hanging down, with playful pats of its paws. The sound was very much like that of a man drumming softly and meditatively upon a table.

But it was not that which annoyed the coroner. He liked cats. What did annoy him was the fact that he had put his lighted cigarette on the edge of the table for an instant, and the cat sank its claws in the table-cover. With the jerk, the cigarette fell from the table into the coroner's pocket, and burned a hole through to the skin.

"If that cigarette had been in its case, now," said the coroner, smiling at his own feeble joke, "it wouldn't have done any harm."

Monday, April 1, 2024

The Devil's Pay by August W. Derleth (Short Story)

 


The Devil's Pay

by August W. Derleth

Originally published in Weird Tales, August 1926

A Five-Minute Story of Black Magic


THE gondola thadded against the dock and a man jumped out. He drew his cloak about him, and the rings on his fingers flashed in the moonlight as he turned to the gondolier.

"I shall be gone perhaps for hours, Messer."

"No matter, Magnificent. I am at your command. I shall wait if need be until the dawn of the second day."

Then wait." He turned and plunged into the shadows, which seemed to reach out to engulf him. He walked swiftly, surely. His face was heavily veiled and his long black cloak reached to his ankles. The few pedestrians who passed him turned and stared for a moment but went on, failing to comprehend his mutterings. The path was none too smooth, and more than once the man from the gondola stumbled over the cobblestones. At length he modified his pace and began to scrutinize the houses about him. He stopped before a low structure squatting before him like an ugly, repulsive denizen of darkness. He raised his hand to rap upon the panel of the door, but before he could do so, it swung inward.

"Come," a voice bade him from the darkness, and he entered. At the farther end of the long hall he could discern & feeble light issuing from beneath the folds of a heavy curtain.

Follow," came the voice again, and he felt his way along the wall to where the curtain was, and when he reached it, it was swept aside and the light fell upon him and enveloped him. He stepped into the room that was thus disclosed, and the curtain fell again into place. Facing him was a man as repellent as the dwelling in which he lived. He was a short man, and his beady eyes flashed venomously at the visitor. He attempted to smile, but his sensual lips curled into & sneer which mocked the attempt. He slowly lowered the flambeau in the sconce which he had held at arm's length to the table behind him, and he endeavored to pierce the veil which covered his visitor's face.

The Duke of Venice raised the veil and moved forward.

"Messer Duca!" gasped the magician, and his face paled a trifle. “What is the cause for this honor, if I may so much as ask, Magnificent"

The duke sank into a chair and gazed meditatively at the wizard before him.

"I have an enemy, Messer Gamani—" He glanced meaningly at his host.

"Ah, Excelleney. Poisons! Or perhaps a keen stiletto," he answered, quick at comprehension.

"No. Neither will do. They avail me nought. I have used them. I have had my enemy set upon, but he turned and slaughtered my men and escaped without so much as a scratch. Diavolot I have sent him wines dilated with the best of poisons, but they have gone into the canals of Venice. I have sent him a gorgeous gown saturated with a deadly poison, but he allowed a lackey to wear it and discovered my plan, for, of course, the lackey died. I have sent him an opal with the curse of hell upon it, but he ground it and returned it to me. But need I go on! I have come to you as a last resort. He must die!"

"I see but one way, Excellency. Would you'-he stopped as if to reconsider, but resumed almost at once at the gesture of impatience manifested by his visitor " would you enlist the powers of darkness"

The duke nodded silently and shrugged his shoulders eloquently.

“You are aware, Messer Duea, that man must pay for consort with Satan?"

"I am aware. I care not for the consequences."

"It is a rash act, Magnificent."

"It remains that my enemy must die," returned the duke coldly.

Messer Gamani shrugged his shoulders and spread his hands in a gesture of helplessness.

"Since you are determined, Excelleney—.”

"I am."

"Perchance you have a portrait of your enemy?"

"The duke cast something upon the table and the magician's hand closed over it, and he peered at it intently.

"It bears a strong resemblance to the Borgia."

"Cesare? It is not he; it is not a Borgia, much as it may seem."

Nesser Gamani remained silent. He moved to the fireplace and added fuel to the flames.

"Care you to watch my preparation, Excellency! I shall have completed the first part of the task in the space of a glass of sand. If you care not you may retire to my library and amuse yourself among my books."

"That I shall do, Messer Gamani."

A panel in the stone wall near the fireplace swung away and the duke passed into the wizard's library.


The sands in the hour-glass dribbled slowly to a heap, and as the last grains slipped through, Messer Gamani opened the panel in the wall and allowed the duke to enter.

The magician held a wax image in his hand, and he showed it to the duke, who exclaimed sharply: "It resembles him, my enemy, Messer Gamani!"

"It was modeled from the miniature portrait."

"What do you propose to do with it?"

"The image must be burned. It will take another glass of sand, but it can not be hastened."

“But when does my enemy succumb?"

“As the flame from the wax dies, so your enemy dies.

An expression of skepticism crossed the face of the duke.

"I very much doubt."

"Satan does not fail his followers, Magnificent."

"It remains to be seen."

He seated himself and watched the wizard ignite the taper of the wax figure. The incantations of the magician over it drew his attention for a space, and he watched the wax figure dwindle slowly before his eyes. The head was gone, the main body, and the flame sputtered over the legs of the fantastic little mold. As the flame expired over the wax remnants Messer Gamani turned to the duke.

"He is dead, Excellency. At the hour, seven glasses of sand since the setting of the sun."

The duke threw a purse of ducats upon the table, but Messer Gamani made no move to take it.

"Beware, Messer Gamani, if your efforts fail, if you have sported." He indicated the purse. "Take this gold."

"The gold is my pay. But there is more "

"More gola?"

"More pay. Satan must yet exact the penalty."

The duke was walking through the hall, the wizard at his heels. At the door they paused.

"The Devil may have a casket of gold," laughed the duke, "if my enemy is dead."

"Have you heard, Magnificent. The Devil loves nought so much as a soul."

His leering face vanished in the darkness, and the duke relished the vision of the magician's squat head on the end of a pike-pole as he picked his way back to where his gondola awaited him.

Tie stepped from his gondola to the cock before his magnificent palace and stood there a space watching the gondola recede in the distance. He looked up at the moon and wondered about his enemy. If he were not dead the vision of the wizard's head on a pike-pole would no longer be a vision, but a reality.

He was about to turn to ascend the steps to his palace when he heard the swishing of poles in the water. The gondola was coming at a swift rate, he judged. He did not err, for it hove into sight and came directly to the dock upon which he was standing.

"Messer Duca," came a muffled voice from the gondola.

The duke started; he recognized the voice of his watch in the house of his enemy.

"Ho, Messer Marequo. Come you from the residence of the duke?"

"So I do, and I must haste to return, for my absence will be suspected. I have great news.

“The duke—?”

"Is dead."

“Excellent."

"At the end of the sixth hour after sunset he was seized with a most violent pain throughout his body. He screamed that he was burning: that he had been poisoned. But he had not been poisoned, for his food-tasters still live unaffected. At the end of the seventh hour he succumbed in horrible pain, delivering a curse upon you."

"It is well, Messer Marequo. You shall be rewarded amply for this. You have not been followed?"

"I trow not, Magnificent."

Then haste and return; it would not do to have someone suspect you as my envoy."

The boat moved away, and the duke exultantly leaped up the steps and into the palace. He ascended to his chamber, threw off his cloak and donned a luxurious gown. His enemy was dead! Now he would no longer be hampered in his nefarious designs by his enemy! His chief councilor must know. He would go to him, now, and inform him of the incident. The Devil could come and take a casket of gold-ten caskets, for that matter, for his enemy was dead.

He started down the stairway as swiftly as his burdensome robe would allow. But half-way down his gown tangled in his legs and he tripped and fell headlong down the stone steps.

A lackey found him next morning. He was dead: his neck was broken.

END

Sunday, March 17, 2024

The Quest of Iranon by H. P. Lovecraft


The Quest of Iranon by H. P. Lovecraft

The Quest of Iranon

By H. P. LOVECRAFT

[Transcriber's Note: This etext was produced from
Weird Tales March 1939.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


Into the granite city of Teloth wandered the youth, vine-crowned, his yellow hair glistening with myrrh and his purple robe torn with briers of the mountain Sidrak that lies across the antique bridge of stone. The men of Teloth are dark and stern, and dwell in square houses, and with frowns they asked the stranger whence he had come and what were his name and fortune. So the youth answered:

"I am Iranon, and come from Aira, a far city that I recall only dimly but seek to find again. I am a singer of songs that I learned in the far city, and my calling is to make beauty with the things remembered of childhood. My wealth is in little memories and dreams, and in hopes that I sing in gardens when the moon is tender and the west wind stirs the lotus-buds."

When the men of Teloth heard these things they whispered to one another; for though in the granite city there is no laughter or song, the stern men sometimes look to the Karthian hills in the spring and think of the lutes of distant Oonai whereof travelers have told. And thinking thus, they bade the stranger stay and sing in the square before the Tower of Mlin, though they liked not the color of his tattered robe, nor the myrrh in his hair, nor his chaplet of vine-leaves, nor the youth in his golden voice. At evening Iranon sang, and while he sang an old man prayed and a blind man said he saw a nimbus over the singer's head. But most of the men of Teloth yawned, and some laughed and some went away to sleep; for Iranon told nothing useful, singing only his memories, his dreams, and his hopes.

"I remember the twilight, the moon, and soft songs, and the window where I was rocked to sleep. And through the window was the street where the golden lights came, and where the shadows danced on houses of marble. I remember the square of moonlight on the floor, that was not like any other light, and the visions that danced in the moonbeams when my mother sang to me. And too, I remember the sun of morning bright above the many-colored hills in summer, and the sweetness of flowers borne on the south wind that made the trees sing.

"O Aira, city of marble and beryl, how many are thy beauties! How loved I the warm and fragrant groves across the hyaline Nithra, and the falls of the tiny Kra that flowed through the verdant valley! In those groves and in that vale the children wove wreaths for one another, and at dusk I dreamed strange dreams under the yath-trees on the mountain as I saw below me the lights of the city, and the curving Nithra reflecting a ribbon of stars.

"And in the city were palaces of veined and tinted marble, with golden domes and painted walls, and green gardens with cerulean pools and crystal fountains. Often I played in the gardens and waded in the pools, and lay and dreamed among the pale flowers under the trees. And sometimes at sunset I would climb the long hilly street to the citadel and the open place, and look down upon Aira, the magic city of marble and beryl, splendid in a robe of golden flame.

"Long have I missed thee, Aira, for I was but young when we went into exile; but my father was thy King and I shall come again to thee, for it is so decreed of Fate. All through seven lands have I sought thee, and some day shall I reign over thy groves and gardens, thy streets and palaces, and sing to men who shall know whereof I sing, and laugh not. For I am Iranon, who was a Prince in Aira."


That night the men of Teloth lodged the stranger in a stable, and in the morning an archon came to him and told him to go to the shop of Athok the cobbler, and be apprenticed to him.

"But I am Iranon, a singer of songs," he said, "and have no heart for the cobbler's trade."

"All in Teloth must toil," replied the archon, "for that is the law." Then said Iranon:

"Wherefore do ye toil; is it not that ye may live and be happy? And if ye toil only that ye may toil more, when shall happiness find you? Ye toil to live, but is not life made of beauty and song? And if ye suffer no singers among you, where shall be the fruits of your toil? Toil without song is like a weary journey without an end. Were not death more pleasing?" But the archon was sullen and did not understand, and rebuked the stranger.

"Thou art a strange youth, and I like not thy face or thy voice. The words thou speakest are blasphemy, for the gods of Teloth have said that toil is good. Our gods have promised us a haven of life beyond death, where there shall be rest without end, and crystal coldness amidst which none shall vex his mind with thought or his eyes with beauty. Go thou then to Athok the cobbler or be gone out of the city by sunset. All here must serve, and song is folly."



"Beyond the Karthian hills lieth Oonai, the city of lutes and dancing."


So Iranon went out of the stable and walked over the narrow stone streets between the gloomy square houses of granite, seeking something green, for all was of stone. On the faces of men were frowns, but by the stone embankment along the sluggish river Zuro sate a young boy with sad eyes gazing into the waters to spy green budding branches washed down from the hills by the freshets. And the boy said to him: "Art thou not indeed he of whom the archons tell, who seekest a far city in a fair land? I am Romnod, and born in the blood of Teloth, but am not old in the ways of the granite city, and yearn daily for the warm groves and the distant lands of beauty and song. Beyond the Karthian hills lieth Oonai, the city of lutes and dancing, which men whisper of and say is both lovely and terrible. Thither would I go were I old enough to find the way, and thither shouldst thou go and thou wouldst sing and have men listen to thee. Let us leave the city Teloth and fare together among the hills of spring. Thou shalt show me the ways of travel and I will attend thy songs at evening when the stars one by one bring dreams to the minds of dreamers. And peradventure it may be that Oonai the city of lutes and dancing is even the fair Aira thou seekest, for it is told that thou hast not known Aira since old days, and a name often changeth. Let us go to Oonai, O Iranon of the golden head, where men shall know our longings and welcome us as brothers, nor ever laugh or frown at what we say." And Iranon answered:

"Be it so, small one; if any in this stone place yearn for beauty he must seek the mountains and beyond, and I would not leave thee to pine by the sluggish Zuro. But think not that delight and understanding dwell just across the Karthian hills, or in any spot thou canst find in a day's, or a year's, or a lustrum's journey. Behold, when I was small like thee I dwelt in the valley of Narthos by the frigid Xari, where none would listen to my dreams; and I told myself that when older I would go to Sinara on the southern slope, and sing to smiling dromedarymen in the market place. But when I went to Sinara I found the dromedarymen all drunken and ribald, and saw that their songs were not as mine; so I travelled in a barge down the Xari to onyx-walled Jaren. And the soldiers at Jaren laughed at me and drave me out, so that I wandered to other cities.

"I have seen Stethelos that is below the great cataract, and have gazed on the marsh where Sarnath once stood. I have been to Thraa, Ilarnek, and Kadatheron on the winding river Ai, and have dwelt long in Olathoë in the land of Lomar. But though I have had listeners sometimes, they have ever been few, and I know that welcome shall wait me only in Aira, the city of marble and beryl where my father once ruled as King. So for Aira shall we seek, though it were well to visit distant and lute-blessed Oonai across the Karthian hills, which may indeed be Aira, though I think not. Aira's beauty is past imagining, and none can tell of it without rapture, whilst of Oonai the camel-drivers whisper leeringly."


At the sunset Iranon and small Romnod went forth from Teloth, and for long wandered amidst the green hills and cool forests. The way was rough and obscure, and never did they seem nearer to Oonai the city of lutes and dancing; but in the dusk as the stars came out Iranon would sing of Aira and its beauties and Romnod would listen, so that they were both happy after a fashion. They ate plentifully of fruit and red berries, and marked not the passing of time, but many years must have slipped away. Small Romnod was now not so small, and spoke deeply instead of shrilly, though Iranon was always the same, and decked his golden hair with vines and fragrant resins found in the woods. So it came to pass one day that Romnod seemed older than Iranon, though he had been very small when Iranon had found him watching for green budding branches in Teloth beside the sluggish stone-banked Zura.

Then one night when the moon was full the travellers came to a mountain crest and looked down upon the myriad lights of Oonai. Peasants had told them they were near, and Iranon knew that this was not his native city of Aira. The lights of Oonai were not like those of Aira; for they were harsh and glaring, whilst the lights of Aira shine as softly and magically as shone the moonlight on the floor by the window where Iranon's mother once rocked him to sleep with song. But Oonai was a city of lutes and dancing; so Iranon and Romnod went down the steep slope that they might find men to whom songs and dreams would bring pleasure. And when they were come into the town they found rose-wreathed revellers bound from house to house and leaning from windows and balconies, who listened to the songs of Iranon and tossed him flowers and applauded when he was done. Then for a moment did Iranon believe he had found those who thought and felt even as he, though the town was not an hundredth so fair as Aira.

When dawn came Iranon looked about with dismay, for the domes of Oonai were not golden in the sun, but gray and dismal. And the men of Oonai were pale with revelling, and dull with wine, and unlike the radiant men of Aira. But because the people had thrown him blossoms and acclaimed his songs Iranon stayed on, and with him Romnod, who liked the revelry of the town and wore in his dark hair roses and myrtle. Often at night Iranon sang to the revellers, but he was always as before, crowned only with the vine of the mountains and remembering the marble streets of Aira and the hyaline Nithra. In the frescoed halls of the monarch did he sing, upon a crystal dais raised over a floor that was a mirror, and as he sang, he brought pictures to his hearers till the floor seemed to reflect old, beautiful and half-remembered things instead of the wine-reddened feasters who pelted him with roses. And the King bade him put away his tattered purple, and clothed him in satin and cloth-of-gold, with rings of green jade and bracelets of tinted ivory, and lodged him in a gilded and tapestried chamber on a bed of sweet carven wood with canopies and coverlets of flower-embroidered silk. Thus dwelt Iranon in Oonai, the city of lutes and dancing.

It is not known how long Iranon tarried in Oonai, but one day the King brought to the palace some wild whirling dancers from the Liranian desert, and dusky flute-players from Drinen in the East, and after that the revellers threw their roses not so much at Iranon as at the dancers and the flute-players. And day by day that Romnod who had been a small boy in granite Teloth grew coarser and redder with wine, till he dreamed less and less, and listened with less delight to the songs of Iranon. But though Iranon was sad he ceased not to sing, and at evening told again his dreams of Aira, the city of marble and beryl. Then one night the reddened and fattened Romnod snored heavily amidst the poppied silks of his banquet-couch and died writhing, whilst Iranon, pale and slender, sang to himself in a far corner. And when Iranon had wept over the grave of Romnod and strewn it with green budding branches, such as Romnod used to love, he put aside his silks and gauds and went forgotten out of Oonai the city of lutes and dancing clad only in the ragged purple in which he had come, and garlanded with fresh vines from the mountains.

Into the sunset wandered Iranon, seeking still for his native land and for men who would understand and cherish his songs and dreams. In all the cities of Cydathria and in the lands beyond the Bnazic desert gay-faced children laughed at his olden songs and tattered robe of purple; but Iranon stayed ever young, and wore wreaths upon his golden head whilst he sang of Aira.


So came he one night to the squalid cot of an antique shepherd, bent and dirty, who kept flocks on a stony slope above a quicksand marsh. To this man Iranon spoke, as to so many others:

"Canst thou tell me where I may find Aira, the city of marble and beryl, where flows the hyaline Nithra and where the falls of the tiny Kra sing to verdant valleys and hills forested with yath-trees?" And the shepherd, hearing, looked long and strangely at Iranon, as if recalling something very far away in time, and noted each line of the stranger's face, and his golden hair, and his crown of vine-leaves. But he was old, and replied:

"O stranger, I have indeed heard the name of Aira, and the other names thou hast spoken, but they come to me from afar down the waste of long years. I heard them in my youth from the lips of a playmate, a beggar's boy given to strange dreams, who would weave long tales about the moon and the flowers and the west wind. We used to laugh at him, for we knew him from his birth though he thought himself a King's son. He was comely, even as thou, but full of folly and strangeness; and he ran away when small to find those who would listen gladly to his songs and dreams. How often hath he sung to me of lands that never were, and things that never can be! Of Aira did he speak much; of Aira and the river Nithra, and the falls of the tiny Kra. There would he ever say he once dwelt as a Prince, though here we knew him from his birth. Nor was there ever a marble city of Aira, or those who could delight in strange songs, save in the dreams of mine old playmate Iranon who is gone."

And in the twilight, as the stars came out one by one and the moon cast on the marsh a radiance like that which a child sees quivering on the floor as he is rocked to sleep at evening, there walked into the lethal quicksands a very old man in tattered purple, crowned with withered vine leaves and gazing ahead as if upon the golden domes of a fair city where dreams are understood.

That night something of youth and beauty died in the elder world.