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Saturday, April 6, 2024

The Horror at Red Hook by H. P. Lovecraft

 


 

 The Horror at Red Hook

 

By H. P. Lovecraft

 

Original Publication: New York: Weird Tales, 1927

 


"The nightmare horde slithered away, led by the abominable naked phosphorescent thing that now strode insolently, bearing in its arms the glassy-eyed corpse of the corpulent old man.

"There are sacraments of evil as well as of good about us, and we live and move to my belief in an unknown world, a place where there are caves and shadows and dwellers in twilight. It is possible that man may sometimes return on the track of evolution, and it is my belief that an awful lore is not yet dead."

—Arthur Machen



I

Not many weeks ago, on a street corner in the village of Pascoag, Rhode Island, a tall heavily built, and wholesome looking pedestrian furnished much speculation by a singular lapse of behavior. He had, it appears, been descending the hill by the road from Chepachet; and encountering the compact section, had turned to his left into the main thoroughfare where several modest business blocks convey a touch of the urban. At this point, without visible provocation, he committed his astonishing lapse; staring queerly for a second at the tallest of the buildings, before him, and then, with a series of terrified, hysterical shrieks, breaking into a frantic run which ended in a stumble and fall at the next crossing. Picked up and dusted off by ready hands, he was found to be conscious, organically unhurt, and evidently cured of his sudden nervous attack. He muttered some shamefaced explanations involving a strain he had undergone, and with downcast glance turned back, up the Chepachet road, trudging out of sight, without once looking behind him. It was a strange incident to befall so large, robust, normal-featured, and capable-looking a man, and the strangeness was not lessened by the remarks of a bystander who had recognized him as the boarder of a well-known dairyman on the outskirts of Chepachet.

He was, it developed, a New York police-detective named Thomas F. Malone, now on a long leave of absence under medical treatment after some disproportionately arduous work on a gruesome local case which accident had made dramatic. There had been a collapse of several old brick buildings during a raid in which he had shared, and something about the wholesale loss of life, both of prisoners and of his companions, had peculiarly appalled him. As a result, he had acquired an acute and anomalous horror of any buildings even remotely suggesting the ones which had fallen in, so that in the end mental specialists forbade him the sight of such things for an indefinite period. A police surgeon with relatives in Chepachet had put forward that quaint hamlet of wooden Colonial houses as an ideal spot for the psychological convalescence; and thither the sufferer had gone, promising never to venture among the brick-lined streets of larger villages till duly advised by the Woonsocket specialist with whom he was put in touch. This walk to Pascoag for magazines had been a mistake, and the patient had paid in fright, bruises, and humiliation for his disobedience.

So much the gossips of Chepachet and Pascoag knew; and so much, also, the most learned specialists believed. But Malone had at first told the specialists much more, ceasing only when he saw that utter incredulity was his portion. Thereafter he held his peace, protesting not at all when it was generally agreed that the collapse of certain squalid brick houses in the Red Hook section of Brooklyn, and the consequent death of many brave officers, had unseated his nervous equilibrium. He had worked too hard, all said, in trying to clean up those nests of disorder and violence; certain features were shocking enough, in all conscience, and the unexpected tragedy was the last straw. This was a simple explanation which everyone could understand, and because Malone was not a simple person he perceived that he had better let it suffice. To hint to unimaginative people of a horror beyond all human conception—a horror of houses and blocks and cities leprous and cancerous with evil dragged from elder worlds—would be merely to invite a padded cell instead of a restful rustication, and Malone was a man of sense despite his mysticism. He had the Celt's far vision of weird and hidden things, but the logician's quick eye for the outwardly unconvincing; an amalgam which had led him far afield in the forty-two years of his life, and set him in strange places for a Dublin University man born in a Georgian villa near Phoenix Park.

And now, as he reviewed the things he had seen and felt and apprehended, Malone was content to keep unshared the secret of what could reduce a dauntless fighter to a quivering neurotic; what could make old brick slums and seas of dark, subtle faces a thing of nightmare and eldritch portent. It would not be the first time his sensations had been forced to bide uninterpreted—for was not his very act of plunging into the polyglot abyss of New York's underworld a freak beyond sensible explanation? What could he tell the prosaic of the antique witcheries and grotesque marvels discernible to sensitive eyes amidst the poison cauldron where all the varied dregs of unwholesome ages mix their venom and perpetuate their obscene terrors? He had seen the hellish green flame of secret wonder in this blatant, evasive welter of outward greed and inward blasphemy, and had smiled gently when all the New Yorkers he knew scoffed at his experiment in police work. They had been very witty and cynical, deriding his fantastic pursuit of unknowable mysteries and assuring him that in these days New York held nothing but cheapness and vulgarity. One of them had wagered him a heavy sum that he could not—despite many poignant things to his credit in the Dublin Review—even write a truly interesting story of New York low life; and now, looking back, he perceived that cosmic irony had justified the prophet's words while secretly confuting their flippant meaning. The horror, as glimpsed at last, could not make a story—for like the book cited by Poe's German authority, "er lässt sich nicht lesen"—it does not permit itself to be read.




II

To Malone the sense of latent mystery in existence was always present. In youth he had felt the hidden beauty and ecstasy of things, and had been a poet; but poverty and sorrow and exile had turned his gaze in darker directions, and he had thrilled at the imputations of evil in the world around. Daily life had for him come to be a fantasmagoria of macabre shadow-studies; now glittering and jeering with concealed rottenness as in Aubrey Beardsley's best manner, now hinting terrors behind the commonest shapes and objects as in the subtler and less obvious work of Gustave Doré. He would often regard it as merciful that most persons of high intelligence jeer at the inmost mysteries; for, he argued, if superior minds were ever placed in fullest contact with the secrets preserved by ancient and lowly cults, the resultant abnormalities would soon not only wreck the world, but threaten the very integrity of the universe. All this reflection was no doubt morbid, but keen logic and a deep sense of humor ably offset it. Malone was satisfied to let his notions remain as half-spied and forbidden visions to be lightly played with; and hysteria came only when duty flung him into a hell of revelation too sudden and insidious to escape.

He had for some time been detailed to the Butler Street station in Brooklyn when the Red Hook matter came to his notice. Red Hook is a maze of hybrid squalor near the ancient waterfront opposite Governor's Island, with dirty highways climbing the hill from the wharves to that higher ground where the decayed lengths of Clinton and Court Streets lead off toward the Borough Hall. Its houses are mostly of brick, dating from the first quarter of the middle of the nineteenth century, and some of the obscurer alleys and byways have that alluring antique flavor which conventional reading leads us to call "Dickensian." The population is a hopeless tangle and enigma; Syrian, Spanish, Italian, and Negro elements impinging upon one another, and fragments of Scandinavian and American belts lying not far distant. It is a babel of sound and filth, and sends out strange cries to answer the lapping of oily waves at its grimy piers and the monstrous organ litanies of the harbor whistles. Here long ago a brighter picture dwelt, with clear-eyed mariners on the lower streets and homes of taste and substance where the larger houses line the hill. One can trace the relics of this former happiness in the trim shapes of the buildings, the occasional graceful churches and the evidences of original art and background in bits of detail here and there—a worn flight of steps, a battered doorway, a wormy pair of decorative columns or pilasters, or a fragment of once green space with bent and rusted iron railing. The houses are generally in solid blocks, and now and then a many-windowed cupola arises to tell of days when the households of captains and ship-owners watched the sea.

From this tangle of material and spiritual putrescence the blasphemies of an hundred dialects assail the sky. Hordes of prowlers reel shouting and singing along the lanes and thoroughfares, occasional furtive hands suddenly extinguish lights and pull down curtains, and swarthy, sin-pitted faces disappear from windows when visitors pick their way through. Policemen despair of order or reform, and seek rather to erect barriers protecting the outside world from the contagion.

The clang of the patrol is answered by a kind of spectral silence, and such prisoners as are taken are never communicative. Visible offenses are as varied as the local dialects, and run the gamut from the smuggling of rum and prohibited aliens through diverse stages of lawlessness and obscure vice to murder and mutilation in their most abhorrent guises. That these visible affairs are not more frequent is not to the neighborhood's credit, unless the power of concealment be an art demanding credit. More people enter Red Hook than leave it—or at least, than leave it by the landward side—and those who are not loquacious are the likeliest to leave.



Malone found in this state of things a faint stench of secrets more terrible than any of the sins denounced by citizens and bemoaned by priest and philanthropists. He was conscious, as one who united imagination with scientific knowledge, that modern people under lawless conditions tend uncannily to repeat the darkest instinctive patterns of primitive half-ape savagery in their daily life and ritual observances; and he had often viewed with an anthropologist's shudder the chanting, cursing processions of blear-eyed and pock-marked young men which wound their way along in the dark small hours of morning. One saw groups of these youths incessantly; sometimes in leering vigils on street corners, sometimes in doorways playing eerily on cheap instruments of music, sometimes in stupefied dozes or indecent dialogues around cafeteria tables near Borough Hall, and sometimes in whispering converse around dingy taxicabs drawn up at the high stoops of crumbling and closely shuttered old houses. They chilled and fascinated him more than he dared confess to his associates on the force, for he seemed to see in them some monstrous thread of secret continuity; some fiendish, cryptical and ancient pattern utterly beyond and below the sordid mass of facts and habits and haunts listed with such conscientious technical care by the police. They must be, he felt inwardly, the heirs of some shocking and primordial tradition; the sharers of debased and broken scraps from cults and ceremonies older than mankind. Their coherence and definiteness suggested it, and it showed in the singular suspicion of order which lurked beneath their squalid disorder. He had not read in vain such treatises as Miss Murray's Witch Cult in Western Europe; and knew that up to recent years there had certainly survived among peasants and furtive folk a frightful and clandestine system of assemblies and orgies descended from dark religions antedating the Aryan World, and appearing in popular legends as Black Masses and Witches' Sabbaths. That these hellish vestiges of old Turanian-Asiatic magic and fertility-cults were even now wholly dead he could not for a moment suppose, and he frequently wondered how much older and how much blacker than the very worst of the muttered tales some of them might really be.




III

It was the case of Robert Suydam which took Malone to the heart of things in Red Hook. Suydam was a lettered recluse of ancient Dutch family, possessed originally of barely independent means, and inhabiting the spacious but ill-preserved mansion which his grandfather had built in Flatbush when that village was little more then a pleasant group of Colonial cottages surrounding the steepled and ivy-clad Reformed Church with its iron-railed yard of Netherlandish gravestones. In this lonely house, set back from Martense Street amidst a yard of venerable trees, Suydam had read and brooded for some six decades except for a period a generation before, when he had sailed for the Old World and remained there out of sight for eight years. He could afford no servants, and would admit but few visitors to his absolute solitude; eschewing close friendships and receiving his rare acquaintances in one of the three ground-floor rooms, which he kept in order—a vast, high-ceiled library whose walls were solidly packed with tattered books of ponderous, archaic, and vaguely repellent aspect. The growth of the town and its final absorption in the Brooklyn district had meant nothing to Suydam, and he had come to mean less and less to the town. Elderly people still pointed him out on the streets, but to most of the recent population he was merely a queer, corpulent old fellow whose unkempt white hair, stubbly beard, shiny black clothes and gold-headed cane earned him an amused glance and nothing more. Malone did not know him by sight till duty called him to the case, but had heard of him indirectly as a really profound authority on medieval superstition, and had once idly meant to look up an out-of-print pamphlet of his on the Kabbalah and the Faustus legend, which a friend had quoted from memory.

Suydam became a "case" when his distant and only relatives sought court pronouncements on his sanity. Their action seemed sudden to the outside world, but was really undertaken only after prolonged observation and sorrowful debate. It was based on certain odd changes in his speech and habits; wild references to impending wonders, and unaccountable hauntings of disreputable Brooklyn neighborhoods. He had been growing shabbier and shabbier with the years, and now prowled about like a veritable mendicant; seen occasionally by humiliated friends in subway stations, or loitering on the benches around Borough Hall in conversation with groups of swarthy, evil-looking strangers. When he spoke it was to babble of unlimited powers almost within his grasp, and to repeat with knowing leers such mystical words of names as "Sephiroth," "Ashmodai" and "Samael." The court action revealed that he was using up his income and wasting his principal in the purchase of curious tomes imported from London and Paris, and in the maintenance of a squalid basement flat in the Red Hook district where he spent nearly every night, receiving odd delegations of mixed rowdies and foreigners, and apparently conducting some kind of ceremonial service behind the green blinds of secretive windows. Detectives assigned to follow him reported strange cries and chants and prancing of feet filtering out from these nocturnal rites, and shuddered at their peculiar ecstasy and abandon despite the commonness of weird orgies in that sodden section. When, however, the matter came to a hearing, Suydam managed to preserve his liberty. Before the judge his manner grew urbane and reasonable, and he freely admitted the queerness of demeanor and extravagant cast of language into which he had fallen through excessive devotion to study and research. He was, he said, engaged in the investigation of certain details of European tradition which required the closest contact with foreign groups and their songs and folk dances. The notion that any low secret society was preying upon him, as hinted by his relatives, was obviously absurd; and showed how sadly limited was their understanding of him and his work. Triumphing with his calm explanations, he was suffered to depart unhindered; and the paid detectives of the Suydams, Corlears and Van Brunts were withdrawn in resigned disgust.

It was here that an alliance of Federal inspectors and police, Malone with them, entered the case. The law had watched the Suydam action with interest, and had in many instances been called upon to aid the private detectives. In this work it developed that Suydam's new associates were among the blackest and most vicious criminals of Red Hook's devious lanes, and that at least a third of them were known and repeated offenders in the matter of thievery, disorder, and the importation of illegal immigrants. Indeed, it would not have been too much to say that the old scholar's particular circle coincided almost perfectly with the worst of the organized cliques which smuggled ashore certain nameless and unclassified Asian dregs wisely turned back by Ellis Island. In the teeming rookeries of Parker Place—since renamed—where Suydam had his basement flat, there had grown up a very unusual colony of unclassified slant-eyed folk who used the Arabic alphabet but were eloquently repudiated by the great mass of Syrians in and around Atlantic Avenue. They could all have been deported for lack of credentials, but legalism is slow-moving, and one does not disturb Red Hook unless publicity forces one to.

These creatures attended a tumbledown stone church, used Wednesdays as a dance hall, which reared its Gothic buttresses near the vilest part of the waterfront. Clergy throughout Brooklyn denied the place all standing and authenticity, and policemen agreed with them when they listened to the noises it emitted at night. Malone used to fancy he heard terrible cracked bass notes from a hidden organ far underground when the church stood empty and unlighted, whilst all observers dreaded the shrieking and drumming which accompanied the visible services. Suydam, when questioned, said he thought the ritual was some remnant of Nestorian Christianity tinctured with the Shamanism of Tibet. Most of the people, he conjectured, were of Mongoloid stock, originating somewhere in or near Kurdistan—and Malone could not help recalling that Kurdistan is the land of the Yezidees, last survivors of the Persian devil-worshippers. However this may have been, the stir of the Suydam investigation made it certain that these unauthorized newcomers were flooding Red Hook in increasing numbers; entering through some marine conspiracy unreached by revenue officers and harbor police, overrunning Parker Place and rapidly spreading up the hill, and welcomed with curious fraternalism by the other assorted denizens of the region. Their squat figures and characteristic squinting physiognomies grotesquely combined with flashy American clothing, appeared more and more numerously among the loafers and nomad gangsters of the Borough Hall section; till at length it was deemed necessary to compute their number, ascertain their sources and occupations, and find if possible a way to round them up and deliver them to the proper immigration authorities. To this task Malone was assigned by agreement of Federal and city forces, and as he commenced his canvass of Red Hook he felt poised upon the brink of nameless terrors, with the shabby, unkempt figure of Robert Suydam as archfiend and adversary.




IV

Police methods are varied and ingenious. Malone, through unostentatious rambles, carefully casual conversations, well-timed offers of hip-pocket liquor, and judicious dialogues with frightened prisoners, learned many isolated facts about the movement whose aspect had become so menacing. The newcomers were indeed Kurds, but of a dialect obscure and puzzling to exact philology. Such of them as worked lived mostly as dock-hands and unlicensed peddlers, though frequently serving in Greek restaurants and tending corner newsstands. Most of them, however, had no visible means of support; and were obviously connected with underworld pursuits, of which smuggling and bootlegging were the least indescribable. They had come in steamships, apparently tramp freighters, and had been unloaded by stealth on moonless nights in rowboats which stole under a certain wharf and followed a hidden canal and house Malone could not locate, for the memories of his informants were exceedingly confused, while their speech was to a great extent beyond even the ablest interpreters; nor could he gain any real data on the reasons for their systematic importation. They were reticent about the exact spot from which they had come, and were never sufficiently off guard to reveal the agencies which had sought them out and directed their course. Indeed, they developed something like acute fright when asked the reason for their presence. Gangsters of other breeds were equally taciturn, and the most that could be gathered was that some god or great priesthood had promised them unheard-of powers and supernatural glories and rulerships in a strange land.

The attendance of both newcomers and old gangsters at Suydam's closely guarded nocturnal meetings was very regular, and the police soon learned that the erstwhile recluse had leased additional flats to accommodate such guests as knew his password; at last occupying three entire houses and permanently harboring many of his queer companions. He spent but little time now at his Flatbush home, apparently going and coming only to obtain and return books; and his face and manner had attained an appalling pitch of wildness. Malone twice interviewed him, but was each time bruskly repulsed. He knew nothing, he said, of any mysterious plots or movements; and had no idea how the Kurds could have entered or what they wanted. His business was to study undisturbed the folk-lore of all the immigrants of the district; a business with which policemen had no legitimate concern. Malone mentioned his admiration for Suydam's old brochure on the Kabbalah and other myths, but the old man's softening was only momentary. He sensed an intrusion, and rebuffed his visitor in no uncertain way; till Malone withdrew disgusted, and turned to other channels of information.



What Malone would have unearthed could he have worked continuously on the case, we shall never know. As it was, a stupid conflict between city and Federal authority suspended the investigation for several months, during which the detective was busy with other assignments. But at no time did he lose interest, or fail to stand amazed at what began to happen to Robert Suydam. Just at the time when a wave of kidnappings and disappearances spread its excitement over New York, the unkempt scholar embarked upon a metamorphosis as startling as it was absurd. One day he was seen near Borough Hall with clean-shaved face, well-trimmed hair, and tastefully immaculate attire, and on every day thereafter some obscure improvement was noticed in him. He maintained his new fastidiousness without interruption, added to it an unwonted sparkle of eye and crispness of speech, and began little by little to shed the corpulence which had so long deformed him. Now frequently taken for less than his age, he acquired an elasticity of step and buoyancy of demeanor to match the new tradition, and showed a curious darkening of the hair which somehow did not suggest dye. As the months passed, he commenced to dress less and less conservatively, and finally astonished his few friends by renovating and redecorating his Flatbush mansion, which he threw open in a series of receptions, summoning all the acquaintances he could remember, and extending a special welcome to the fully forgiven relatives who had lately sought his restraint. Some attended through curiosity, others through duty; but all were suddenly charmed by the dawning grace and urbanity of the former hermit. He had, he asserted, accomplished most of his allotted work; and having just inherited some property from a half-forgotten European friend, was about to spend his remaining years in a brighter second youth which ease, care and diet had made possible to him. Less and less was he seen at Red Hook, and more and more did he move in the society to which he was born. Policemen noted a tendency of the gangsters to congregate at the old stone church and dancehall instead of at the basement flat in Parker Place, though the latter and its recent annexes still overflowed with noxious life.



Then two incidents occurred—wide enough apart, but both of intense interest in the case as Malone envisaged it. One was a quiet announcement in the Eagle of Robert Suydam's engagement to Miss Cornelia Gerritsen of Bayside, a young woman of excellent position, and distantly related to the elderly bridegroom-elect; whilst the other was a raid on the dance-hall church by city police, after a report that the face of a kidnapped child had been seen for a second at one of the basement windows. Malone had participated in this raid, and studied the place with much care when inside. Nothing was found—in fact, the building was entirely deserted when visited—but the sensitive Celt was vaguely disturbed by many things about the interior. There were crudely painted panels he did not like—panels which depicted sacred faces with peculiarly worldly and sardonic expressions, and which occasionally took liberties that even a layman's sense of decorum could scarcely countenance. Then, too, he did not relish the Greek inscription on the wall above the pulpit; an ancient incantation which he had once stumbled upon in Dublin college days, and which read, literally translated: "O friend and companion of night, thou who rejoicest in the baying of dogs and spilt blood, who wanderest in the midst of shades among the tombs; who longest for blood and bringest terror to mortals, Gorge, Mormo, thousand-faced moon, look favorably on our sacrifices!"

When he read this he shuddered, and thought vaguely of the cracked bass organ-notes he fancied he had heard beneath the church on certain nights. He shuddered again at the rust around the rim of a metal basin which stood on the altar, and paused nervously when his nostrils seemed to detect a curious and ghastly stench from somewhere in the neighborhood. That organ memory haunted him, and he explored the basement with particular assiduity before he left. The place was very hateful to him; yet after all, were the blasphemous panels and inscriptions more than mere crudities perpetrated by the ignorant?



By the time of Suydam's wedding the kidnapping epidemic had become a popular newspaper scandal. Most of the victims were young children of the lowest classes, but the increasing number of disappearances had worked up a sentiment of the strongest fury. Journals clamored for action from the police, and once more the Butler Street station sent its men over Red Hook for clues, discoveries, and criminals. Malone was glad to be on the trail again, and took pride in a raid on one of Suydam's Parker Place houses. There, indeed, no stolen child was found, despite the tales of screams and the red sash picked up in the areaway; but the paintings and rough inscriptions on the peeling walls of most of the rooms, and the primitive chemical laboratory in the attic, all helped to convince the detective that he was on the track of something tremendous. The paintings were appalling—hideous monsters of every shape and size, and parodies on human outlines which cannot be described. The writing was in red, and varied from Arabic to Greek, Roman, and Hebrew letters. Malone could not read much of it, but what he did decipher was portentous and cabalistic enough. One frequently repeated motto was in a sort of Hebraized Hellenistic Greek, and suggested the most terrible demon-evocations of the Alexandrian decadence:


HEL. HELOYM. SOTHER. EMMANVEL. SABOATH. AGLA. TETRAGRAMMATION. AGYROS. OTHEOS. ISCHYROS. ATHANATOS. IEHOVA. VA. ADONAL. SADY. HOMOVSION. MESSIAS. ESCHEREHEYE.


Circles and pentagrams loomed on every hand, and told indubitably of the strange beliefs and aspirations of those who dwelt so squalidly here. In the cellar, however, the strangest thing was found—a pile of genuine gold ingots covered carelessly with a piece of burlap, and bearing upon their shining surfaces the same weird hieroglyphics which also adorned the walls. During this raid the police encountered only a passive resistance from the squinting Orientals that swarmed from every door. Finding nothing relevant, they had to leave all as it was; but the precinct captain wrote Suydam a note, advising him to look closely to the character of his tenants, and protegés in view of the growing public clamor.




V

Then came the June wedding and the great sensation; Flatbush was gay for the hour about high noon, and pennanted motors thronged the street near the old Dutch church where an awning stretched from door to highway. No local event ever surpassed the Suydam-Gerritsen nuptials in tone and scale, and the party which escorted the bride and groom to the Cunard pier was, if not exactly the smartest, at least a solid page from the Social Register! At 5 o'clock adieux was waved, and the ponderous liner edged away from the long pier, slowly turned its nose seaward, discarded its tug, and headed for widening water spaces that led to Old World wonders. By night the outer harbor was cleared, and late passengers watched the stars twinkling above an unpolluted ocean.

Whether the tramp steamer or the scream was first to gain attention, no one can say. Probably they were simultaneous, but it is of no use to calculate. The scream came from the Suydam stateroom, and the sailor who broke down the door could perhaps have told frightful things if he had not forthwith gone completely mad—as it is, he shrieked more loudly than the first victims, and thereafter ran simpering about the vessel till caught and put in irons. The ship's doctor who entered the stateroom and turned on the lights a moment later did not go mad, but told nobody what he saw till afterward, when he corresponded with Malone in Chepachet. It was murder—strangulation—but one need not say that the claw-mark on Mrs. Suydam's throat could not have come from her husband's or any other human hand, or that upon the white wall there flickered for an instant in hateful red a legend which, later copied from memory, seems to have been nothing less than the fearsome Chaldee letters of the word "LILITH." One need not mention these things because they vanished so quickly—as for Suydam, one could at least bar others from the room until one knew what to think oneself. The doctor has distinctly assured Malone that he did not see IT. The open porthole, just before he turned on the lights, was clouded for a second with a certain phosphorescence, and for a moment there seemed to echo in the night outside the suggestion of a faint and hellish tittering; but no real outline met the eye. As proof, the doctor points to his continued sanity.

Then the tramp steamer claimed all attention. A boat put off, and a horde of swart, insolent ruffians in officers' dress swarmed aboard the temporarily halted Cunarder. They wanted Suydam or his body—they had known of his trip, and for certain reasons were sure he would die. The captain's deck was almost a pandemonium; for at the instant, between the doctor's report from the stateroom and the demands of the men from the tramp, not even the wisest and gravest seaman could think what to do. Suddenly the leader of the visiting mariners, an Arab with a hatefully negroid mouth, pulled forth a dirty, crumpled paper and handed it to the captain. It was signed by Robert Suydam, and bore the following odd message:


In case of sudden or unexpected accident or death on my part, please deliver me or my body unquestioningly into the hands of the bearer and his associates. Everything, for me, and perhaps for you, depends on absolute compliance. Explanations can come later—do not fail me now.

Robert Suydam.


Captain and doctor looked at each other, and the latter whispered something to the former. Finally they nodded rather helplessly and led the way to the Suydam stateroom. The doctor directed the captain's glance away as he unlocked the door and admitted the strange seamen, nor did he breathe easily, till they filed out with their burden after an unaccountably long period of preparation. It was wrapped in bedding from the berths, and the doctor was glad that the outlines were not very revealing. Somehow the men got the thing over the side and away to their tramp steamer without uncovering it.

The Cunarder started again, and the doctor and ship's undertaker sought out the Suydam stateroom to perform what last services they could. Once more the physician was forced to reticence and even to mendacity, for a hellish thing had happened. When the undertaker asked him why he had drained off all of Mrs. Suydam's blood, he neglected to affirm that he had not done so; nor did he point to the vacant bottle-spaces on the rack, or to the odor in the sink which showed the hasty disposition of the bottles' original contents. The pockets of those men—if men they were—had bulged damnably when they left the ship. Two hours later, and the world knew by radio all that it ought to know of the horrible affair.




VI

That same June evening, without having heard a word from the sea, Malone was very busy among the alleys of Red Hook. A sudden stir seemed to permeate the place, and as if apprized by "grapevine telegraph" of something singular, the denizens clustered expectantly around the dance-hall church and the houses in Parker Place. Three children had just disappeared—blue-eyed Norwegians from the streets toward Gowanus—and there were rumors of a mob forming among the sturdy Viking of that section. Malone had for weeks been urging his colleagues to attempt a general clean-up; and at last, moved by conditions more obvious to their common sense than the conjectures of a Dublin dreamer, they had agreed upon a final stroke. The unrest and menace of this evening had been the deciding factor, and just about midnight a raiding party recruited from three stations descended upon Parker Place and its environs. Doors were battered in, stragglers arrested, and candle-lighted rooms forced to disgorge unbelievable throngs of mixed foreigners in figured robes, miters and other inexplicable devices. Much was lost in the mêlée for objects were thrown hastily down unexpected shafts, and betraying odors deadened by the sudden kindling of pungent incense. But spattered blood was everywhere, and Malone shuddered whenever he saw a brazier or altar from which the smoke was still rising.

He wanted to be in several places at once, and decided on Suydam's basement flat only after a messenger had reported the complete emptiness of the dilapidated dance-hall church. The flat, he thought, must hold some clue to a cult of which the occult scholar had so obviously become the center and leader; and it was with real expectancy that he ransacked the musty rooms, noted their vaguely charnal odor, and examined the curious books, instruments, gold ingots, and glass-stoppered bottles scattered carelessly here and there. Once a lean, black-and-white cat edged between his feet and tripped him, overturning at the same time a beaker half full of red liquid. The shock was severe, and to this day Malone is not certain of what he saw; but in dreams he still pictures that cat as it scuttled away with certain monstrous alterations and peculiarities.



Then came the locked cellar door, and the search for something to break it down. A heavy stool stood near, and its tough seat was more than enough for the antique panels. A crack formed and enlarged, and the whole door gave way—but from the other side; whence poured a howling tumult of ice-cold wind with all the stenches of the bottomless pit, and whence reached a sucking force not of earth or heaven, which, coiling sentiently about the paralyzed detective, dragged him through the aperture and down unmeasured spaces filled with whispers and wails, and gusts of mocking laughter.

Of course it was a dream. All the specialists have told him so, and he has nothing tangible to prove the contrary. Indeed, he would rather have it thus; for then the sight of old brick slums and dark foreign faces would not eat so deeply into his soul. But at the time it was all horribly real, and nothing can ever efface the memory of those nighted crypts, those titan arcades, and those half-formed shapes of hell that strode gigantically in silence holding half-eaten things whose still surviving portions screamed for mercy or laughed with madness. Odors of incense and corruption joined in sickening concert, and the black air was alive with the cloudy, semi-visible bulk of shapeless elemental things with eyes. Somewhere dark sticky water was lapping at onyx piers, and once the shivery tinkle of raucous little bells pealed out to greet the insane titter of a naked phosphorescent thing which swam into sight, scrambled ashore, and climbed up to squat leeringly on a carved golden pedestal in the black ground.

Avenues of limitless night seemed to radiate in every direction, till one might fancy that here lay the root of a contagion destined to sicken and swallow cities, and engulf nations in the fetor of hybrid pestilence. Here cosmic sin had entered, and festered by unhallowed rites had commenced the grinning march of death that was to rot us all to fungus abnormalities too hideous for the grave's holding. Satan here held his Babylonish court, and in the blood of stainless childhood the leprous limbs of phosphorescent Lilith were laved. Incubi and succubae howled praise to Hecate, and headless mooncalves bleated to the Magna Mater. Goats leaped to the sound of thin accursed flutes, and AEgipans chased endlessly after misshapen fauns over rocks twisted like swollen toads. Moloch and Ashtaroth were not absent; for in this quintessence of all damnation the bounds of consciousness were let down, and man's fancy lay open to vistas of every realm of horror and every forbidden dimension that evil had power to mold. The world and nature were helpless against such assaults from unsealed wells of night, nor could any sign or prayer check the Walpurgissage of horror which had come when a sage with the hateful locked and brimming coffer of transmitted demon-lore.

Suddenly a ray of physical light shot through these fantasms, and Malone heard the sound of oars amidst the blasphemies of things that should be dead. A boat with a lantern in its prow darted into sight, made fast to an iron ring in the slimy stone pier, and vomited forth several dark men bearing a long burden swathed in bedding. They took it to the naked phosphorescent thing on the carved gold pedestal, and the thing tittered and pawed the bedding. Then they unswathed it, and propped upright before the pedestal the gangrenous corpse of a corpulent old man with stubby beard and unkempt white hair. The phosphorescent thing tittered again, and the men produced bottles from their pockets and anointed its feet with red, whilst they afterward gave the bottles to the thing to drink from.

All at once, from an arcaded avenue leading endlessly away, there came the demoniac rattle and wheeze of a blasphemous organ, choking and rumbling out of the mockeries of hell in cracked, sardonic bass. In an instant every moving entity was electrified; and forming at once into a ceremonial procession, the nightmare horde slithered away in quiet of the sound—goat, satyr, and AEgipan, incubus, succuba, and lemur, twisted toad and shapeless elemental, dog-faced howler and silent strutter in darkness—all led by the abominable naked phosphorescent thing that had squatted on the carved golden throne; and that now strode insolently bearing in its arms the glassy-eyed corpse of the corpulent old man. The strange dark man danced in the rear, and the whole column skipped and leaped with Dionysiac fury. Malone staggered after them a few steps, delirious and hazy, and doubtful of his place in this or any world. Then he turned, faltered, and sank down on the cold damp stone, gasping and shivering as the demon organ croaked on, and the howling and drumming and tinkling of the mad procession grew fainter and fainter.

Vaguely he was conscious of chanted horrors, and shocking croakings afar off. Now and then a wail or whine of ceremonial devotion would float to him through the black arcade, whilst eventually there rose the dreadful Greek incantation whose text he had read above the pulpit of that dance-hall church.

"O friend and companion of night thou who rejoicest in the baying of dogs (here a hideous howl burst forth) and spilt blood (here nameless sounds vied with morbid shriekings), who wanderest in the midst of shades among the tombs (here a whistling sigh occurred), who longest for blood and bringest terror to mortals (short, sharp cries from myriad throats), Gorgo (repeated as response), Mormo (repeated with ecstasy), thousand-faced moon (sighs and flute notes), look favorably on our sacrifices!"

As the chant closed, a general shout went up, and hissing sounds nearly drowned the croaking of the cracked bass organ. Then a gasp as from many throats, and a babel of barked and bleated words—"Lilith, Great Lilith, behold the Bridegroom!" More cries, a clamor of rioting, and the sharp, clicking footfalls of a running figure. The footfalls approached, and Malone raised himself to his elbow to look.



The luminosity of the crypt, lately diminished, had now slightly increased; and in that devil-light there appeared the fleeing form of that which should not flee or feel or breathe—the glassy-eyed, gangrenous corpse of the corpulent old man, now needing no support, but animated by some infernal sorcery of the rite just closed. After it raced the naked, tittering, phosphorescent thing that belonged on the carven pedestal, and still farther behind panted the dark men, and all the dread crew of sentient loathsomenesses. The corpse was gaining on its pursuers, and seemed bent on a definite object, straining with every rotting muscle toward the carved golden pedestal, whose necromantic importance was evidently so great. Another moment and it had reached its goal, whilst the trailing throng labored on with more frantic speed. But they were too late, for in one final spurt of strength which ripped tendon from tendon and sent its noisome bulk floundering to the floor in a state of jellyish dissolution, the staring corpse which had been Robert Suydam achieved its object and its triumph. The push had been tremendous, but the force had held out; and as the pusher collapsed to a muddy blotch of corruption the pedestal he had pushed tottered, tipped, and finally careened from its onyx base into the thick waters below, sending up a parting gleam of carven gold as it sank heavily to undreamable gulfs of lower Tartarus. In that instant, too, the whole scene of horror faded to nothingness before Malone's eyes; and he fainted amidst a thunderous crash which seemed to blot out all the evil universe.




VII

Malone's dream, experienced in full before he knew of Suydam's death and transfer at sea, was curiously supplemented by some oddities of the case; though that is no reason why anyone should believe it. The three old houses in Parker Place, doubtless long rotten with decay in its most insidious form, collapsed without visible cause while half the raiders and most of the prisoners were inside; and both of the greater number were instantly killed. Only in the basements and cellars was there much saving of life, and Malone was lucky to have been deep below the house of Robert Suydam. For he really was there, as no one is disposed to deny. They found him unconscious by the edge of the night-black pool, with a grotesquely horrible jumble of decay and bone, identifiable through dental work as the body of Suydam, a few feet away. The case was plain, for it was hither that the smugglers' underground canal led; and the men who took Suydam from the ship had brought him home. They themselves were never found, or identified; and the ship's doctor is not yet satisfied with the certitudes of the police.

Suydam was evidently a leader in extensive man-smuggling operations, for the canal to his house was but one of several subterranean channels and tunnels in the neighborhood. There was a tunnel from this house to a crypt beneath the dance-hall church; a crypt accessible from the church only through a narrow secret passage in the north wall, and in whose chambers some singular and terrible things were discovered. The croaking organ was there, as well as a vast arched chapel with wooden benches and a strangely figured altar. The walls were lined with small cells, in seventeen of which—hideous to relate—solitary prisoners in a state of complete idiocy were found chained, including four mothers with infants of disturbingly strange appearance. These infants died soon after exposure to the light; a circumstance which the doctors thought rather merciful. Nobody but Malone, among those who inspected them, remembered the somber question of old Delrio: "An sint unquan daemones incubi et succubae, et an ex tali, congressu proles nasci queat?"

Before the canals were filled up they were thoroughly dredged, and yielded forth a sensational array of sawed and split bones of all sizes. The kidnapping epidemic, very clearly, had been traced home; though only two of the surviving prisoners could by any legal thread be connected with it. These men are now in prison, since they failed of conviction as accessories in the actual murders. The carved golden pedestal or throne so often mentioned by Malone as of primary occult importance was never brought to light, though at one place under the Suydam house the canal, was observed to sink into a well too deep for dredging. It was choked up at the mouth and cemented over when the cellars of the new houses were made, but Malone often speculates on what lied beneath. The police, satisfied that they had shattered a dangerous gang of maniacs and alien smugglers, turned over to the Federal authorities the unconvicted Kurds, who before their deportation were conclusively found to belong to the Yezidee clan of devils-worshippers. The tramp ship and its crew remain an elusive mystery, though cynical detectives are once more ready to combat its smuggling and rum-running ventures. Malone thinks these detectives show a sadly limited perspective in their lack of wonder at the myriad unexplainable details, and the suggestive obscurity of the whole case; though he is just as critical of the newspapers, which saw only a morbid sensation and gloated over a minor sadist cult when they might have proclaimed a horror from the universe's very heart. But he is content to rest silent in Chepachet, calming his nervous system and praying that time may gradually transfer his terrible experience from the realm of present reality to that of picturesque and semi-mythical remoteness.

Robert Suydam sleeps beside his bride in Greenwood Cemetery. No funeral was held over the strangely released bones, and relatives are grateful for the swift oblivion which overtook the case as a whole.

The scholar's connection with the Red Hook horrors, indeed, was never emblazoned by legal proof; since his death forestalled the inquiry he would otherwise have faced. His own end is not much mentioned, and the Suydams hope that posterity may recall him only as a gentle recluse who dabbled in harmless magic and folk-lore.

As for Red Hook—it is always the same. Suydam came and went; a terror gathered and faded; but the evil spirit of darkness and squalor broods on amongst the mongrels in the old brick houses; and prowling bands still parade on unknown errands past windows where lights and twisted faces unaccountably appear and disappear. Age-old horror is a hydra with a thousand heads, and the cults of darkness are rooted in blasphemies deeper than the well of Democritus. The soul of the beast is omnipresent and triumphant, and Red Hook's legions of blear-eyed, pockmarked youths still chant and curse and howl as they file from abyss to abyss, none knows whence or whither, pushed on by blind laws of biology which they may never understand. As of old more people enter Red Hook than leave it on the landward side, and there are already rumors of new canals running underground to certain centers of traffic in liquor and less mentionable things.

The dance-hall church is now mostly a dance-hall, and queer faces have appeared at night at the windows. Lately a policeman expressed the belief that the filled-up crypt has been dug out again, and for no simply explainable purpose. Who are we to combat poisons older than history and mankind? Apes danced in Asia to those horrors, and the cancer lurks secure and spreading where furtiveness hides in rows of decaying brick.

Malone does not shudder without cause—for only the other day an officer overheard a swarthy squinting hag teaching a small child some whispering patois in the shadow of an areaway. He listened, and thought it very strange when he heard her repeat over and over again:

"O friend and companion of night thou who rejoicest in the baying of dogs and spilt blood, who wanderest in the midst of shades among the tombs, who longest for blood and bringest terror to mortals, Gorgo, Mormo, thousand-faced moon, look favorably on our sacrifices!" 

 

About the Author

H. P. Lovecraft

H. P. Lovecraft was born in 1890 in Providence, Rhode Island, where he lived most of his life. He wrote many essays and poems early in his career, but gradually focused on the writing of horror stories, after the advent in 1923 of the pulp magazine Weird Tales, to which he contributed most of his fiction. His relatively small corpus of fiction--three short novels and about sixty short stories--has nevertheless exercised a wide influence on subsequent work in the field, and he is regarded as the leading twentieth-century American author of supernatural fiction. H. P. Lovecraft died in Providence in 1937.

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Monday, April 1, 2024

The Devil's Pay by August W. Derleth (Short Story)

 


The Devil's Pay

by August W. Derleth

Originally published in Weird Tales, August 1926

A Five-Minute Story of Black Magic


THE gondola thadded against the dock and a man jumped out. He drew his cloak about him, and the rings on his fingers flashed in the moonlight as he turned to the gondolier.

"I shall be gone perhaps for hours, Messer."

"No matter, Magnificent. I am at your command. I shall wait if need be until the dawn of the second day."

Then wait." He turned and plunged into the shadows, which seemed to reach out to engulf him. He walked swiftly, surely. His face was heavily veiled and his long black cloak reached to his ankles. The few pedestrians who passed him turned and stared for a moment but went on, failing to comprehend his mutterings. The path was none too smooth, and more than once the man from the gondola stumbled over the cobblestones. At length he modified his pace and began to scrutinize the houses about him. He stopped before a low structure squatting before him like an ugly, repulsive denizen of darkness. He raised his hand to rap upon the panel of the door, but before he could do so, it swung inward.

"Come," a voice bade him from the darkness, and he entered. At the farther end of the long hall he could discern & feeble light issuing from beneath the folds of a heavy curtain.

Follow," came the voice again, and he felt his way along the wall to where the curtain was, and when he reached it, it was swept aside and the light fell upon him and enveloped him. He stepped into the room that was thus disclosed, and the curtain fell again into place. Facing him was a man as repellent as the dwelling in which he lived. He was a short man, and his beady eyes flashed venomously at the visitor. He attempted to smile, but his sensual lips curled into & sneer which mocked the attempt. He slowly lowered the flambeau in the sconce which he had held at arm's length to the table behind him, and he endeavored to pierce the veil which covered his visitor's face.

The Duke of Venice raised the veil and moved forward.

"Messer Duca!" gasped the magician, and his face paled a trifle. “What is the cause for this honor, if I may so much as ask, Magnificent"

The duke sank into a chair and gazed meditatively at the wizard before him.

"I have an enemy, Messer Gamani—" He glanced meaningly at his host.

"Ah, Excelleney. Poisons! Or perhaps a keen stiletto," he answered, quick at comprehension.

"No. Neither will do. They avail me nought. I have used them. I have had my enemy set upon, but he turned and slaughtered my men and escaped without so much as a scratch. Diavolot I have sent him wines dilated with the best of poisons, but they have gone into the canals of Venice. I have sent him a gorgeous gown saturated with a deadly poison, but he allowed a lackey to wear it and discovered my plan, for, of course, the lackey died. I have sent him an opal with the curse of hell upon it, but he ground it and returned it to me. But need I go on! I have come to you as a last resort. He must die!"

"I see but one way, Excellency. Would you'-he stopped as if to reconsider, but resumed almost at once at the gesture of impatience manifested by his visitor " would you enlist the powers of darkness"

The duke nodded silently and shrugged his shoulders eloquently.

“You are aware, Messer Duea, that man must pay for consort with Satan?"

"I am aware. I care not for the consequences."

"It is a rash act, Magnificent."

"It remains that my enemy must die," returned the duke coldly.

Messer Gamani shrugged his shoulders and spread his hands in a gesture of helplessness.

"Since you are determined, Excelleney—.”

"I am."

"Perchance you have a portrait of your enemy?"

"The duke cast something upon the table and the magician's hand closed over it, and he peered at it intently.

"It bears a strong resemblance to the Borgia."

"Cesare? It is not he; it is not a Borgia, much as it may seem."

Nesser Gamani remained silent. He moved to the fireplace and added fuel to the flames.

"Care you to watch my preparation, Excellency! I shall have completed the first part of the task in the space of a glass of sand. If you care not you may retire to my library and amuse yourself among my books."

"That I shall do, Messer Gamani."

A panel in the stone wall near the fireplace swung away and the duke passed into the wizard's library.


The sands in the hour-glass dribbled slowly to a heap, and as the last grains slipped through, Messer Gamani opened the panel in the wall and allowed the duke to enter.

The magician held a wax image in his hand, and he showed it to the duke, who exclaimed sharply: "It resembles him, my enemy, Messer Gamani!"

"It was modeled from the miniature portrait."

"What do you propose to do with it?"

"The image must be burned. It will take another glass of sand, but it can not be hastened."

“But when does my enemy succumb?"

“As the flame from the wax dies, so your enemy dies.

An expression of skepticism crossed the face of the duke.

"I very much doubt."

"Satan does not fail his followers, Magnificent."

"It remains to be seen."

He seated himself and watched the wizard ignite the taper of the wax figure. The incantations of the magician over it drew his attention for a space, and he watched the wax figure dwindle slowly before his eyes. The head was gone, the main body, and the flame sputtered over the legs of the fantastic little mold. As the flame expired over the wax remnants Messer Gamani turned to the duke.

"He is dead, Excellency. At the hour, seven glasses of sand since the setting of the sun."

The duke threw a purse of ducats upon the table, but Messer Gamani made no move to take it.

"Beware, Messer Gamani, if your efforts fail, if you have sported." He indicated the purse. "Take this gold."

"The gold is my pay. But there is more "

"More gola?"

"More pay. Satan must yet exact the penalty."

The duke was walking through the hall, the wizard at his heels. At the door they paused.

"The Devil may have a casket of gold," laughed the duke, "if my enemy is dead."

"Have you heard, Magnificent. The Devil loves nought so much as a soul."

His leering face vanished in the darkness, and the duke relished the vision of the magician's squat head on the end of a pike-pole as he picked his way back to where his gondola awaited him.

Tie stepped from his gondola to the cock before his magnificent palace and stood there a space watching the gondola recede in the distance. He looked up at the moon and wondered about his enemy. If he were not dead the vision of the wizard's head on a pike-pole would no longer be a vision, but a reality.

He was about to turn to ascend the steps to his palace when he heard the swishing of poles in the water. The gondola was coming at a swift rate, he judged. He did not err, for it hove into sight and came directly to the dock upon which he was standing.

"Messer Duca," came a muffled voice from the gondola.

The duke started; he recognized the voice of his watch in the house of his enemy.

"Ho, Messer Marequo. Come you from the residence of the duke?"

"So I do, and I must haste to return, for my absence will be suspected. I have great news.

“The duke—?”

"Is dead."

“Excellent."

"At the end of the sixth hour after sunset he was seized with a most violent pain throughout his body. He screamed that he was burning: that he had been poisoned. But he had not been poisoned, for his food-tasters still live unaffected. At the end of the seventh hour he succumbed in horrible pain, delivering a curse upon you."

"It is well, Messer Marequo. You shall be rewarded amply for this. You have not been followed?"

"I trow not, Magnificent."

Then haste and return; it would not do to have someone suspect you as my envoy."

The boat moved away, and the duke exultantly leaped up the steps and into the palace. He ascended to his chamber, threw off his cloak and donned a luxurious gown. His enemy was dead! Now he would no longer be hampered in his nefarious designs by his enemy! His chief councilor must know. He would go to him, now, and inform him of the incident. The Devil could come and take a casket of gold-ten caskets, for that matter, for his enemy was dead.

He started down the stairway as swiftly as his burdensome robe would allow. But half-way down his gown tangled in his legs and he tripped and fell headlong down the stone steps.

A lackey found him next morning. He was dead: his neck was broken.

END

Monday, March 25, 2024

Weird Tales Magazine: December 1937 (Complete Magazine)

 

 

Weird Tales Magazine: December 1937 (Complete Magazine)

 

Editor Title: Weird Tales - 1937 • [Weird Tales Magazine] • (1937) • edited by Farnsworth Wright
Contents (view Concise Listing)

    641 • A Wine of Wizardry (excerpt) • [Virgil Finlay's Poetry Series] • poem by George Sterling
    641 •  Wine of Wizardry • [Virgil Finlay's Poetry Series] • interior artwork by Virgil Finlay
    643 • The Sea-Witch • novelette by Nictzin Dyalhis
    643 •  The Sea-Witch • interior artwork by Virgil Finlay
    665 • Fane of the Black Pharaoh • short story by Robert Bloch
    665 •  Fane of the Black Pharaoh • interior artwork by Virgil Finlay
    677 • The Black Stone Statue • short story by Mary Elizabeth Counselman
    677 •  The Black Stone Statue • interior artwork by Virgil Finlay
    685 • The Old House on the Hill • poem by Winona Montgomery Gilliland
    686 • Flames of Vengeance • [Jules de Grandin] • novelette by Seabury Quinn
    687 •  Flames of Vengeance • interior artwork by Virgil Finlay
    705 •  Dr. De Grandin • (1937) • interior artwork by Virgil Finlay
    705 •  Dr. Trowbridge • (1937) • interior artwork by Virgil Finlay
    708 • Child of Atlantis • novelette by Edmond Hamilton
    709 •  Child of Atlantis • interior artwork by Virgil Finlay
    726 • The Voyage of the Neutralia (Part 2 of 3) • serial by B. Wallis
    727 •  The Voyage of the Neutralia (Part 2 of 3) • interior artwork by Virgil Finlay
    740 • Uneasy Lie the Drowned • short story by Donald Wandrei
    744 • The Keen Eyes and Ears of Kara Kedi • short story by Claude Farrère?
    (trans. of La peur du chat 1907)
    748 • Fragment ("And so his boyhood wandered into youth...") • poem by Robert E. Howard
    749 • Polaris • [Dream Cycle] • (1920) • short story by H. P. Lovecraft
    751 •  Weird Story Reprint • (1928) • interior artwork by Hugh Rankin
    751 • Laocoon • (1926) • short story by Bassett Morgan
    760 •  The Eyrie • (1924) • interior artwork by Andrew Brosnatch
    760 • The Eyrie (Weird Tales, December 1937) • [The Eyrie] • essay by Farnsworth Wright [as by The Editor]
    760 •  Letter (Weird Tales, December 1937): Here It Is • essay by Gertrude Hemken
    761 •  Letter (Weird Tales, December 1937): From a Spanish Friend • essay by Jorge Thuillier
    762 •  Letter (Weird Tales, December 1937): Orchids to Mr. Pryke • essay by Pete Thompson (correspondent)
    762 •  Letter (Weird Tales, December 1937): Poe Outshone • essay by George W. Skora
    763 •  Letter (Weird Tales, December 1937): Like Rare Old Wine • essay by Natalie Rockwell
    763 •  Letter (Weird Tales, December 1937): Trudy, Beware of Oliver! • essay by Henry Kuttner
    764 •  Letter (Weird Tales, December 1937): It Happened One Night • essay by Manly Wade Wellman
    764 •  Letter (Weird Tales, December 1937): A Conte Cruel • essay by J. Vernon Shea [as by J. Vernon Shea, Jr.]
    764 •  Letter (Weird Tales, December 1937): Happy vs. Unhappy Endings • essay by Clifton Hall
    765 •  Letter (Weird Tales, December 1937): The October Issue • essay by Julius Hopkins
    766 •  Letter (Weird Tales, December 1937): Hamilton Special • essay by B. M. Reynolds
    766 •  Letter (Weird Tales, December 1937): End of the Abyss • essay by J. A. Murphy
    767 •  Letter (Weird Tales, December 1937): Random Notes by W. C., Jr. • essay by W. C., Jr.
    768 •  Letter (Weird Tales, December 1937): Concise Comments • essay by Richard H. Jamison [as by Richard F. Jamison]
    768 •  Letter (Weird Tales, December 1937): Concise Comments • essay by Jean Van Wissink
    768 •  Letter (Weird Tales, December 1937): Concise Comments • essay by R. N. Nicholaieff
    768 •  Letter (Weird Tales, December 1937): Concise Comments • essay by Seymour Kapetansky
    768 •  Letter (Weird Tales, December 1937): Concise Comments • essay by Alvin V. Pershing [as by A. V. Pershing]
    768 •  Letter (Weird Tales, December 1937): Concise Comments • essay by Edward Landberg
    768 •  Letter (Weird Tales, December 1937): Concise Comments • essay by Henry Kuttner
    bep • Coming Next Month (Weird Tales, December 1937) • essay by uncredited


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Sunday, March 17, 2024

The Quest of Iranon by H. P. Lovecraft


The Quest of Iranon by H. P. Lovecraft

The Quest of Iranon

By H. P. LOVECRAFT

[Transcriber's Note: This etext was produced from
Weird Tales March 1939.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


Into the granite city of Teloth wandered the youth, vine-crowned, his yellow hair glistening with myrrh and his purple robe torn with briers of the mountain Sidrak that lies across the antique bridge of stone. The men of Teloth are dark and stern, and dwell in square houses, and with frowns they asked the stranger whence he had come and what were his name and fortune. So the youth answered:

"I am Iranon, and come from Aira, a far city that I recall only dimly but seek to find again. I am a singer of songs that I learned in the far city, and my calling is to make beauty with the things remembered of childhood. My wealth is in little memories and dreams, and in hopes that I sing in gardens when the moon is tender and the west wind stirs the lotus-buds."

When the men of Teloth heard these things they whispered to one another; for though in the granite city there is no laughter or song, the stern men sometimes look to the Karthian hills in the spring and think of the lutes of distant Oonai whereof travelers have told. And thinking thus, they bade the stranger stay and sing in the square before the Tower of Mlin, though they liked not the color of his tattered robe, nor the myrrh in his hair, nor his chaplet of vine-leaves, nor the youth in his golden voice. At evening Iranon sang, and while he sang an old man prayed and a blind man said he saw a nimbus over the singer's head. But most of the men of Teloth yawned, and some laughed and some went away to sleep; for Iranon told nothing useful, singing only his memories, his dreams, and his hopes.

"I remember the twilight, the moon, and soft songs, and the window where I was rocked to sleep. And through the window was the street where the golden lights came, and where the shadows danced on houses of marble. I remember the square of moonlight on the floor, that was not like any other light, and the visions that danced in the moonbeams when my mother sang to me. And too, I remember the sun of morning bright above the many-colored hills in summer, and the sweetness of flowers borne on the south wind that made the trees sing.

"O Aira, city of marble and beryl, how many are thy beauties! How loved I the warm and fragrant groves across the hyaline Nithra, and the falls of the tiny Kra that flowed through the verdant valley! In those groves and in that vale the children wove wreaths for one another, and at dusk I dreamed strange dreams under the yath-trees on the mountain as I saw below me the lights of the city, and the curving Nithra reflecting a ribbon of stars.

"And in the city were palaces of veined and tinted marble, with golden domes and painted walls, and green gardens with cerulean pools and crystal fountains. Often I played in the gardens and waded in the pools, and lay and dreamed among the pale flowers under the trees. And sometimes at sunset I would climb the long hilly street to the citadel and the open place, and look down upon Aira, the magic city of marble and beryl, splendid in a robe of golden flame.

"Long have I missed thee, Aira, for I was but young when we went into exile; but my father was thy King and I shall come again to thee, for it is so decreed of Fate. All through seven lands have I sought thee, and some day shall I reign over thy groves and gardens, thy streets and palaces, and sing to men who shall know whereof I sing, and laugh not. For I am Iranon, who was a Prince in Aira."


That night the men of Teloth lodged the stranger in a stable, and in the morning an archon came to him and told him to go to the shop of Athok the cobbler, and be apprenticed to him.

"But I am Iranon, a singer of songs," he said, "and have no heart for the cobbler's trade."

"All in Teloth must toil," replied the archon, "for that is the law." Then said Iranon:

"Wherefore do ye toil; is it not that ye may live and be happy? And if ye toil only that ye may toil more, when shall happiness find you? Ye toil to live, but is not life made of beauty and song? And if ye suffer no singers among you, where shall be the fruits of your toil? Toil without song is like a weary journey without an end. Were not death more pleasing?" But the archon was sullen and did not understand, and rebuked the stranger.

"Thou art a strange youth, and I like not thy face or thy voice. The words thou speakest are blasphemy, for the gods of Teloth have said that toil is good. Our gods have promised us a haven of life beyond death, where there shall be rest without end, and crystal coldness amidst which none shall vex his mind with thought or his eyes with beauty. Go thou then to Athok the cobbler or be gone out of the city by sunset. All here must serve, and song is folly."



"Beyond the Karthian hills lieth Oonai, the city of lutes and dancing."


So Iranon went out of the stable and walked over the narrow stone streets between the gloomy square houses of granite, seeking something green, for all was of stone. On the faces of men were frowns, but by the stone embankment along the sluggish river Zuro sate a young boy with sad eyes gazing into the waters to spy green budding branches washed down from the hills by the freshets. And the boy said to him: "Art thou not indeed he of whom the archons tell, who seekest a far city in a fair land? I am Romnod, and born in the blood of Teloth, but am not old in the ways of the granite city, and yearn daily for the warm groves and the distant lands of beauty and song. Beyond the Karthian hills lieth Oonai, the city of lutes and dancing, which men whisper of and say is both lovely and terrible. Thither would I go were I old enough to find the way, and thither shouldst thou go and thou wouldst sing and have men listen to thee. Let us leave the city Teloth and fare together among the hills of spring. Thou shalt show me the ways of travel and I will attend thy songs at evening when the stars one by one bring dreams to the minds of dreamers. And peradventure it may be that Oonai the city of lutes and dancing is even the fair Aira thou seekest, for it is told that thou hast not known Aira since old days, and a name often changeth. Let us go to Oonai, O Iranon of the golden head, where men shall know our longings and welcome us as brothers, nor ever laugh or frown at what we say." And Iranon answered:

"Be it so, small one; if any in this stone place yearn for beauty he must seek the mountains and beyond, and I would not leave thee to pine by the sluggish Zuro. But think not that delight and understanding dwell just across the Karthian hills, or in any spot thou canst find in a day's, or a year's, or a lustrum's journey. Behold, when I was small like thee I dwelt in the valley of Narthos by the frigid Xari, where none would listen to my dreams; and I told myself that when older I would go to Sinara on the southern slope, and sing to smiling dromedarymen in the market place. But when I went to Sinara I found the dromedarymen all drunken and ribald, and saw that their songs were not as mine; so I travelled in a barge down the Xari to onyx-walled Jaren. And the soldiers at Jaren laughed at me and drave me out, so that I wandered to other cities.

"I have seen Stethelos that is below the great cataract, and have gazed on the marsh where Sarnath once stood. I have been to Thraa, Ilarnek, and Kadatheron on the winding river Ai, and have dwelt long in Olathoë in the land of Lomar. But though I have had listeners sometimes, they have ever been few, and I know that welcome shall wait me only in Aira, the city of marble and beryl where my father once ruled as King. So for Aira shall we seek, though it were well to visit distant and lute-blessed Oonai across the Karthian hills, which may indeed be Aira, though I think not. Aira's beauty is past imagining, and none can tell of it without rapture, whilst of Oonai the camel-drivers whisper leeringly."


At the sunset Iranon and small Romnod went forth from Teloth, and for long wandered amidst the green hills and cool forests. The way was rough and obscure, and never did they seem nearer to Oonai the city of lutes and dancing; but in the dusk as the stars came out Iranon would sing of Aira and its beauties and Romnod would listen, so that they were both happy after a fashion. They ate plentifully of fruit and red berries, and marked not the passing of time, but many years must have slipped away. Small Romnod was now not so small, and spoke deeply instead of shrilly, though Iranon was always the same, and decked his golden hair with vines and fragrant resins found in the woods. So it came to pass one day that Romnod seemed older than Iranon, though he had been very small when Iranon had found him watching for green budding branches in Teloth beside the sluggish stone-banked Zura.

Then one night when the moon was full the travellers came to a mountain crest and looked down upon the myriad lights of Oonai. Peasants had told them they were near, and Iranon knew that this was not his native city of Aira. The lights of Oonai were not like those of Aira; for they were harsh and glaring, whilst the lights of Aira shine as softly and magically as shone the moonlight on the floor by the window where Iranon's mother once rocked him to sleep with song. But Oonai was a city of lutes and dancing; so Iranon and Romnod went down the steep slope that they might find men to whom songs and dreams would bring pleasure. And when they were come into the town they found rose-wreathed revellers bound from house to house and leaning from windows and balconies, who listened to the songs of Iranon and tossed him flowers and applauded when he was done. Then for a moment did Iranon believe he had found those who thought and felt even as he, though the town was not an hundredth so fair as Aira.

When dawn came Iranon looked about with dismay, for the domes of Oonai were not golden in the sun, but gray and dismal. And the men of Oonai were pale with revelling, and dull with wine, and unlike the radiant men of Aira. But because the people had thrown him blossoms and acclaimed his songs Iranon stayed on, and with him Romnod, who liked the revelry of the town and wore in his dark hair roses and myrtle. Often at night Iranon sang to the revellers, but he was always as before, crowned only with the vine of the mountains and remembering the marble streets of Aira and the hyaline Nithra. In the frescoed halls of the monarch did he sing, upon a crystal dais raised over a floor that was a mirror, and as he sang, he brought pictures to his hearers till the floor seemed to reflect old, beautiful and half-remembered things instead of the wine-reddened feasters who pelted him with roses. And the King bade him put away his tattered purple, and clothed him in satin and cloth-of-gold, with rings of green jade and bracelets of tinted ivory, and lodged him in a gilded and tapestried chamber on a bed of sweet carven wood with canopies and coverlets of flower-embroidered silk. Thus dwelt Iranon in Oonai, the city of lutes and dancing.

It is not known how long Iranon tarried in Oonai, but one day the King brought to the palace some wild whirling dancers from the Liranian desert, and dusky flute-players from Drinen in the East, and after that the revellers threw their roses not so much at Iranon as at the dancers and the flute-players. And day by day that Romnod who had been a small boy in granite Teloth grew coarser and redder with wine, till he dreamed less and less, and listened with less delight to the songs of Iranon. But though Iranon was sad he ceased not to sing, and at evening told again his dreams of Aira, the city of marble and beryl. Then one night the reddened and fattened Romnod snored heavily amidst the poppied silks of his banquet-couch and died writhing, whilst Iranon, pale and slender, sang to himself in a far corner. And when Iranon had wept over the grave of Romnod and strewn it with green budding branches, such as Romnod used to love, he put aside his silks and gauds and went forgotten out of Oonai the city of lutes and dancing clad only in the ragged purple in which he had come, and garlanded with fresh vines from the mountains.

Into the sunset wandered Iranon, seeking still for his native land and for men who would understand and cherish his songs and dreams. In all the cities of Cydathria and in the lands beyond the Bnazic desert gay-faced children laughed at his olden songs and tattered robe of purple; but Iranon stayed ever young, and wore wreaths upon his golden head whilst he sang of Aira.


So came he one night to the squalid cot of an antique shepherd, bent and dirty, who kept flocks on a stony slope above a quicksand marsh. To this man Iranon spoke, as to so many others:

"Canst thou tell me where I may find Aira, the city of marble and beryl, where flows the hyaline Nithra and where the falls of the tiny Kra sing to verdant valleys and hills forested with yath-trees?" And the shepherd, hearing, looked long and strangely at Iranon, as if recalling something very far away in time, and noted each line of the stranger's face, and his golden hair, and his crown of vine-leaves. But he was old, and replied:

"O stranger, I have indeed heard the name of Aira, and the other names thou hast spoken, but they come to me from afar down the waste of long years. I heard them in my youth from the lips of a playmate, a beggar's boy given to strange dreams, who would weave long tales about the moon and the flowers and the west wind. We used to laugh at him, for we knew him from his birth though he thought himself a King's son. He was comely, even as thou, but full of folly and strangeness; and he ran away when small to find those who would listen gladly to his songs and dreams. How often hath he sung to me of lands that never were, and things that never can be! Of Aira did he speak much; of Aira and the river Nithra, and the falls of the tiny Kra. There would he ever say he once dwelt as a Prince, though here we knew him from his birth. Nor was there ever a marble city of Aira, or those who could delight in strange songs, save in the dreams of mine old playmate Iranon who is gone."

And in the twilight, as the stars came out one by one and the moon cast on the marsh a radiance like that which a child sees quivering on the floor as he is rocked to sleep at evening, there walked into the lethal quicksands a very old man in tattered purple, crowned with withered vine leaves and gazing ahead as if upon the golden domes of a fair city where dreams are understood.

That night something of youth and beauty died in the elder world.